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6,1/10
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Ajouter une intrigue dans votre langueAlex, Emily, and their son, RJ, are new to Los Angeles. A chance meeting at the park introduces them to the mysterious Kurt, Charlotte, and Max. A family "playdate" becomes increasingly inte... Tout lireAlex, Emily, and their son, RJ, are new to Los Angeles. A chance meeting at the park introduces them to the mysterious Kurt, Charlotte, and Max. A family "playdate" becomes increasingly interesting as the night goes on.Alex, Emily, and their son, RJ, are new to Los Angeles. A chance meeting at the park introduces them to the mysterious Kurt, Charlotte, and Max. A family "playdate" becomes increasingly interesting as the night goes on.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 3 nominations au total
Avis à la une
Short and sweet, Patrick Brice's foursome mumblecore The Overnight is disguised as a more accessible comedy, headlined by Adam Scott and Jason Schwartzman along with Taylor Schilling. Thriving on awkward humour at the expense of new age lifestyles and anxieties, it treads a fine line of endearingly goofy, unexpectedly incisive and plain weird. However, in its brief runtime, it spends sequences on the mundane, highlighting a couple relatable aspects such as Scott's believable inability to make real friends. Its theme of sexual desires outside of monogamy brings to light a harsh truth that many would quietly acknowledge and it's sparked by the idea of that freedom, though it's an energy that's swiftly interrupted. It's not very visually inspired, including two very dangly and infamous props, but Taylor Schilling is a bright spark of the cast while Adam Scott holds his own in a feature film. Meanwhile Schwartzman is less of a person than a caricature but that is surely the intention behind the pair to bring out the humanity in Schilling and Scott. The Overnight earns a few chuckles and a few insights but it's mostly held back by its brevity but it has a sincerity through all the slight wackiness that makes it work, if just a little bit.
7/10
7/10
As a comedy and as a gradually unfolding mystery, the film simply works. Mainly because all involved make it seem somehow plausible. A well crafted film that for me was quite surprising, as I had no idea what to expect going into it. It's not really the kind of story that I'm interested in exactly, but at the same time it's difficult to say that the film isn't worth watching. It is entertaining for the most part, and it definitely is somewhat original in my estimation, and even a little thought provoking.
6.5/10.
6.5/10.
I didn't want to read any reviews before watching the movie so it would not spoil the story. I just saw the scores that were mixed, so I was wondering which side I would be on. And I have to admit I did enjoy the movie. It was quirky, sometimes a little provocative, but I had a couple good laughs. And I am absolutely not a fan of Adam Scott. I don't know why, there is just something that bugs me about him. But in this movie he was okay, not great, just okay. Jason Schwartzman though he makes me laugh. It's not a movie that will make you laugh all the time, but there are some situations that definitely will give you a smile on your face. I can get that some people won't like it, because nobody has the same sense of humor. But for me it was worth a watch.
I saw this ages ago but I decided to review it when I found out it was by the same guy who did the "Creep" movies. How about that. I like finding out things like that.
This movie is quite singular. It has this unassuming, disquieting power, like the first act of thriller where everyone thinks everything is fine until everything isn't. With limited characters, setting and time lapse (it is indeed the events of a night) the effect relies on making sure the characters are vivid and three dimensional and they all just pop of the screen.
It always has this sense of build up to something immense and never quite pays off so I'm tempted to say it's more like one of half or two thirds of a great movie without really being a great movie itself, though its a great two thirds.
it's on one level very simple; an innocent rendez-vous of an inhibited couple and an exhibitionist couple leads us to find that neither is exactly what they seem.
it's not really a profound or vivid narrative. It's more like those dinner parties you have in your life where the conversations plus the wine makes you think you've had an epiphany on how to unlock the potential of living until the next morning where you just get to work as usual.
it's definitely the journey not the destination and you get an agreeable amount of frankness about human sexuality. it's not always easy viewing but it shows an admirable amount of restraint in its script.
Memorable but I still feel a bit at a loss for what it was even trying to say.
This movie is quite singular. It has this unassuming, disquieting power, like the first act of thriller where everyone thinks everything is fine until everything isn't. With limited characters, setting and time lapse (it is indeed the events of a night) the effect relies on making sure the characters are vivid and three dimensional and they all just pop of the screen.
It always has this sense of build up to something immense and never quite pays off so I'm tempted to say it's more like one of half or two thirds of a great movie without really being a great movie itself, though its a great two thirds.
it's on one level very simple; an innocent rendez-vous of an inhibited couple and an exhibitionist couple leads us to find that neither is exactly what they seem.
it's not really a profound or vivid narrative. It's more like those dinner parties you have in your life where the conversations plus the wine makes you think you've had an epiphany on how to unlock the potential of living until the next morning where you just get to work as usual.
it's definitely the journey not the destination and you get an agreeable amount of frankness about human sexuality. it's not always easy viewing but it shows an admirable amount of restraint in its script.
Memorable but I still feel a bit at a loss for what it was even trying to say.
Really good watch, could watch again, and can recommend (at least for the sexually open minded.)
This movie focuses less on young rampant sex and more of the decline that people sometimes get as they get older and want to be more adventurous without destroying their relationships. It also doesn't treat it as ridiculous a thing, while still openly admitting that it is something foreign and strange.
The movie does a great job of leading the audience (alongside the main character couple) into this strange new world, not of debauchery, but love and connection. Given that the premise of the movie is them getting together, it's not a spoiler, but this is a romantic comedy for couples, basically.
There is plenty funny to this movie, but if you're not into sex-based comedy, then this isn't for you.
If you liked "A Good Old Fashioned Orgy", then you should give this a watch.
This movie focuses less on young rampant sex and more of the decline that people sometimes get as they get older and want to be more adventurous without destroying their relationships. It also doesn't treat it as ridiculous a thing, while still openly admitting that it is something foreign and strange.
The movie does a great job of leading the audience (alongside the main character couple) into this strange new world, not of debauchery, but love and connection. Given that the premise of the movie is them getting together, it's not a spoiler, but this is a romantic comedy for couples, basically.
There is plenty funny to this movie, but if you're not into sex-based comedy, then this isn't for you.
If you liked "A Good Old Fashioned Orgy", then you should give this a watch.
Le saviez-vous
- AnecdotesFilmed at comedian Adam Carolla's home.
- Crédits fousVersions of Kurt's "portal" paintings are shown and animated during a portion of the credits.
- Bandes originalesTryouts For The Human Race
Written by Giorgio Moroder, Ron Mael (as Ronald Mael) and Russell Mael
Performed by Sparks
Courtesy of Republic Moon
Meilleurs choix
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- How long is The Overnight?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- The Overnight
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 1 110 522 $US
- Week-end de sortie aux États-Unis et au Canada
- 53 022 $US
- 21 juin 2015
- Montant brut mondial
- 1 110 522 $US
- Durée
- 1h 19min(79 min)
- Couleur
- Rapport de forme
- 1.85 : 1
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