Cinq ouvriers d'un carnaval sont kidnappés et retenus en otage. Ils sont forcés de participer à un jeu violent dont le but est de survivre douze heures contre un gang de clowns sadiques.Cinq ouvriers d'un carnaval sont kidnappés et retenus en otage. Ils sont forcés de participer à un jeu violent dont le but est de survivre douze heures contre un gang de clowns sadiques.Cinq ouvriers d'un carnaval sont kidnappés et retenus en otage. Ils sont forcés de participer à un jeu violent dont le but est de survivre douze heures contre un gang de clowns sadiques.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 8 nominations au total
- Sex-Head
- (as E.G. Daily)
- Fat Randy
- (as Michael 'Redbone' Alcott)
- Snoopy
- (as Esperanza America)
Avis à la une
There are certainly moments that make 31 worth watching. But those moments just aren't enough to make it a good movie. Much of the criticism of 31 has been directed at the lack of character development. My comment to that is "who cares?". This is a movie where I wanted to sink into my seat and cover my eyes due to the extreme and unrelenting gore. I wanted to feel like I did when I first saw Dawn of The Dead in theaters in 1980 - unable to look, but unable to look away utterly horrified by images I'd never seen before walking out exhilarated, out of breath, and laughing at myself for being so freaked out by a movie. If anyone could do it, Rob could.
Alas, most of 31 is just another quick-cut, shaky-cam exercise that does manage to force the viewer to look away - just not out of disgust, but to keep from getting a headache from the excessively annoying hand-held shots and machine-gun editing. More often than not, you can't even tell what's going on in the action scenes. There are lots of half second images of blood- soaked faces, and blood-soaked clothing, and blood-soaked weapons but we can't tell who's getting chopped up and who's doing the chopping.
31 opens with a monologue from villainous clown Doom Head. It's a great scene that draws you in. The idea that he was, of course, going to show up again by the end of the film was the only thing that kept me from walking out. He does show up in the final 15 minutes, but it's too little, too late. It was already to the point where I couldn't care less what happened to these people and I knew however the inevitable deaths were played out wasn't going to be anything interesting or inventive. I was right. In between the opening and closing Doom Head bookends there is absolutely nothing of interest. A little unsuccessful character development silly villains that are far too easy for our heroes to kill pompous ringmasters that add nothing and could have been cut out completely it all made me want my $150 back.
I assume there will be an unrated version somewhere down the line that I'll watch and re- evaluate, but I can't imagine it saving this waste of fake blood and Malcolm McDowells talent. If you want to see an interesting, scary clown movie try 2014's Clown (he eats children!) if you want gut-wrenching gore watch the Evil Dead remake again. The only reason to see 31 is it's an RZ flick and to be properly schooled in modern horror you need to see all RZ offerings - at least for now. A few more throwaways like this and Rob will just be another straight to Netflix hack director.
And now having seen "31", then I will say that while it certainly was better than "Lords of Salem", then it is by no means an outstanding movie nor a particularly entertaining movie.
The story in all its simplicity is about a group of people getting trapped in a maniacal game of survival on Hallows Eve.
Yep, the movie is that simple. The storyline is very simple and offers nothing, absolutely nothing, in terms of challenging the intellect of the audience. This is solely a movie about showing off violence, bizarre characters and Rob's obsession with clowns.
Sure, I did enjoy the graphic violence in the movie, and some of the means of maiming, torturing and killing people was interesting. And the characters in the movie were interesting and colorful, both the protagonists and the killer clowns. But the storyline was so shallow and predictable that it served as an anchor around the movie, dragging it down.
As for the cast in "31", well I can't really claim to be a particular fan of Sheri Moon Zombie, so she doesn't really appeal much to me in terms of having lead roles. However, I will say that, in my opinion, it was Jeff Daniel Phillips, Pancho Moler and Richard Brake whom were lifting up the movie with their performances and portrayal of their respective characters.
The effects and make-up in the movie was quite good, and having that advantage in the visual department surely did work in favor of the movie.
"31" is hardly going to be classics like "House of 1000 Corpses" and "The Devil's Rejects", but it is worth a single viewing if you enjoy the weird results of Rob Zombie's imaginary thinking.
To me, "31" was a very mediocre movie, especially since the killing and mayhem could only do so little to try to make up for a proper storyline.
* (out of 4)
A group of carnival workers are on their way to a job when they are kidnapped by psychotic clowns. Once chained up in a building, Father Murder (Malcolm McDowell) informs them that they're going to play a game, which will last twelve hours. They can either survive or face the worst death possible from his killer clowns.
Rob Zombie's 31 is a film that he's highly been promoting and this includes before it was even made. There was a teaser poster released and fans helped get the movie made but the plot of the film was kept secret and it's easy to see why because there's not much of one. Sadly, what we've basically got is SAW but with the redneck/white trash types that we've seen in every Zombie movie up to this point. Sadly this here turns out to be the director's worst film.
31 has all sorts of problems with it and a majority of them are the same issues I've had with his previous movies. For starters, the characters are all just annoying to the point where you don't really care whether they live or die. I'm not sure why it's so hard for their to be a likable character in one of Zombie's films but if you don't have anyone to root for what's the point? Well, I guess it could be one of those movies where you root for the villains but that's impossible here too because the villains are all boring and just not that interesting. Heck, they're not even "clowns" but just the typical rednecks but with face paint.
Another problem that I had with this film is that it's simply not scary. As was the case in THE LORDS OF SALEM, Zombie tries to build up tension and suspense but it just fails. There's just nothing here that draws you into the story and when you're watching a film like this and there's no tension it just leads to pure boredom. Even worse is some of the lighting because there are times where you can't see what's going on and other times when lights are flashing at the camera and whatever effect they were going for just doesn't work.
Zombie promised that this here would be his most violent movie and I don't think that was the case either. A lot of the violence is off screen or just not nearly as brutal as he has delivered in the past. The performances are pretty much what they are with everyone doing a decent enough of a job. The music selection is good and I will say that there was one good sequence inside a cage with a chainsaw. Still, there's just no way around it but Zombie just isn't impressing me as a director. 31 could have been done countless other ways and any of them would have been better than what we got.
Le saviez-vous
- AnecdotesRob Zombie's first crowdfunded film.
- GaffesIn the opening credits montage, presumably set in 1976, an obviously modern (21st century) truck front fender is seen in one of the cuts.
- Citations
Doom-Head: Smoke in times of rest is a great companion to the solitary soldier. You know who said that? Do you know who said that?
Charly: Do you really think I give a fuck?
Doom-Head: It was everyone's favorite revolutionary Marxist, Che Guevara. Except I think he smoked a pipe. I always thought I'd appear rather pretentious with a pipe.
- ConnexionsFeatured in In Hell Everybody Loves Popcorn: The Making of 31 (2016)
- Bandes originalesCall It A Day
Written by Peter Mendoza
Performed by Roy Fox and Al Bowlly
Courtesy of Decca Music Group Limited under license from Universal Music Enterprises
Meilleurs choix
- How long is 31?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Thirty-One
- Lieux de tournage
- Downtown, Los Angeles, Californie, États-Unis(Murderworld)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 1 500 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 779 820 $US
- Montant brut mondial
- 850 419 $US
- Durée
- 1h 42min(102 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1