All the Way

While Lyndon Johnson's presidency was marred by his disastrous Vietnam policy, he was one of our most significant and important presidents in terms of social justice, passing laws that fought racism and pushed against poverty.

In All the Way's eagerness to show the good of Johnson, it sometimes pushes a little too far. Johnson is portrayed here as a sort of crude angel. Sure, he holds meetings from the toilet, but he single-handedly pushes through a civil rights bill!

I don't know much about the history of the civil rights bill, but I do know that politics is a vast, messy business that involves a lot of people and that even the noblest of politicians are still consumed with deal making and positioning and power. For me, this makes the LBJ portrayed in the movie a too simplistic. I am more interested with flawed humans whose angels sometimes beat down their demons to earthly saints.

In spite of my objections, though, this is a very entertaining, involving movie. Its main selling point is Bryan Cranston's amazing portrayal of LBJ. Cranston's LBJ is shrewd, calculating, noble, and briefly angsty. Cranston creates as much complexity as is possible within a role written with a lack of nuance.

The other performances are also quite solid, particularly Melissa Leo as the sweet but steel-spined Ladybird and Frank Langella as LBJ's mentor and occasional foe. Anthony Mackie plays a thoughtful MLK, but there is a slightness, both physical and oratorical, that is disappointing.

While I would have liked more complexity, this is a very entertaining movie that is well worth watching.

This portrayal of the 1963/1964 Johnson presidency is not only excellent but BRILLIANT. The acting was flawless about an era I knew well. The acting was so good I forgot about who was portraying whom. Bryan Cranston cannot be lauded enough.

Our nation is on the precipice of returning to those noxious racist-filled days as we are poised to elect a wingnut demagogue to office supported by many racist whites even of the KKK and white nationalist supremacist variety. Have we learned NOTHING from our tragic racist past? Is Vietnam but a memory and the race relations of Jim Crow tucked away neatly in the crevices of our national mind? I surely hope not but suspect they are.

Each and every American would do well to see this film and relive the 1964 shame-filled era of our nation and the legacy of its Civil War. Ultimately the war, though Union won, is still being fought and not only in the battlefield of the south but in the fields of the entire nation.

all seems be a splendid embroidery. the atmosphere, LBJ proposed by Bryan Cranston, Melissa Leo as lady Bird Johnson, Frank Langella in the generous role of senator Russell, Anthony Mackie in the skin, far to be comfortable, of dr. Martin Luther King. the events are known but that is the virtue of film - to recreate the roots of essential decisions, to show debates and errors, to give the map of a struggle who change America. a film who becomes documentary in many scenes. and one of the most inspired portraits of an U.S. president. a film who presents the way of an year. and a man across a storm. and that does All the way more than a good work. but an useful support for reflection. about politics and about courage. about contemporary elections and about isles from old manner to understand the things. and, sure, about the admirable performance of Bryan Cranston.

November, 1963. President John F Kennedy has just been assassinated and Vice President Lyndon Johnson (played by Bryan Cranston) is now President. One of his first acts as President is to reaffirm the US government's intention to pass the Civil Rights Act. This Act was drafted while JFK was in office and gives people of all races the same rights, including voting rights, access to education and access to public facilities. However, he faces strong opposition to the bill, especially from within his own party. He will have to use all his political will and cunning to get it through.

Incredibly engaging drama, showing the passage of a major and historic piece of legislation in US history. Quite an eye-opener: hard to believe that in 1963/4 there was such a huge North-South divide and that racism was so rampant. Also amazing to see that some of the strongest opposition to integration was from Democrats - the left-wing/right-wing lines were clearly quite blurred in those days.

Fascinating insight into the personality of LBJ. On the surface he seems like a man wanting to what is right for his fellow man. However, his motives are not always that altruistic, and his actions are often more driven by personal power than good intentions (which would be common to almost all politicians, I guess, so not such a huge surprise). Highly complex, we see what drives him, especially how his childhood experiences shape his motivations and thinking.

Quite balanced too. We see LBJ, warts and all: his temper, his treatment of staff and wife, his colourful language, what he'll do to win. He's hardly a saint.

Superb performance by Bryan Cranston in the lead role. He inhabits the character of LBJ.

A story that needed to be told.

There are a lot of complimentary things one could say about HBO's "All The Way": great acting, historical ambiance, and cohesion of narrative. What really makes this a truly great film, however, is how its themes are just as relevant and striking here and now as they were in the 1960s.

For a basic plot summary, "All The Way" tells the story of President Lyndon B. Johnson's (Bryan Cranston) first year in office. The primary focus is on the Civil Rights Act of 1964 and the type of political and social upheaval/compromises that here undertaken to make it a reality. Key personal/political figures of the early Johnson Administration also feature heavily, such as Martin Luther King Jr. (Anthony Mackie), Lady Bird (Melissa Leo), Senator Richard Russell (Frank Langella), Senator Hubert Humphrey (Bradley Whitford), & J. Edgar Hoover (Stephen Root).

It is amazing (and equal parts inspiring and sad) to watch "All The Way" and understand how the Civil Rights Act was neither the beginning nor the end of race issues in this country. In this current era of Black Lives Matter and other racial-based demonstrations fighting for justice, the struggles of Dr. King, the NAACP, the American government, and the populace at large are driven home even further (as they are so much on the forefront of politics and society right now).

Acting-wise, the performances are solid all-around, with Cranston especially shining (when does he ever not?!) as LBJ (from what I have read/seen, an uncanny resemblance in terms of mannerisms). Cranston first inhabited this role on Broadway in 2014, so it makes sense that he is the most comfortable here.

Thus, with the combination of tremendous acting and incredibly relevant themes, I consider "All The Way" to be a biopic of the highest order (my only slight complaint would be it perhaps could have been trimmed by 15 minutes or so). I'm a big fan of the biopic genre, as I feel like it has so much power (along with a high degree of responsibility, obviously) to bring the past alive and more relate-able than a textbook or tome ever could. "All The Way" succeeds wildly in this regard.