Bizarre

This is not a movie to be watched once. It won't make sense if you do not ponder the meaning beneath the images and scenes. It may look scattered and confusing with many plot lines interwoven through but you have to make sense of it. It is a subjective experience that must be savored more than once.

A film that attempted to fuse two very distinct story lines, but I think failed to give us any connections.

If we're supposed to be shocked by the people who frequent the bar, we're not. In reality, those people exist. However, even though they might think otherwise, they also may be helped by a few good people. They need not be forever lost. Few people are inherently perverse.

But that isn't my point here. The narrative of our protagonist (who admittedly doesn't speak much - although I'm not sure why. It might even have allowed us to partially understand his background.

The thing is, the collection of people around him are largely irrelevant.

The last few minutes are confusing, to say the least. Almost as if the director decided he was tired of the whole affair and just wanted it all to be done.

My take on it would have been a juxtaposition on the abnormality, but very real humanity, of the people who frequented the bar. Then it would have been possible to bridge the gap between our other characters.

Anyway, that's a long story.

The director doesn't understand people.

The title is derived from Bar Bizarre in Brooklyn, a home for fetish performances that take place on stage for all to see! Homeless French teenager, Maurice, seems to be on the run. As luck has it, the female owners of Bizarre take Maurice in, creating a new and strange path in his life. What transpires is almost reminiscent of the Warhol / Morrissey films, FLESH (1968), TRASH (1970) and HEAT (1972), but with less talk and more visual aid in telling the tale. The standout in this curious piece is the stage performers of Bar Bizarre, and how strange indeed. As for the rest, you watch in wonder and get taken in with Maurice's affection with the feminine anorexia barman, Luka (stunning performance and not to be seen in anything else at the moment).

I liked this movie, not from the very beginning, but as the story evolves - french cute boy comes to Brooklyn and works in exchange for a place to sleep as barkeeper / dishwasher in the underground club Bizarre, - it becomes more and more emotionally dense. And erotic. And this is for me what the story is about: it leaves a lot for your imagination, it doesn't show all, the feelings of Maurice (main actor Pierre Prieur) as well as his motives and fears are just to imagine, as not spoken out. Isn't this what love and Eros is all about. Name it and it's gone. This is not an easy movie, although there are a lot of funny, weird, queer, drag queen scenes, which are seldom seen in bigger productions in such honesty and passion. Because this movie leaves the interpretation of the story and especially the (absolutely not predictable) end to the viewer. I love the movie, I love the actors, their beauty, their self- consciousness. And after I heard an interview with the director in Berlin (Teddy Awards), I also like him and his way of making underground movies. This is not an American gay movie, where everything is clear. This is great European (French) cinema. Its not about sex, its about Eros. If you like movies, where you have to think for yourself and don't get answers served on a silver tablet, watch this gem of a gay themed movie.

A French teenager gets a job at the burlesque club Bizarre in New York.

I had a vague idea of what to expect with this, that it would be arty, explicit and the explicitness would be largely gratuitous. It's certainly all that, and less.

A plot would have been nice. There is none, or nothing discernible at least. The teenager is really just a medium to show all the weird, pretentious stuff, as if it's a documentary and he's the historian.

It's all about weird stuff happening just for shock value sake and is totally devoid of any substance.

Avoid.