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5,4/10
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Ajouter une intrigue dans votre langueWhen Alena arrives at her new elite boarding school, Filippa and the other girls start to harass her. But Alena's best friend Josefin won't let her take anymore beating. If she won't strike ... Tout lireWhen Alena arrives at her new elite boarding school, Filippa and the other girls start to harass her. But Alena's best friend Josefin won't let her take anymore beating. If she won't strike back, Josefin will do it for her. Hard.When Alena arrives at her new elite boarding school, Filippa and the other girls start to harass her. But Alena's best friend Josefin won't let her take anymore beating. If she won't strike back, Josefin will do it for her. Hard.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
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Caught this film on TV recently, and to my surprise it was quite a fine film. It didn't match the demographics for what it was catching, but I think most will find this intriguing.
The main lead, Alena, is a brooding new student at a boarding school she clearly doesn't fit into. So surprise surprise, she is targeted by the school sport's team bullies, one who makes her life hell. The catch? Alena has a very dark secret from her past and it will obviously catch up with everyone who interferes.
We have here a mostly derivative storyline, which has been well trod beforehand, being a combination of Mean Girls, Carrie, Heathers and Death Note (Japanese manga).
However, it's more than the story. Our leads are excellent in this brooding tale and the camera work is excellent providing quite a dark frightening outlook on the first viewing.
I liked it. It was predictable, but that shouldn't take away from anything. For teenagers, they'll enjoy this slice of darkness. The rest should respect it at least.
The main lead, Alena, is a brooding new student at a boarding school she clearly doesn't fit into. So surprise surprise, she is targeted by the school sport's team bullies, one who makes her life hell. The catch? Alena has a very dark secret from her past and it will obviously catch up with everyone who interferes.
We have here a mostly derivative storyline, which has been well trod beforehand, being a combination of Mean Girls, Carrie, Heathers and Death Note (Japanese manga).
However, it's more than the story. Our leads are excellent in this brooding tale and the camera work is excellent providing quite a dark frightening outlook on the first viewing.
I liked it. It was predictable, but that shouldn't take away from anything. For teenagers, they'll enjoy this slice of darkness. The rest should respect it at least.
I'll preface by saying I really like it, and ask you keep that in mind - because I'm now gonna write a decent bit and a good part of it is about why someone could dislike it.
I am a huge sucker for these types of settings. I goddamn love the character of Filippa, and I feel her actor did her justice. Might just be wishful thinking, but parts of her character design felt inspired by Heather Chandler? Some parts of the source material felt like it worked since there was this 'intentionally-almost-a-parody-but-still-somehow-super-engaging' feel to it. For example some of Filippas dialogue.
Now, a lot of that was changed here, which is certainly for the best. It sounded better this way - the original probably fit better being read. The actor's portrayal of Filippa's anger and violent mannerisms felt real. I think that some parts, like her leaving her dad a voice message about doing good in sports at the school, could feel shoe-horned in to some. Not really to me, though. More things were changed in this adaption. Now, on the one hand some of what was changed took up very little "space" story-wise. On the other hand: changes were sorely needed to make it work in a movie. Like there were no boys allowed in the girls locker after P. E. That would've made it way to unreal for live action - great thing to change. The way they adapted one specific plot point that hinged on this was done competently, I should say.
Some scenes (I won't spoil) felt like they were cool and all, but maybe worsened the pacing? Like they were included since they fit in the original, and those who read the source material would miss them if they weren't included: they made up huge parts of the original's specific thematic style and feel. Thinking of when Josefin shows Alena what she thinks Fabienne and Filippa are really like, for example.
Although I feel that some of the pacing felt disjointed-ish, I still felt for all of the main characters at the end, no doubt. And I personally still love the scenes which some could feel messes with the pacing.
I feel that to a lot of people, imperfect pacing or dialogue which at times 'feels adapted' can get sort of paved-over by a language barrier. So if you're not a swedish-speaker then that might be positive.
On the other hand: being Swedish, some small parts hit extra hard. That's because I know many people that share the characters' 'swedish mannerisms' and use the same choice in wording and intonation, in a way that's kinda unique geographically.
The soundtrack felt fitting, but sometimes I felt it maybe would've been better had it been higher tempo. I'm not a sound guy though, so...
Me personally, I would've liked it if there was more lovin' between the good guys (gals), like in the source material. But I still totally feel that the movie was better as a whole regarding changes made to that. I feel there is a bit of a 'distance' to the story and characters when reading comics which wouldn't have been there in movie format, so the dialogue- and story beat changes were necessary.
It is a movie that people who like this type of setting (an elite boarding school), these types of characters (the upper class bully-girls etc.) and these types of 'supernatural elements' will like a lot. Though I imagine some people might feel that it doen't get deep enough to be as impactful as it could've been - and that it lacks some of the flair the source material certainly didn't lack. Again - I won't spoil, but: deciding to end it the way they did took guts. Worth a watch!
I am a huge sucker for these types of settings. I goddamn love the character of Filippa, and I feel her actor did her justice. Might just be wishful thinking, but parts of her character design felt inspired by Heather Chandler? Some parts of the source material felt like it worked since there was this 'intentionally-almost-a-parody-but-still-somehow-super-engaging' feel to it. For example some of Filippas dialogue.
Now, a lot of that was changed here, which is certainly for the best. It sounded better this way - the original probably fit better being read. The actor's portrayal of Filippa's anger and violent mannerisms felt real. I think that some parts, like her leaving her dad a voice message about doing good in sports at the school, could feel shoe-horned in to some. Not really to me, though. More things were changed in this adaption. Now, on the one hand some of what was changed took up very little "space" story-wise. On the other hand: changes were sorely needed to make it work in a movie. Like there were no boys allowed in the girls locker after P. E. That would've made it way to unreal for live action - great thing to change. The way they adapted one specific plot point that hinged on this was done competently, I should say.
Some scenes (I won't spoil) felt like they were cool and all, but maybe worsened the pacing? Like they were included since they fit in the original, and those who read the source material would miss them if they weren't included: they made up huge parts of the original's specific thematic style and feel. Thinking of when Josefin shows Alena what she thinks Fabienne and Filippa are really like, for example.
Although I feel that some of the pacing felt disjointed-ish, I still felt for all of the main characters at the end, no doubt. And I personally still love the scenes which some could feel messes with the pacing.
I feel that to a lot of people, imperfect pacing or dialogue which at times 'feels adapted' can get sort of paved-over by a language barrier. So if you're not a swedish-speaker then that might be positive.
On the other hand: being Swedish, some small parts hit extra hard. That's because I know many people that share the characters' 'swedish mannerisms' and use the same choice in wording and intonation, in a way that's kinda unique geographically.
The soundtrack felt fitting, but sometimes I felt it maybe would've been better had it been higher tempo. I'm not a sound guy though, so...
Me personally, I would've liked it if there was more lovin' between the good guys (gals), like in the source material. But I still totally feel that the movie was better as a whole regarding changes made to that. I feel there is a bit of a 'distance' to the story and characters when reading comics which wouldn't have been there in movie format, so the dialogue- and story beat changes were necessary.
It is a movie that people who like this type of setting (an elite boarding school), these types of characters (the upper class bully-girls etc.) and these types of 'supernatural elements' will like a lot. Though I imagine some people might feel that it doen't get deep enough to be as impactful as it could've been - and that it lacks some of the flair the source material certainly didn't lack. Again - I won't spoil, but: deciding to end it the way they did took guts. Worth a watch!
After watching Alena I couldn't help having the feeling that I watched that kinda movie a dozen of times before. If it was exceptional then it wouldn't matter but unfortunately it isn't. It's been done before and way better. The story starts interesting but the more the story advances the more boring it gets. Watching high school bully girls for the entire movie is just boring after awhile. And the poor little girl they pick on and that is supposed to unleash her evil power is just not creepy enough to make it an interesting horror movie. Actually I don't think it has anything to do with a horror movie. Just one of those movies you watch with one eye open. Amalia Holm should taint her eyebrows dark as well if she wants to be darkhaired. That's just an information to her, as a bonus.
Well, this is a troubled tale. It is based on a graphic novel, of the same name, by Kim W Andersson. The draw for me was Amalia Holm and, as expected, she brings a layered performance with both vulnerability and peril. All the performances are quite good. There is violence in this storytelling and mental distress but I'm going to take a risk and not call it horror. It seems to me the trauma is the product of untenable circumstances in a young woman's life exasperated by bullying. I give this film a 7 (good) out of 10. {Drama} Swedish with subtitles.
This movie proves that Hollywood is getting worse and worse at making horror movies. There is nothing unique or special about "Alena"'s story yet the movie is engaging, unsettling and genuinely unnerving by superior craftsmanship. The story takes place at a Swedish private school filled with positively "mean girls." When a public school student is thrust into the system after having left her school on mysterious grounds the story begins. All of the girls are perfectly cast. How can you not hate them?
When the horror and thrills begin they are uniquely surprising, not resting on the tropes of the well-trodden story. This movie knows what it is and provided a very enjoyable evenings worth of entertainment.
When the horror and thrills begin they are uniquely surprising, not resting on the tropes of the well-trodden story. This movie knows what it is and provided a very enjoyable evenings worth of entertainment.
Le saviez-vous
- AnecdotesBased on the graphic novel "Alena" by Kim W Andersson.
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- How long is Alena?Alimenté par Alexa
Détails
- Durée1 heure 23 minutes
- Couleur
- Rapport de forme
- 2.35 : 1
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