31

31 (2016)

* (out of 4)

A group of carnival workers are on their way to a job when they are kidnapped by psychotic clowns. Once chained up in a building, Father Murder (Malcolm McDowell) informs them that they're going to play a game, which will last twelve hours. They can either survive or face the worst death possible from his killer clowns.

Rob Zombie's 31 is a film that he's highly been promoting and this includes before it was even made. There was a teaser poster released and fans helped get the movie made but the plot of the film was kept secret and it's easy to see why because there's not much of one. Sadly, what we've basically got is SAW but with the redneck/white trash types that we've seen in every Zombie movie up to this point. Sadly this here turns out to be the director's worst film.

31 has all sorts of problems with it and a majority of them are the same issues I've had with his previous movies. For starters, the characters are all just annoying to the point where you don't really care whether they live or die. I'm not sure why it's so hard for their to be a likable character in one of Zombie's films but if you don't have anyone to root for what's the point? Well, I guess it could be one of those movies where you root for the villains but that's impossible here too because the villains are all boring and just not that interesting. Heck, they're not even "clowns" but just the typical rednecks but with face paint.

Another problem that I had with this film is that it's simply not scary. As was the case in THE LORDS OF SALEM, Zombie tries to build up tension and suspense but it just fails. There's just nothing here that draws you into the story and when you're watching a film like this and there's no tension it just leads to pure boredom. Even worse is some of the lighting because there are times where you can't see what's going on and other times when lights are flashing at the camera and whatever effect they were going for just doesn't work.

Zombie promised that this here would be his most violent movie and I don't think that was the case either. A lot of the violence is off screen or just not nearly as brutal as he has delivered in the past. The performances are pretty much what they are with everyone doing a decent enough of a job. The music selection is good and I will say that there was one good sequence inside a cage with a chainsaw. Still, there's just no way around it but Zombie just isn't impressing me as a director. 31 could have been done countless other ways and any of them would have been better than what we got.

I dig Rob Zombie films. Devils Rejects, the Halloween reboots, Lords of Salem…all personal favorites. So much so that I contributed $150 to the crowd funding of 31. It was promised to be the movie RZ wanted to make as well as the movie he thought his fans wanted to see - an unapologetic and uncompromising slaughter-fest. Well, I finally watched 31 last night and unfortunately it does compromise and it isn't even much of a slaughter-fest. It's simply another "we-kidnapped-some-innocent-people-for-the-purpose-of-torturing-them" retread. And not a very good one at that. I'm bummed.

There are certainly moments that make 31 worth watching. But those moments just aren't enough to make it a good movie. Much of the criticism of 31 has been directed at the lack of character development. My comment to that is "who cares?". This is a movie where I wanted to sink into my seat and cover my eyes due to the extreme and unrelenting gore. I wanted to feel like I did when I first saw Dawn of The Dead in theaters in 1980 - unable to look, but unable to look away…utterly horrified by images I'd never seen before…walking out exhilarated, out of breath, and laughing at myself for being so freaked out by a movie. If anyone could do it, Rob could.

Alas, most of 31 is just another quick-cut, shaky-cam exercise that does manage to force the viewer to look away - just not out of disgust, but to keep from getting a headache from the excessively annoying hand-held shots and machine-gun editing. More often than not, you can't even tell what's going on in the action scenes. There are lots of half second images of blood- soaked faces, and blood-soaked clothing, and blood-soaked weapons…but we can't tell who's getting chopped up and who's doing the chopping.

31 opens with a monologue from villainous clown Doom Head. It's a great scene that draws you in. The idea that he was, of course, going to show up again by the end of the film was the only thing that kept me from walking out. He does show up in the final 15 minutes, but it's too little, too late. It was already to the point where I couldn't care less what happened to these people and I knew however the inevitable deaths were played out wasn't going to be anything interesting or inventive. I was right. In between the opening and closing Doom Head bookends there is absolutely nothing of interest. A little unsuccessful character development…silly villains that are far too easy for our heroes to kill…pompous ringmasters that add nothing and could have been cut out completely…it all made me want my $150 back.

I assume there will be an unrated version somewhere down the line that I'll watch and re- evaluate, but I can't imagine it saving this waste of fake blood and Malcolm McDowells talent. If you want to see an interesting, scary clown movie try 2014's Clown (he eats children!) …if you want gut-wrenching gore watch the Evil Dead remake again. The only reason to see 31 is it's an RZ flick and to be properly schooled in modern horror you need to see all RZ offerings - at least for now. A few more throwaways like this and Rob will just be another straight to Netflix hack director.

Let me just say I like RZ. House of 1k Corpses is great, and The Devil's Rejects is one of my all time favorite films, hands down.

What we have in "31" is an attempt to mash together aspects of TDR and his Halloween remake and the result is a confusing, lackluster ride you've already been on.

The problem is you don't feel for any of the characters. There is not one likable character, sans Doom-Head, who is nearly the only bright spot in this movie. Sherry, was better in this film than in past RZ movies, but that isn't saying much.

Another issue I had was how this was hyped up as maniacs dressed up as clowns, which is great, clowns are creepy right? The concept art for the characters especially Sick-Head and Death-Head were amazing. What we got on screen were absolute jokes compared to what we should have gotten. The all but did away with the clown gimmick especially if you look at the concept art.

The opening scene is by far the best in the movie, and honestly one of the best scenes RZ has ever directed. But don't let it fool you, the rest of the movie goes downhill from there.

As you can expect from a RZ movie, it's got that dirty 70's feel, every other line of dialogue is profanity, more so than usual actually, the setting is run of the mill for RZ, and while I could go on, if you have seen a RZ film, than you have already seen a better version of this film.

The score and soundtrack however are delightful in an otherwise grim movie. RZ needs to get back to basics and let someone help him write his scripts. He's got talent and a good eye, but his dialogue is way too over the top and downright cliché at this point. It takes you out of the movie.

I'll start by saying this, I know there are some that will claim "He wasn't going for a traditional scary movie. People that don't like it just don't understand his perspective." I'm sure that in all of the conversations they had with Mr. Zombie these points were covered and clearly they have a much better understanding than anyone else. This review is for those that have been excited about seeing this because Rob Zombie's pieces in the past have had that intense shock factor and were delivered very well. Unfortunately, this one does not. It is kind of sadistic and if you put yourself in the position of one of these actors you can imagine it would probably be terrifying. Then again, you wouldn't use poorly scripted cheesy lines and engage in badly choreographed fights. Personally, I have been looking forward to this film since I first heard about it last year and have kept myself up on the release date so as soon as it was available I could treat myself to it. I couldn't have been more disappointed. I thoroughly enjoyed his other films and would watch another if he made it. I realize fanatic Zombie lovers will disagree with me when I say this but for every one that like it there will be several that don't. I can't decide which was worse: the ending or the overall acting. I must give credit where credit is due, the intro is entertaining and you will probably enjoy Doom Head (the guy in the opening scene). Again unfortunately, he is in the movie all of about 10 minutes non-consecutively. Had the movie centered around him and a twisted hunting obsession perhaps I would be writing a very different review. The acting is over-the-top and awful. Not in the same way that some movies are so bad they're good (like Zombeavers or Axe Giant) but more like super low budget projects filmed on an iPhone. For a movie that has reasonably good quality in most scenes I was so let down to see the acting was so unrefined. It probably could have been worse, I'm just not sure how.

I'm a zombie fan. I held off on 31 from the reviews. I saw 3 from hell and wanted to convince myself the Rob Zombie I know and love still had it in him. This wasn't about character work or plot, this was about giving fans the brutal zombie film they wanted him to make. And it worked. Is it perfect? No. It isnt meant to be. This is a love letter to the fans. The only reason I have it a 7 is because the R version very clearly holds back, and I blame the MPAA for not having the guts to let the masses choose for themselves what they want to see. Hopefully the unrated version surfaces for us fans that just wanted to let go, let our brains turn to mush, and enjoy the mindless imagery and sheer violence on screen. I'm glad I finally saw 31, as it washed the awful taste of 3 from hell out of my mouth. I'm still with you Rob, keep em coming. And if you ever read this? Forget the fireflies now, give us more Doom Head.