Malignant
- 2021
- 12 avec avertissement
- 1h 51min
Madison est paralysée par des visions choquantes de meurtres macabres et son tourment s'aggrave lorsqu'elle découvre que ces rêves éveillés sont en fait des réalités terrifiantes.Madison est paralysée par des visions choquantes de meurtres macabres et son tourment s'aggrave lorsqu'elle découvre que ces rêves éveillés sont en fait des réalités terrifiantes.Madison est paralysée par des visions choquantes de meurtres macabres et son tourment s'aggrave lorsqu'elle découvre que ces rêves éveillés sont en fait des réalités terrifiantes.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 4 victoires et 18 nominations au total
Jean Louisa Kelly
- Jane Doe
- (as Jean Louise Kelly)
- …
Shaunte Lynette Johnson
- Beta
- (as Shaunte Johnson)
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This film is bonkers. I felt like I was watching a Giallo or 80s low budget B-movie if it were competently made and given a massive budget.
This is a horror movie the way they used to be. Unpredictable, insane, gross-out, freak out stuff. It's not a movie made by a committee, it's not the usual haunted doll or spooky house movie where the narrative grinds to a halt as you wait for the inevitable loud noise jump scare when someone looks into a mirror or closes a door.
And it's not the joyless, ugly torture porn that has plagued the genre in recent decades either. Nor is it a wink-wink self-referential Scream type parody either.
Malignant plays it relatively straight for much of its runtime, presenting a genuinely intriguing mystery and a scary, seemingly supernatural killer.
But when the third act happens (you'll know when it does), the film goes completely off the rails. In one of the most over the top sequences ever, Malignant embraces its silly concept and goes all out action gore-fest. I couldn't believe what I was seeing, and ended up laughing my butt off. The last time a movie completely flipped the script like this was From Dusk Till Dawn. Here the twist actually makes sense in terms of the narrative. The story - while stupid - is surprisingly coherent.
That's the secret sauce to many horror classics. Take a dumb, disgusting or bonkers concept, and fully commit to it. It may not please focus groups, but it's how you make a cult movie that remains memorable.
What a breath of fresh air. Thank you, James Wan. This was beautiful.
This is a horror movie the way they used to be. Unpredictable, insane, gross-out, freak out stuff. It's not a movie made by a committee, it's not the usual haunted doll or spooky house movie where the narrative grinds to a halt as you wait for the inevitable loud noise jump scare when someone looks into a mirror or closes a door.
And it's not the joyless, ugly torture porn that has plagued the genre in recent decades either. Nor is it a wink-wink self-referential Scream type parody either.
Malignant plays it relatively straight for much of its runtime, presenting a genuinely intriguing mystery and a scary, seemingly supernatural killer.
But when the third act happens (you'll know when it does), the film goes completely off the rails. In one of the most over the top sequences ever, Malignant embraces its silly concept and goes all out action gore-fest. I couldn't believe what I was seeing, and ended up laughing my butt off. The last time a movie completely flipped the script like this was From Dusk Till Dawn. Here the twist actually makes sense in terms of the narrative. The story - while stupid - is surprisingly coherent.
That's the secret sauce to many horror classics. Take a dumb, disgusting or bonkers concept, and fully commit to it. It may not please focus groups, but it's how you make a cult movie that remains memorable.
What a breath of fresh air. Thank you, James Wan. This was beautiful.
Oh no, a positive review. I must be either a bot or a paid studio shill. Good lord, people are such drama queens these days.
James Wan's latest film is a fun and gory love letter to the Italian horror movies of the 1980's. With that, much like the Italian horror movies of the 80's, it is style over substance. It embraces it's outlandish premise, and totally revels in it's campiness, and delivers a stylish, over-the-top, gory romp with a totally bonkers 3rd act. If you don't enjoy movies with a high camp factor, look elsewhere. As for me, I had a damn good time at this thing.
James Wan's latest film is a fun and gory love letter to the Italian horror movies of the 1980's. With that, much like the Italian horror movies of the 80's, it is style over substance. It embraces it's outlandish premise, and totally revels in it's campiness, and delivers a stylish, over-the-top, gory romp with a totally bonkers 3rd act. If you don't enjoy movies with a high camp factor, look elsewhere. As for me, I had a damn good time at this thing.
People are always whining that no one tries anything new in Hollywood, well here it is. Sure it borrows elements from other movies but it's a fresh take. Turn your brain off and just enjoy the ride. If you're a true horror fan, I mean one who devours all things horror, you'll love it.
James Wan is one of the best horror film makers working today. It breaks my heart when he makes a film like 'Furious 7' or 'Aquaman' because it is such a waste of his talents. I have been excited for 'Malignant' for a very long time now due to the pandemic. I finally got to see it tonight, and I'm very disappointed to say it was a big let down.
This was a really bizarre viewing experience for me. It felt like Wan was intentionally trying to make a bad film at times. There are moments that are so shockingly campy and unnatural it ruins entire scenes of the movie. Also the theme music was utterly bizarre. It was so over-the-top and unsubtle and often played in moments that were completely not calling for it.
The movie tries to pull things together later on in the piece with some interesting reveals, but by then too much damage is already done. There is also a shocking scene near the end which feels like it was pulled straight out of 'The Matrix'. A character suddenly becomes superhuman in their ability to move and it makes no sense at all.
I just don't know what happened here. Was Wan so desperate to create something unique and original that he decided this was worth a try? Possibly. Even the best don't get it right every time. 5/10.
This was a really bizarre viewing experience for me. It felt like Wan was intentionally trying to make a bad film at times. There are moments that are so shockingly campy and unnatural it ruins entire scenes of the movie. Also the theme music was utterly bizarre. It was so over-the-top and unsubtle and often played in moments that were completely not calling for it.
The movie tries to pull things together later on in the piece with some interesting reveals, but by then too much damage is already done. There is also a shocking scene near the end which feels like it was pulled straight out of 'The Matrix'. A character suddenly becomes superhuman in their ability to move and it makes no sense at all.
I just don't know what happened here. Was Wan so desperate to create something unique and original that he decided this was worth a try? Possibly. Even the best don't get it right every time. 5/10.
I had fun with this movie. They just went nuts and it was amazing. For a lot of the movie, I had problems with choices the characters were making. I was worried that when it got to the end, I was going to feel like it wasn't plausible enough. Well, that wasn't a problem, because this movie is so far off the rails, you'd be a goof to complain about realism. I appreciate what they did here, and I wish more movies could take things this far. Did I mention this movie is completely crazy?
Le saviez-vous
- AnecdotesThe Seattle Underground is a real tour open to the public.
- Gaffes(at around 8 mins) When Madison's husband hit her in the head, the wall has blood on it. After she stands up, there is no blood on the wall.
- ConnexionsFeatured in Half in the Bag: Malignant (2021)
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- How long is Malignant?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Maligno
- Lieux de tournage
- Seattle, Washington, États-Unis(location)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 40 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 13 391 791 $US
- Week-end de sortie aux États-Unis et au Canada
- 5 434 620 $US
- 12 sept. 2021
- Montant brut mondial
- 34 891 791 $US
- Durée
- 1h 51min(111 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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