Dope

Grab a coming-of-age film with 3 innocent teens, slap an R (MA15+) rating on it and you get this very 'dope' film. Dope is easily one of the most interesting and by far unique films of the last few years. You go in expecting one thing, and come out of it getting something far from what you wanted. Usually that would be a bad thing, but this film was so intelligent and different that you can't help but leave with a smile on your face. I was expecting some sort of run of the mill coming-of-age comedy after seeing the trailer, but the film is much more complex than that, incorporating lots of themes and ideas that make you think while also keeping up the fun entertainment the whole way through. It was just a really refreshing thing to see in a world where most films today are just borrowing from other successful films. This movie has fantastic performances, an entertaining and fun plot that takes turns you never expect, and a great visual style that makes this stand out on its own in the Coming-Of-Age film genre.

Lets talk about these performances shall we, because these are three that will most likely get severely overlooked this year but i don't think it is the last we have heard of some of these actors. Your main guy Shameik Moore did an incredible job at playing Malcolm, this teenager who is trying to keep in line with school and college whilst all of these problems come his way that force him to be someone more than just the geek. He was great at conveying that this guy really wants to do good in the world but sometimes things happen that force you to act against your own instincts. He handled the serious intense scenes well, he delivered so great on the comedy and has definitely opened the door on his movie career. The other great performance was Tony Revolori who was so funny and witty and played his character well. I loved him in last years 'The Grand Budapest Hotel' so i had no doubt he would be great in this and he did not disappoint. His character could very easily been the dopey side character who is only around for comic relief but he proved to be an integral part of the film. But my favourite performance had to be by Kiersey Clemons who absolutely killed it in what is her breakout roll. She brought so much life and personality not only to her character but also to the film and made it infinitely more funny and entertaining. I can't wait to see her in more things because i loved her in this.

Lets talk about the plot, storytelling and structure of this film because it was mostly very very well made and told. I have to give a load of credit to the writers of this film because the plot for this film did not go in any direction i could've thought of in a million years. It was so engaging and there was a sense of urgency to the film, like, you always are wanting to know what will happen next and where the film is going to take you. Incredible writing that worked really really well. While i was watching the film i wasn't so thrilled with the first 15 minutes or so, i felt that it was taking too long to introduce these characters and showing things that didn't look like they were leading anywhere. But by the end of the film, everything about the beginning pays off, you get this very interesting before and after that incorporates some interesting themes about being yourself and thats where the film does great at incorporating some positive messages.

The film got a little patchy at times, where it was kind of dwelling on one thing when i wanted to move on to see what was going on with something else, but that was very quick and minor and didn't hurt it that much. In the end, this film was full of awesome, refreshing ideas that took the coming-of-age genre i love to new heights. Packed with comedy, some well used action, as well as incorporating crime and drama elements, this really was a complete package and is an indie film you should definitely check out and have a 'dope' ride. - 8.4

Coming out around the same time as Straight Outta Compton, which also deals with a group of friends in crime filled Cali that has a ton of music, Dope was a bit overshadowed in early August when it hit theaters. Make no mistake though, this is a really good film. It's highly entertaining, fast paced, and easily one of the most original screenplays of 2015 and perhaps of the past few years.

We follow a group of 'nerds' as they call themselves who are highly intelligent but also love 90's rap and jamming out themselves as their own band Awreeoh. It just so happens that they get caught up in a dangerously tricky situation involving some 'dope'. It's fair to say that most of what happens in the film is a bit too coincidental, it is. But what I loved most was this group of nerds and their reactions to each coinciding event. Shameik Moore plays the lead character, Malcom, and he does so wonderfully. If Moore plays his cards correctly, I think we will hear about this kid for years to come.

More importantly, you really buy into the groups dynamic. It never feels fake even when the situation surrounding them gets to be far- fetched. But I guess that also brings me to one of my negatives which is that after the first half or so it turns into Malcom's story. The first 45 minutes are great mainly because of the group's various endeavors. It's not a bad thing necessarily, it was just a tad less interesting. There's also a message behind the film that arises around the last 15 minutes or so and I can definitely see where it would be jarring to people. It doesn't take you out of the film per se but it is something you just have to accept.

So Dope's first half is up in there in my most entertaining 45 minutes of 2015. The last hour is fine but it definitely brings the film down a notch. If anything, Dope is worth watching if you're a fan of rap, a nerd, or you would like to see one of the best performances from someone who likely won't even be considered for an Oscar. Or maybe you just want to check in and see how you're favorite rappers Tyga and ASAP Rocky did on the big screen. Either way, check out Dope.

+Moore's breakthrough role

+Music

+Original idea turns out to be so fun

+Nerds seem like actual nerds

-Second half takes a big dip in quality

7.9/10

"Dope" is not the movie that you probably expect when hearing the title. I want to stress that. The word itself has negative connotations (with most thinking immediately of drugs when they hear it), and though it certainly deals with things of that sort, it isn't really that simple. The few definitions of the word are addressed at the beginning of the film, most notably as a slang term referring to something that is "very good". This definition, my favorite of the few, seems to capture the movie in the best light.

Essentially, this is a coming-of-age picture. Our main character is Malcolm, a high-school senior who's obsessed with 90s hip-hop culture, and who constantly shows this affection by emulating the fashion and language of the time. He's a straight-A student with perfect SAT scores and seems to have everything under control - despite a few bullies - until he finds himself taking a chance invitation to a drug dealer's birthday party along with his two best friends. From there, he's taken on a crazy adventure littered with bad choice after bad choice, all the while juggling college applications and interviews that will surely determine his future.

Writer/Director Rick Famuyiwa strips the film of any tired clichés or stereotypes for African-American characters, and surprisingly manages to infuse details that question the issues of racism and class discrimination. But above all, he makes a really fun movie. The writing is sharp and humorous, with the acting from the main trio - Shameik Moore, Tony Revolori, and Kiersey Clemons - complimenting it excellently. And though it's undoubtedly rough around the edges, its wit and ceaseless energy make it irresistible.

Rick Famuyiwa's "Dope" opens by providing its titular term with three distinct definitions - to paraphrase, the word can mean an illegal drug, a stupid person, or an affirmation of something's greatness. For the next one-hundred and ten minutes, the film works to illustrate all of those features in some way or another through a lens that's unique, refreshing, and respectful to its characters and their cultures.

Our main character is Malcolm (Shameik Moore), a black teenager carefully surviving in his crime/drug-ridden neighborhood of Inglewood, California, Despite being influenced by modern forces like the internet and Bitcoin, he loves nineties hip-hop and the culture of yesteryear, and so do his two closest friends, Jib ("The Grand Budapest Hotel"'s Tony Revolori) and Diggy (Kiersey Clemons), who play in his punk band. Malcolm is going for what seems to be the impossible, which is applying for Harvard and forging a successful career path post-high school. However, in the mix of taking his SAT and writing his college entrance essay, Malcolm gets caught up in the underworld of illegal drugs and crime in the most unconventional way possible. After being invited to a party thrown by a drug dealer (rapper A$AP Rocky), Malcolm works to craft a name for himself by getting invested in the online drug-drealing world, using the help of a local hacker and Bitcoin to create a huge influx of revenue for him and his friends.

Famuyiwa attempts to do the same thing to African-Americans that John Hughes did with the middle class high school population in the 1980's, which is cut through the stereotypes, the incredulous romances, and what adults perceive teenagers to be like to really get to the heart of them as people. People with choices and decisions to make that are often times as big or as impacting as the ones adults make. The difference is, however, adults come equipped with life experiences where teenagers generally come equipped with their own instincts and peer pressure in their decision-making.

"Dope" shows the constant struggles of being a moral teenager engulfed in a society driven by illegal behavior and surrounded by peers who are nudging you onto a more dangerous pathway than on which you'd like to travel. The fact that it pays homage to the music and the urban movies of the 1990's is interesting because "Dope" doesn't focus on an anti-hero in a gritty neighborhood, much like the films of that era did. Instead, adhering to the principles of Hughes, it turns to the geek and, in turn, humanizes and paints him as a character trying to find himself in the mix of all this madness.

Famuyiwa and cinematographer Rachel Morrison crossbreed the early 1990's hip-hop culture with the contemporary technology of the mid-2010's, causing a culture shock of epic proportions in "Dope"'s aesthetic variety. "Dope" has the cinematic look of acid-washed jeans, the feel of a sun-soaked day at the beach, and the smells of everything from acne cream, sunscreen, and marijuana ostensibly infused into every scene. It's the kind of aesthetic that's so detail-centric it almost channels the likes of Wes Anderson, minus the meticulous symmetry in every scene.

Shameik Moore must be given considerable praise for his role here, which can only be described as a breakout performance. His human characteristics, carefully painted by Famuyiwa, his conflicted personalities, and his subtle arrogance, all traits that, in the end, make him very likable, echo the sentiments of Cuba Gooding, Jr. in "Boyz 'N The Hood," another conflicted soul caught in between being moral in a morally bankrupt area or taking the easy way out. Alongside Revolori and Clemons, two supporting roles that, again, go far and beyond the call of supporting roles, Moore is a talented who you find yourself being unable to take your eyes off of throughout the entire film.

Above all the aesthetic and character charm, "Dope" is a surprisingly optimistic film. It doesn't get bogged down by environmental cynicism, even when Malcolm has to turn into the kind of people he never wanted to associate himself with. Famuyiwa takes a brave step in the opposite direction of his peers, capturing acts like drug-dealing and backhanded deals in a light that accentuates joy and positivity, but it's all this that make "Dope" an even more fascinating character study, coming of age story, and a subversive tale about life in an urban area.

"A movie about nerds who love 90's hip-hop showing up a gangster? Yes, please!" was my initial reaction to this movie when I saw it on Netflix. So, last night, I stayed up and watched the movie. And...? Well, I think there's plenty of enjoyable things in this movie, but there's also just some dumb stuff that I can't get past that make this movie a little odd to me.

First of all, I really like Malcolm. He is an enjoyable lead, relate-able and is well developed, not to mention that the actor gives a solid performance. It's easy to care about this character.

I also really liked the set-up of the movie. It had an interesting idea and seemed to have a good way of carrying it out.

Thirdly, I also loved the comedy. There are some legitimately funny moments in this movie.

But...... Let's get into the bad.

This is a bland looking movie. The cinematography is pretty standard, the set design in lack luster, and, outside of Malcolm's clothing, nothing really draws your eye to the screen. Just blah.

The side characters. I have no connections to these side characters. Dicky I only remember because she was a lesbian. That's her only character trait. The other friend is also bland. He's so bland, I don't even remember his name. But the WORST was Malcolm's love interest. I don't remember her name, either. She just seems so self- centered, and all we know is that she dated this one guy and wants to go to Six Flags. Not enough to make me invested in her.

Lastly, the film doesn't know when to end. Seriously. It has, like, 4 different endings. I thought it was over when Malcolm revealed his plan to a man that screwed him over. The music swelled, and the line was given a lot of emphasis. But, NOPE! There's another ending where Malcolm gives a big speech, the music swells, and then there's a line with a lot of focus on it. Is it over? Nope! Chuck Testa! Then there's a boring third ending with the a fore mentioned love interest that we don't care about. There was a fourth ending, and that one is the best. It just ends with a sort of cliff hanger, and I appreciated that ending. The first ending and last ending are just fine. But, they just had too much to cram in and it became too crowded.

So, this film is pretty funny and mostly enjoyable, but I don't think I'm going to watch it again any time soon.