Ajouter une intrigue dans votre langueDocumentary about the filmmaker Michelangelo Antonioni, his life and works.Documentary about the filmmaker Michelangelo Antonioni, his life and works.Documentary about the filmmaker Michelangelo Antonioni, his life and works.
Photos
Michelangelo Antonioni
- Self
- (images d'archives)
Lello Bersani
- Self
- (images d'archives)
Maurizio Costanzo
- Self
- (images d'archives)
Carlo Di Carlo
- Self
- (images d'archives)
Luciano Luisi
- Self
- (images d'archives)
Lino Miccichè
- Self
- (images d'archives)
Gianni Minà
- Self
- (images d'archives)
Vincenzo Mollica
- Self
- (images d'archives)
Ruggero Orlando
- Self
- (images d'archives)
Pietro Pintus
- Self
- (images d'archives)
Gian Luigi Rondi
- Self
- (images d'archives)
Marlisa Trombetta
- Self
- (images d'archives)
Sergio Zavoli
- Self
- (images d'archives)
Valentina Cortese
- Self
- (images d'archives)
- (non crédité)
Dorian Gray
- Self
- (images d'archives)
- (non crédité)
Tonino Guerra
- Self
- (non crédité)
David Hemmings
- Self
- (images d'archives)
- (non crédité)
Avis à la une
If you have access to the Criterion DVD of The Eclipse you might take an hour to watch this supplement which includes numerous clips of Antonioni philosophizing, a few clips with his collaborators, and tidbits from most of his work.
The most interesting bits of footage are the "filming of" clips from several titles and an entire deleted scene from L'Avventura which would have added some humor to that otherwise somber film.
The least interesting parts are the clips of the director philosophizing. It would have been more helpful to have feedback from more of the people who worked with him. Maybe even from a few articulate critics. Scenes of him receiving awards at festivals are, expectedly, as uninspiring as footage from your typical Academy Awards ceremony.
For some reason a number of the films are not represented by actual clips (the best option for giving viewers a taste ) but instead by still footage .
The most interesting bits of footage are the "filming of" clips from several titles and an entire deleted scene from L'Avventura which would have added some humor to that otherwise somber film.
The least interesting parts are the clips of the director philosophizing. It would have been more helpful to have feedback from more of the people who worked with him. Maybe even from a few articulate critics. Scenes of him receiving awards at festivals are, expectedly, as uninspiring as footage from your typical Academy Awards ceremony.
For some reason a number of the films are not represented by actual clips (the best option for giving viewers a taste ) but instead by still footage .
The great movie director, Michelangelo Antonioni.
One of the few to win the three European Grand Slams, a tear-jerker to watch, and truly a favorite director. Compared to Bergman's interview, which revealed a hint of hypocrisy, and Godard's unruly attitude all his life, Antonioni is a breath of fresh air in the world of directors. Antonioni seems to be a breeze in the director, kindly grandfather. In just 55 minutes, he encapsulates the life of the legendary director (who looks a bit like Martin The great movie director, Michelangelo Antonioni.
One of the few to win the three European Grand Slams, a tear-jerker to watch, and truly a favorite director. Compared to Bergman's interview, which revealed a hint of hypocrisy, and Godard's unruly attitude all his life, Antonioni is a breath of fresh air in the world of directors. Antonioni seems to be a breeze in the director, kindly grandfather. In just 55 minutes, he encapsulates the life of the legendary director (who looks a bit like Martin Scorsese).
One of the few to win the three European Grand Slams, a tear-jerker to watch, and truly a favorite director. Compared to Bergman's interview, which revealed a hint of hypocrisy, and Godard's unruly attitude all his life, Antonioni is a breath of fresh air in the world of directors. Antonioni seems to be a breeze in the director, kindly grandfather. In just 55 minutes, he encapsulates the life of the legendary director (who looks a bit like Martin The great movie director, Michelangelo Antonioni.
One of the few to win the three European Grand Slams, a tear-jerker to watch, and truly a favorite director. Compared to Bergman's interview, which revealed a hint of hypocrisy, and Godard's unruly attitude all his life, Antonioni is a breath of fresh air in the world of directors. Antonioni seems to be a breeze in the director, kindly grandfather. In just 55 minutes, he encapsulates the life of the legendary director (who looks a bit like Martin Scorsese).
Le saviez-vous
- AnecdotesThe documentary is included as a supplement on the Criterion DVD release of The Eclipse.
- ConnexionsFeatures Les gens du Po (1947)
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- The Eye That Changed Cinema
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée56 minutes
- Couleur
- Rapport de forme
- 1.33 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant