Nuit blanche entre amis

This movie is horrendous. Just 90 minutes of unfunny, uncomfortably lame little d*** jokes. None of the characters are particularly likeable and the whole plot will make you want to jam an ice pick into your eyes. Actually, that sounds way more enjoyable than rewatching this movie.

Really good watch, could watch again, and can recommend (at least for the sexually open minded.)

This movie focuses less on young rampant sex and more of the decline that people sometimes get as they get older and want to be more adventurous without destroying their relationships. It also doesn't treat it as ridiculous a thing, while still openly admitting that it is something foreign and strange.

The movie does a great job of leading the audience (alongside the main character couple) into this strange new world, not of debauchery, but love and connection. Given that the premise of the movie is them getting together, it's not a spoiler, but this is a romantic comedy for couples, basically.

There is plenty funny to this movie, but if you're not into sex-based comedy, then this isn't for you.

If you liked "A Good Old Fashioned Orgy", then you should give this a watch.

I didn't want to read any reviews before watching the movie so it would not spoil the story. I just saw the scores that were mixed, so I was wondering which side I would be on. And I have to admit I did enjoy the movie. It was quirky, sometimes a little provocative, but I had a couple good laughs. And I am absolutely not a fan of Adam Scott. I don't know why, there is just something that bugs me about him. But in this movie he was okay, not great, just okay. Jason Schwartzman though he makes me laugh. It's not a movie that will make you laugh all the time, but there are some situations that definitely will give you a smile on your face. I can get that some people won't like it, because nobody has the same sense of humor. But for me it was worth a watch.

Short and sweet, Patrick Brice's foursome mumblecore The Overnight is disguised as a more accessible comedy, headlined by Adam Scott and Jason Schwartzman along with Taylor Schilling. Thriving on awkward humour at the expense of new age lifestyles and anxieties, it treads a fine line of endearingly goofy, unexpectedly incisive and plain weird. However, in its brief runtime, it spends sequences on the mundane, highlighting a couple relatable aspects such as Scott's believable inability to make real friends. Its theme of sexual desires outside of monogamy brings to light a harsh truth that many would quietly acknowledge and it's sparked by the idea of that freedom, though it's an energy that's swiftly interrupted. It's not very visually inspired, including two very dangly and infamous props, but Taylor Schilling is a bright spark of the cast while Adam Scott holds his own in a feature film. Meanwhile Schwartzman is less of a person than a caricature but that is surely the intention behind the pair to bring out the humanity in Schilling and Scott. The Overnight earns a few chuckles and a few insights but it's mostly held back by its brevity but it has a sincerity through all the slight wackiness that makes it work, if just a little bit.

7/10

While The Overnight has a few flaws in its execution, the chemistry among the principal actors comes close to making up for them. Having just moved to Los Angeles, Alex (Adam Scott), Emily (Taylor Schilling), and their son R.J. (R.J. Hermes) are eager to extend their social circle. When they meet Kurt (Jason Schwartzman), he invites them all over for an overnight playdate with his wife Charlotte (Judith Godréche) and Max (Max Moritt). After their children go to sleep for the night, the evening becomes increasingly weird and suburban debauchery ensues. It's the awkward bromance that begins to develop between Alex and Kurt that ends up driving the narrative. Scott is great at playing the slightly neurotic everyman, and he explores his character's insecurities about his masculinity (or in Alex's words, his abnormally small dick) with his usual brand of self-deprecating charm. The character of Kurt is the quintessential Los Angeles hipster, and Schwartzman completely owns it. His effortless cool perfectly complements Scott's nervous tension, and the scenes in which these two bond over art and their penises (both Scott and Schwartzman don prosthetic dongs in a memorable skinny dipping scene) are hilarious. Schilling and Godréche offered solid performances, but their characters didn't seem as fleshed out as their male counterparts. It's not a perfect film, but it offers a unique and funny story about what people are willing to do in order to strengthen a marriage. –Alex Springer