Les oubliés

Several World War II stories are not told in the books, being forgotten over time. Inspired by true events, the film Under Sandet (original title) or Land of Mine (in English) addresses one of these reports, which occurred in Denmark after the war. Fearing that a possible Allied invasion would take place from the Danish coast, Nazi Germany filled the entire length of Denmark's west coast with over 1.5 million mines. With the German surrender and the end of the war in May 1945, more than 2,000 German prisoners of war were sent to disarm those landmines. The story focuses on a small group of young Germans who have the hard and dangerous task of clearing 45,000 mines from a danish beach to gain freedom.

The film, written and directed by Martin Zandvliet, is an excellent motion picture, managing to bring to the screen a work with a new approach, although all the other war films ever made before. With an original script, the director succeeds to convey the bitterness brought by five years of Nazi occupation in Denmark. He also portrays the exploitation of children dragged into war. One of the great successes of Zandvliet's direction and script is to show the war cycles: the winners, the danes, start to adopt the brutal practices of the losers, the Germans. It was precisely for situations like this that the Second World War broke out. France and other winning countries of World War required repairs and imposed absurd sanctions to Germany.

The photography, by Camilla Hjelm, is to behold. And here, again, we have to highlight the director's work. The use of long shot captures the beautiful danish landscape, while more intimate moments allow us to monitor the interactions among those soldiers. Maintaining an intense pace, the tranquility and vastness of the beach are contrasted, at all times, with the danger that awaits them "under the sand", expression that names the film. The soundtrack is catchy and at times heartbreaking, fitting in the drama narrated in the film.

One of the elements that makes Land of Mine a memorable experience is the excellent performance of Roland Møller, playing the role of Sergeant Carl Rasmussen, protagonist of the story. Responsible to oversee the group of German soldiers, Carl struggle to separate his military duties from the hatred he feels for the old enemy. The actor delivered a complex character, moody, bitter and angry, but at the same time which has not lost humanity that exists within him. The rest of the cast was also well chosen and psychologically developed, in which the actors who play the soldiers have different personalities.

With a philosophical discussion about military conflicts as well as being very intense and beautiful, Under Sandet gives us a real view of the complexities of the Second World War and human behavior.

Originally posted in: https://vikingbyheart.blogspot.com.br

This unbearably tense war movie is the Danish entry for this year's Best Foreign Language film. It's about a group of young German POW's who are forced to clear a minefield with their bare hands and it makes "The Hurt Locker" seem like a walk in the park. Brilliantly directed by Martin Zandvleit and beautifully played by a cast of mostly unfamiliar faces, this is an intelligent and unsentimental look a a piece of World War Two history usually ignored by the cinema and it has the courage to paint 'the enemy' in a good light and 'the allies' as villains. It's also beautifully shot in widescreen by Camilla Hjelm. See this.

"Those of you who count the mines, make sure my card is updated. This task is as important as defusing mines." Sgt. Carl Rasmussen (Roland Moller)

In 1945, Denmark needed to defuse the over 2 million landmines left on their western beaches by the Nazis. A Danish sergeant is responsible for 14 German POWs, youngsters all, to find the 45 K on one beach, after which the boys can go home.

That precision mentioned in the opening quote lies at the heart of the film's considerable suspense because one unaccounted for mine can take multiple lives. And so, the sergeant has to corral teenage workers, motivate them with fear, and keep at bay his growing affection for them.

Therein lies the real suspense: Will he learn to love and protect them or will he be brutal as he was in the opening scene? For a story somewhat like Hurt Locker, Land of Mine is a minimalist work of complexity, unadorned with the usual tropes of thrillers but full of the humanity to make it rise above just another WW II sentimental reflection.

Besides the tension built into the always impending explosions is the question of whether or not the Danes will act like Nazis suppressing the lads and hurrying them on to death. The moments of warmth between the sergeant and the boys are few but revelatory enough for us to hope their innocence and bravery will win him over.

Land of Mine will usher you into a war zone you've not seen handled so well in cinema, except possibly Jean Renoir's Grand Illusion in the '30's. The drama, replete with many dramatic elements and even Chekov's gun, will make you wince at the possibly grotesque fate of faultless boys and their conflicted sergeant.

There's a weird double edge sword going on here. Though I can't blame the Danish for being so cruel to the Germans so soon after the war ended, it's difficult in this PC world of 2017 to see this happening.

Denmark forces German soldiers to clean up their mess (A series of beaches infected with their land mines) before they can go home. Making this task even crueler is the soldiers doing it don't look old enough to smoke a cigarette.

It was a very honest look at the aftermath of war. The Danish military were treating the German's worse than dogs, though Germany deserved it for the part they played in WWII. Land of Mine is a focus on humanity as one Danish Commanding officer must find this with a group of German boys he commands like they were slaves

Land of Mine was at times hard to look at, especially when these kids were getting blown up. A little too real on how land mines work. One minute you're there, the next minute you're gone. Sometimes you saw the explosion coming, and then they surprise you with one you didn't. It strangely added to the drama.

Land of Mine was an interesting look on what it takes to turn the other cheek and forgive the enemy.

http://cinemagardens.com

A Danish war-drama that was inspired by the historical account, but all the characters were fictional. Remember this title for another six month, because I am confident this film will make a journey to the west coast of the USA to compete at the 89th Academy Awards in the coming February. I have seen many foreign films, but I'm not this much positive for any others. If this film fails to make, then that would be a great disappointment despite having no idea of what are the other four films. So this is just for now, my stance may change later.

Anyway, the film was heartbreakingly amazing. The WWII stories I had seen those told from the perspectives of the Australian, Japanese, Korean, Russian to African and European to the American western sea, Hawaii. And this is a Danish story, sets in just after the end of the war where prisoners of the war were used to clean up the mess. In the opening the teen German POWs were trained to defuse the land mine explosives and then later the unit was handed over to the Danish sergeant Carl Rasmussen where they are all going to work in one of the west coast landmines that was used to defend the Scandinavia by the Nazi. That is the story told how it all ends in the remaining parts.

This was like another 'Kajaki', but not actually a war film. Using of the prisoners as the labourers is a violation, according to the Geneva rule. That's the point of the film, focused to reveal the inhume act. But it was not anything like 'The Railway Man' 'Unbroken' or the 'The Bridge on the River Kwai'. Watching a film about the brave soldiers inspires us and bring patriotism, but in this those teen kid screaming whenever something goes wrong really brings heartache. So not everybody feels comfortable with it, especially the family audience. But there were lots of edgy moments and you would never know what events follows.

"If they are old enough to go to war, they are old enough to clean up."

It was shot is the real location, and I think that part contributed to depicting the actual atmosphere where most of the POWs lost their arms and legs and some exploded into many pieces in the air. It was a simple narration, but the visuals talked itself more than anything else. All the actors were outstanding, especially those 4-5 German teens and of course the Danish sergeant Carl. I think the Carl's influence had more impact, after seeing the opening scene where he went outrage and beat up those German soldiers returning home.

There are a couple of small twists, but there are some scenes which are not easy to get over. Even though we know those were just fake, but that does not work once you totally into the story deeply. This is a different kind of emotional film, something you rarely experience. The director who is also the writer must be appreciated for handling it perfectly. Especially keeping the screenplay uncomplicated and between the two nations, where in the real event involves the British officials. I have never seen his other films, but this one will define him forth and the people are going to recognise him. So I hope he'll keep up doing such level films in the future.

I have never seen such film, I mean seen some where the kids were tortured, but this was very unique and totally a different perspective for that takes place in the backdrop of the WWII. Especially the Germans perspective is the very rare kind. So I'm kind of thinking if Germany picks 'Look Who's Back' for the Oscars, the contest between these two would bring two different moods. At this point I don't remember any Danish film I have seen so far in my life other than this one which I feel is the best Danish film ever. I mean, come on, who would do such film where your own nation, if not the whole nation, the one who represent was shown in the negative shade over the Nazi Germans. This is definitely one of the best films of the year. Highly recommended.

8/10