La La Land
- 2016
- Tous publics
- 2h 8min
Tout en naviguant dans leurs carrières à Los Angeles, un pianiste et une actrice tombent amoureux tout en essayant de concilier leurs aspirations pour l'avenir.Tout en naviguant dans leurs carrières à Los Angeles, un pianiste et une actrice tombent amoureux tout en essayant de concilier leurs aspirations pour l'avenir.Tout en naviguant dans leurs carrières à Los Angeles, un pianiste et une actrice tombent amoureux tout en essayant de concilier leurs aspirations pour l'avenir.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 6 Oscars
- 242 victoires et 307 nominations au total
Amiee Conn
- Famous Actress
- (as Amiée Conn)
Mike Fallin
- Free way Krump Dancer 'Hat Kid'
- (générique uniquement)
Avis à la une
I watched this as Oscar's had been handed out and I felt it necessary, as is customary - to grant such films my valuable time.
I hate musicals.
It started as we know in a traffic jam. They started singing. "I hate musicals" I told my wife. "Is this a bloody musical" I asked.
She didn't know.
What followed was without doubt one of the greatest cinematic experiences I've ever had. I smiled, I rejoiced, I wept, I rallied, I wept again.
I'll keep this brief. No matter your movie preference, no matter your music type, if you are breathing and cognisant - I urge you to watch this.
It is beauty beyond my words.
It is life in a fleeting moment.
It is music and dance we didn't know we needed.
It is lifting, it is crushing.
This movie went from "I hate musicals" to "this is the greatest movie I've ever seen" in the course of two hours.
I've listened to the soundtrack countless times.
I hate musicals.
It's beautiful.
I have no articulate means to encourage you to watch this other than this - if this 48 year old wisened Irishman can fall for this, so can you.
So please, watch this - otherwise you may miss a life changing event.
I hate musicals.
It started as we know in a traffic jam. They started singing. "I hate musicals" I told my wife. "Is this a bloody musical" I asked.
She didn't know.
What followed was without doubt one of the greatest cinematic experiences I've ever had. I smiled, I rejoiced, I wept, I rallied, I wept again.
I'll keep this brief. No matter your movie preference, no matter your music type, if you are breathing and cognisant - I urge you to watch this.
It is beauty beyond my words.
It is life in a fleeting moment.
It is music and dance we didn't know we needed.
It is lifting, it is crushing.
This movie went from "I hate musicals" to "this is the greatest movie I've ever seen" in the course of two hours.
I've listened to the soundtrack countless times.
I hate musicals.
It's beautiful.
I have no articulate means to encourage you to watch this other than this - if this 48 year old wisened Irishman can fall for this, so can you.
So please, watch this - otherwise you may miss a life changing event.
The vibrant colors and use of musical scores to set the mood for scenes transported myself back in time. This movie feels not only like a beautifully nostalgic nod to Hollywood of yesteryear, but also that of a timeless love story. Gosling and Stone have a charm to their chemistry on screen during the musical and dance numbers. All these aspects lead to a raw portrayal of love that many experience in life, with still providing a sense of hope and wonder to the viewers. I was entranced from the opening scene until the final note played by Goslings piano. I absolutely recommend this film to any and everyone!
AHHHH the most fun. Ive never (and I mean never) had more fun watching a flick. Toe tapping, head shaking, thumb clicking realness baby. shake. shake. shake. Damien Chazelle. agh.
The last time, I felt like this, in a cinema, I was six years old and I was watching Star Wars. I never imagined, I would ever find that feeling again in a cinema. That sense of being transported to another world.
The opening sequence took my breath away and I never got it back. Not even at the end - which left my head spinning. It is a beautiful film with soul, wit, charm, style and love. It is simply outrageous! Bold and fantastic and fantastical.
I am a straight man but my love for Ryan Gosling could change all that. He's a melancholy genius and Emma Stone is our muse.
This film defies genre. It is a masterpiece. I urge you to see it. I was lucky enough to see it at the BFI London Film Festvial.
It has been five days since I saw La La Land and I am still thinking about it and singing the haunting refrain that plays with your soul. I mean it gets in there - that music - the music of the firmament. Flying still, dreaming still... thank you Damien.
The opening sequence took my breath away and I never got it back. Not even at the end - which left my head spinning. It is a beautiful film with soul, wit, charm, style and love. It is simply outrageous! Bold and fantastic and fantastical.
I am a straight man but my love for Ryan Gosling could change all that. He's a melancholy genius and Emma Stone is our muse.
This film defies genre. It is a masterpiece. I urge you to see it. I was lucky enough to see it at the BFI London Film Festvial.
It has been five days since I saw La La Land and I am still thinking about it and singing the haunting refrain that plays with your soul. I mean it gets in there - that music - the music of the firmament. Flying still, dreaming still... thank you Damien.
A nostalgic, joyful, and oh-so realistic portrayal of chasing your dreams and living in the "la la land" that is Los Angeles, "La La Land" is a different kind of masterpiece, as it pays tribute to the musical films of the 40s and 50s, the Astaire and Rogers, MGM kind of musicals, while also bringing something new to the genre, specifically the modern and original elements.
Damien Chazelle was already a promising newcomer when he made 2014's "Whiplash", also an Oscar-winning film. "La La Land", however, sets the record straight that this young writer-director is a true talent and possibly one of the greatest of our time. One of the most important elements within Chazelle's script and directing is, in one word, passion. Pure passion for cinema is what it takes to make a great film, and Chazelle sure does know that.
Ryan Gosling and Emma Stone sparkle as the film's leading stars on screen, like Humphrey Bogart and Lauren Bacall and Spencer Tracy and Katharine Hepburn once did in the golden age. In the film, Stone and Gosling's characters share the same goal: to make their dreams in both acting and jazz, respectively, come true. What comes out when you put these two acting talents together in a film is pure enjoyment and an onscreen chemistry that seems impossible to break.
Overall, "La La Land" is one hell of a film to watch, as it may go down in cinematic history as one of the finest films made.
Damien Chazelle was already a promising newcomer when he made 2014's "Whiplash", also an Oscar-winning film. "La La Land", however, sets the record straight that this young writer-director is a true talent and possibly one of the greatest of our time. One of the most important elements within Chazelle's script and directing is, in one word, passion. Pure passion for cinema is what it takes to make a great film, and Chazelle sure does know that.
Ryan Gosling and Emma Stone sparkle as the film's leading stars on screen, like Humphrey Bogart and Lauren Bacall and Spencer Tracy and Katharine Hepburn once did in the golden age. In the film, Stone and Gosling's characters share the same goal: to make their dreams in both acting and jazz, respectively, come true. What comes out when you put these two acting talents together in a film is pure enjoyment and an onscreen chemistry that seems impossible to break.
Overall, "La La Land" is one hell of a film to watch, as it may go down in cinematic history as one of the finest films made.
Le saviez-vous
- AnecdotesAccording to composer Justin Hurwitz, all the piano performances featured in the film were first recorded by pianist Randy Kerber during pre-production. Ryan Gosling then spent two hours a day, six days a week in piano lessons learning the music by heart. By the time filming had begun, Gosling was able to play all the piano sequences seen in the film without the use of a hand double or CGI.
- GaffesThe day Sebastian visits Mia at her coffee shop, Mia entered work wearing black pants with a yellow bag. When Mia leaves work, she is wearing a blue skirt with a red bag. When they show a long shot of Sebastian and Mia walking on the lot, she is seen to be wearing black pants. Then in the next shot, she is wearing the skirt again.
- Crédits fousJust before the closing credits roll, a title card comes on screen saying "The End" Made In Hollywood U.S.A, very much like the movies produced during Hollywood's Golden Age.
- ConnexionsFeatured in Roeper's Reviews: Richard Roeper's Top 16 Films for 2016 (2016)
- Bandes originales1812 Overture
Written by Pyotr Ilyich Tchaikovsky
Performed by Kálmán Berkes and Tokyo Musashino Academia Musicae Symphony Orchestra (as the Tokyo Musashino Academia Musicae Chorus and Symphony Orchestra)
Courtesy of Hungaroton Classic
By arrangement with Source/Q and Naxos
Meilleurs choix
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- La La Land: Una historia de amor
- Lieux de tournage
- Griffith Observatory - 2800 E. Observatory Rd, Los Angeles, Californie, États-Unis(love dance in the planetarium)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 30 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 151 101 803 $US
- Week-end de sortie aux États-Unis et au Canada
- 881 104 $US
- 11 déc. 2016
- Montant brut mondial
- 509 183 536 $US
- Durée2 heures 8 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.55 : 1
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