Ajouter une intrigue dans votre langueA twist on the slasher genre, following two death-obsessed teenage girls who use their online show about real-life tragedies to send their small mid-western town into a frenzy, and cement th... Tout lireA twist on the slasher genre, following two death-obsessed teenage girls who use their online show about real-life tragedies to send their small mid-western town into a frenzy, and cement their legacy as modern horror legends.A twist on the slasher genre, following two death-obsessed teenage girls who use their online show about real-life tragedies to send their small mid-western town into a frenzy, and cement their legacy as modern horror legends.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 8 victoires et 4 nominations au total
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I feel a shades of Heathers (1988) and it certainly has a few nods to some classic slasher films. It is not the first film in recent years to put a new twist on slasher films with good results... The Final Girls (2015) and You're Next (2011) come to mind but I think this one is better than those and is sure to become a cult favourite in years to come.
7/10
I'm not quite sure if director Tyler MacIntyre is spoofing or accurately depicting the trending phenomenon of social media. Teenagers nowadays really are obsessed with their smartphones and do the craziest things to earn their spot on the internet. I don't see any dumb kids capable of murdering other human beings, but admittedly it's a good baseline for a horror comedy. In many other reviews I read that many viewers find all the lead characters, especially the two girls, hopelessly irritating and implausible, but I hardly think you can blame the script. Teens that send texts with hearts to each other while they're in the same classroom are irritating by default. The only character that I personally found truly annoying was Kevin Durand's serial killer Lowell (according to the credits that's his name, although I'm sure they call him Lehmann instead). He's the least competent killer in history and gets his butt whooped by a couple of teen drama queens no less than three times. "Tragedy Girls" is not an excessively gory film, but a handful of death scenes are both gruesome and utmost ingenious. Notably memorable moments include the combination of a poor girl's head and a buzz saw, Craig Robinson versus a dumbbell and a subtly genius "Cannibal Holocaust" tribute. This latter sequence probably won't get noticed by the youngest genre fanatics, but it does prove that MacIntyre knows his classics. His directing skills are more adequate, by the way. Add to this a pleasingly grim (albeit foreseeable) finale, and the overall end result is that "Tragedy Girls" is one of the more satisfying genre efforts of the 2010's.
PS: just in case you're wondering, this user comment's title is inspired by lyrics that are courtesy of The Bee Gees. Who?
The violence in the movie is so ridiculous and over-the-top that it definitely seems to fit the mould of a horror comedy. But there's no other comedy in it. The plot would have been an almost ideal set-up for a satire of today's social media obsessed youth, but the movie avoids any and all opportunities for social commentary.
It keeps you at arm's length from its characters - which will probably be okay with you, honestly - but then at the end seems to expect you to care for them. I didn't.
The ending would be quite bleak in a movie with a social conscience, but this movie has none, so it's more confusing than anything.
The plot: two teenage girls have a blog called "Tragedy Girls" in which they report on local tragedies and are dying for likes - as are, apparently, the people they write about. At the film's beginning, they set-up a poor (?) ugly teenage boy to meet his demise at the hands of a local slasher, and inexplicably take the slasher hostage. Apparently they have an empty warehouse somewhere all to themselves where they can detain serial killers and cut up bodies and nobody knows about it. They don't get many more likes from these escapades so they start killing people themselves.
That is basically it. Aside from a few creative death scenes - which, admittedly, use the horror-comedy trope of bodies being about as fragile as wax figurines - there's nothing else in the movie, really. This is one of few films where the plot description on IMDB tells you everything that happens in the whole movie.
Because it's a movie about two friends, of course there's an unnecessary diversion where they have a falling out and then make up, but that's about it.
The movie, ultimately, left a bad taste in my mouth. A topic like this cries out for comedy, insight, satire, anything. I think the filmmakers just had no idea how to handle it; it's a social commentary story forced into a horror-comedy film.
But this is also supposed to be a sort of stab at current society and celebrity status and the obsession of some with it. Actually it tries to juggle and play with too many subjects while trying to be as funny as possible. Not everything works out, but it's silly attitude can make things feel lighter than they actually are. So you can enjoy this and a one time viewing is sufficient ... maybe if you are in the right mind set, you will even enjoy this more than others did. Whatever the case, don't expect too much, put morality aside and you'll have a good time
It was quite refreshing and the 2 leads did a good job of playing annoyingly self obsessed teens. The rest of the cast do a good job as well and its well made all round including the gruesome deaths !!
Don't expect anything more than a slasher flick with a difference and enjoy it for what it is #betterthanmostslasherfilms
Le saviez-vous
- AnecdotesSyl's little free library is modeled after the Myers' house from Halloween (1978).
- Gaffes(at 54 minutes) When Lowell frees himself from the chair, it can be seen that his hands were only zip tied to one another behind his back, and not tied to the chair. As such, he could have gotten off the chair at any time.
- Citations
Sadie Cunningham: To make an omelette, you have to kill some ex-boyfriends.
- Crédits fousWhen the end credit screen for Brianna Hildebrand and Alexandra Shipp appears, three small "selfie" photos of each of them appear next to their names. The photos briefly change into photos of the girls wearing their killer masks.
- ConnexionsFeatures La Nuit des morts-vivants (1968)
- Bandes originalesUntil The Night Is Over
Performed by Timber Timbre
Written by Taylor Kirk
Courtesy of Arts and Crafts Productions Inc.
By Arrangement with Zync Music Group LLC
Meilleurs choix
- How long is Tragedy Girls?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Những Cô Gái Bi Kịch
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 61 899 $US
- Week-end de sortie aux États-Unis et au Canada
- 12 125 $US
- 22 oct. 2017
- Montant brut mondial
- 122 211 $US
- Durée1 heure 38 minutes
- Couleur
- Rapport de forme
- 2.39:1