Ekkees Toppon Ki Salaami

Went to the Theatre with a concept of it being a political Satire with a good ensemble cast....But it turned out to be a satire with no specification on its type ... Ekkees Topon ki salaami is a story of a common man whose last wish was to receive Ekkees Topon ki Salaami after his death....Story is as simple as it can be.....

First let me point out the faults. The way this story moved is totally unrealistic. The First Twenty minute was comprising two songs, and that too in a satire flick..Torture...In the entire movie only one song was relevant and that was Ghoor Ghoor ke....

Now The GOOD points which overlapped the faults , even the unrealistic approach to the topic..Corruption, poverty, politicians thriving on the the common people and siphoning their blood out is a common scenario in this part of the continent...So making a movie out of it is a tricky business, the director must pull out something to make it interesting, and he did that...Every actor in the movie overacted and believe me that was the Major Contributary factor that made the story a grand success...the director placed certain important issues other than the political set up in a such a delicate way...that one will simply go with the flow and can feel the seriousness of the issues, like Parents spending their entire income on their children's future or hoe living a life entirely based on honesty is the most difficult task in this era....and this list continues..

As a corrupt politician, through quirky dialogues Bhagwan Tiwarii Portrayed the reality, of how Politician thinks the more scam they can perform , the more popular they are....even they can out of shame if their co-workers possess a bigger scam in their purse..

Aditi Sharma gave one of the movie's best scene...As a PS to minister, she showed that inspite of all difficulties you have to write a perfect speech although its original narration is full of filth...I loved that conversation...

Uttara ji gave a stellar performance, She showed how Satta revolves..

And not to mention the stars of the Movie Anupamkher ji, Divyendu sharma and Neha Dhupai...per excellence...Neha Dhupia perfectly over acted her parts that was definitely needed for the movie..she is indeed talented...Anupam ji is a maestro when it comes to acting and he proved that...oh his conversation with BMC officer And his sons were so real....Divyendu sharma...boy boy ....u r a charmer and a performer....

Disappointment: Ram Sampath....the movie only needed The Ghoor Ghoor ke song...rest all were unnecessary..

Surprise: Rahil Quazi....Man u wrote excellent dialouges...

It is definitely a Watch....

Having watched this movie in the comfort of my own home, my anticipation for a satisfying film experience was crushed as the story unfolded. The film's lack of realism and overall quality left me questioning my decision to invest time in it.

The movie attempted to engage its audience with a seemingly intriguing plot, but it quickly devolved into a disappointing mess that failed to hold my attention. The disjointed scenes and lack of narrative coherence left me feeling disconnected from the characters and their struggles, making it difficult to form any emotional attachment throughout the duration of the film.

I was taken aback by the movie's attempt at humor, which fell flat and felt contrived. Instead of genuine wit, the film resorted to juvenile and forced jokes that seemed aimed at appealing to the lowest common denominator. As a viewer who appreciates intelligent and well-crafted humor, I found this approach tiresome and unimpressive.

Additionally, the movie's portrayal of the target audience was nothing short of offensive. The writers seemed to have little respect for the viewers' intelligence, implying that only those with limited brainpower and excessive free time would find enjoyment in this film. Such a dismissive attitude towards the audience is disheartening and serves to alienate rather than engage.

The blame for this cinematic disaster lies squarely on the shoulders of the screenwriter. The lack of coherent storytelling and underdeveloped characters indicate a clear lack of understanding of the craft. It is unfortunate that a potentially promising premise was squandered in the hands of someone who lacked the artistic sensibility to bring it to life.

While it is possible that some viewers might find fleeting enjoyment in mindless entertainment, this movie fails to offer anything of substance or lasting value. I cannot, in good conscience, recommend it to anyone seeking a meaningful and enjoyable cinematic experience.

In conclusion, watching this movie at home did not salvage the disappointment it left me with. Its lack of realism, forced humor, and disrespectful portrayal of the audience make it a regrettable choice for home viewing. Spare yourself the frustration and seek out a film that respects its viewers' intelligence and offers a more fulfilling and worthwhile experience.

ETKS is a fresh comedy with a punch! The lead girls are amazingly dumb but look great on screen. Anupam Kher ji is a treat to sore eyes (which by the way is in the air) so leave your critical brains at home, and go for this one for a hearty laugh and a good time. ETKS is a fresh comedy with a punch! The lead girls are amazingly dumb but look great on screen. Anupam Kher ji is a treat to sore eyes (which by the way is in the air) so leave your critical brains at home, and go for this one for a hearty laugh and a good time.ETKS is a fresh comedy with a punch! The lead girls are amazingly dumb but look great on screen. Anupam Kher ji is a treat to sore eyes (which by the way is in the air) so leave your critical brains at home, and go for this one for a hearty laugh and a good time.

This is what happens when a daily soap director makes a 2 hour film. Its one of those films where the more you watch, the more you start to hate it.

The concept was great, the actors were great on paper but the story and the way it was presented makes it utterly unconvincing.

The songs were completely unnecessary.

The characters were stupid.

The story is impossible to believe and full of plot holes.

They couldn't even get the lighting right. Ever seen a chawl so well lit like it has a personal Sun ?

One of the reviews said it the best, Leave your brain at home when you watch it.

How did this get the financing to be made.

The director better stick to daily soaps for the rest of his life.

A small film offering an unexpected novelty expressed well through its bold and well written content certainly gives you a much better satisfaction than a forcibly hyped biggie supported by a known star. And that's the reason whenever there's a film like EKKEES TOPPON KI SALAAMI thankfully bringing that much awaited relief and change, it rightly deserves an extra star and viewer's support too for encouraging its makers to continue doing the good work in the future.

With its subtle indications towards few real life political names, the film is a well written attempt to expose the silly but unknown backstage truths about the corrupt mindsets where everyone is willing to have the power eyeing on his personal monetary benefits be it a politician, a party worker, a journalist, a mistress, a brother, a son or even a mother having her 'ultimate end' closer than anyone else. And amongst these mean, dirty minds lives an honest Municipal Corporation worker superbly played by Anupam Kher, who gets slammed with a corruption notice on the very last day of his service in a shockingly insulting manner by his newly appointed superior.

Now since it will be a crime to disclose the film's extremely fresh and interesting story-plot killing its main attraction, I would simply like to add that ETKS is a two part film wherein the first half has some extremely powerful family sequences depicting the ideology clashes between the father-son reminding you of the works of Hrishikesh Mukherjee. And the second is full of many satirical, comic sequences through which a strange wish is fulfilled making you recall another classic of the past JAANE BHI DO YAARON.

Personally I would strongly recommend the movie for its first half in particular as it may teach you a very precious lesson of life about how to respect our aging parents giving them our utmost love, care and time before its too late. Admitting our shortcomings, we do tend to lose our temper often facing the difference of opinion with the elders. But idea clashes with the old parents and ignoring/disrespecting or insulting them shamelessly are two different things altogether which need to be understood by every youngster urgently. Thankfully EKKEES TOPPON KI SALAAMI does have that important lesson executed beautifully and thus deserves to be seen for those 30 minutes before the intermission as a must.

Coming to the second half, yes the film has few flaws and for many 'thinking minds' it might be quite weird and illogical too in its final hour. But to answer them all, I would like to remind that one of the most famous comedies of Hindi Cinema i.e. JAANE BHI DO YAARON also had all weird and illogical similar sequences in its second half which were never questioned by anyone (in the subsequent years) as the film enjoys an indisputable cult status accepted by one and all. However it's a different irony that JBDY which at present is immensely famous as an enjoyable laugh riot was in reality intentionally made as a strong political satire on the corrupt system by its makers raising some serious questions. Sadly the satire was forgotten fast and the comedy took all the limelight in the following decades disclosing the unconcerned public mentality as usual.

Returning to ETKS, it has many excellent satirical as well as entertaining sequences like the one revealing the truth behind the politicians great speeches, a spoof on the famous news anchor Arnab Goswami along with a renowned opposition leader, an interesting interpretation of a party symbol as a thumb shown to the public, the cunning change in outlook of an opportunist mother after the sudden demise of her politician son, the black money lying in the Swiss bank accounts and the evident corruption within the system regarding jobs and homes allotted to the Government employees. The soundtrack doesn't give anything great to write about but a tight script (moving at a great pace), fine cinematography and an apt background score contributes a lot to its overall impact in the end especially with the track "Break The Line" smartly used towards the climax.

Finding a unique plot for his enjoyable, thought provoking satire, director Ravindra Gautam surely deserves the praises for making a film straight from the heart and extracting many outstanding performances from his entire cast bringing that much needed freshness in our Hindi cinema. Certainly one of those promising names to look forward in the future who can represent the common man on screen so wonderfully proving to be a bright flashing light in the dark cloud of all commercial ventures targeting the first weekend earning alone ignoring the content.

Displaying their highly impressive individual skills it is really tough to pick up any one as the best performer in the well-chosen cast ensemble. ETKS has Anupam Kher once again giving a splendid, flawless performance as the honest father, despite having only few scenes in the script as per its novel storyline. In fact such is the sincerity in his realistic performance that one finds it really hard to believe that he is the same person hosting a talk show on the smaller screen looking quite young and entertaining. Next is Divyendu Sharma repeatedly proving his remarkable talent with an excellent, emotional performance as the younger son going through the sudden transformation. Manu Rishi Chadha gives another fine performance post KYA DILLI KYA LAHORE. Aditi Sharma is the surprise package of the film in an effortless moving act as Divyendu's love interest. Plus we have Neha Dhupia (with her much publicized tribute to the item numbers of the past), Rajesh Sharma, Uttra Baokar, Asif Sheikh and the entire supporting cast playing their given parts real well.

Recommended for everyone loving Hrishikesh Mukherjee and Rajkumar Hirani kind of cinema.