NOTE IMDb
7,6/10
18 k
MA NOTE
Une histoire qui gravite autour de trois sœurs qui vivent dans la maison de leur grand-mère et de la venue de leur demi-sœur âgée de treize ans.Une histoire qui gravite autour de trois sœurs qui vivent dans la maison de leur grand-mère et de la venue de leur demi-sœur âgée de treize ans.Une histoire qui gravite autour de trois sœurs qui vivent dans la maison de leur grand-mère et de la venue de leur demi-sœur âgée de treize ans.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 16 victoires et 24 nominations au total
Ryohei Suzuki
- Dr. Yasuyuki Inoue
- (as Ryôhei Suzuki)
Ôshirô Maeda
- Fûta Ozaki
- (as Ohshiroh Maeda)
Avis à la une
The story about sisters lived in Kamakura. It starts that the father of three sisters dies. Then, they know the father has youngest sister, Suzu, whose mother is different from theirs. Suzu needs a place she can be, so she moves to a house that three sisters live. Four sisters have each trouble such as love and work. Also, they think about other sisters very much. Some people don't like this movie or they are bored because the logical development of this movie isn't clear and the story advances slowly. However, I was sympathized about the feeling of each sister and I was moved to tears by their love. I have a sister and two brothers, so I did more than others. In addition, the atmosphere of Kamakura is good and fits with this slowly movie. You wants to go to Kamakura if you watch this movie.
The adaptation of a graphic novel to film may seem more easily attainable than other media, it can still suffer from the same problems. Hirokazu Koreeda, with his attention to details, did a marvellous job with this film. I noticed many cabiria- movements throughout the film, I suppose mimicking the movement of the reader's eyes.
Koreeda was also a good fit for the subject of the story, his last film Like Father, Like Son also handled relations between reunited family members. This time the most defining aspect is the role of the female in Japan, still a very paternalistic country, yet as the film shows they have no difficulty living on their own. Every film is an image of its time and Our Little Sister shows that times have changed, this case for the better.
The cinematography was very beautiful, to the point were I would recommend trying to watch Our Little Sister on the big screen. The long-shots of natural views are breath-taking. Furthermore, the script and the film feel very precise, no doubt the outcome of Hirokazu Koreeda writing the screenplay, directing and editing the film.
Koreeda was also a good fit for the subject of the story, his last film Like Father, Like Son also handled relations between reunited family members. This time the most defining aspect is the role of the female in Japan, still a very paternalistic country, yet as the film shows they have no difficulty living on their own. Every film is an image of its time and Our Little Sister shows that times have changed, this case for the better.
The cinematography was very beautiful, to the point were I would recommend trying to watch Our Little Sister on the big screen. The long-shots of natural views are breath-taking. Furthermore, the script and the film feel very precise, no doubt the outcome of Hirokazu Koreeda writing the screenplay, directing and editing the film.
The source material (manga) is masterfully adapted into a 2 hour film.
Excellent cast, direction, cinematography, everything in it (Kamakura is such a beautiful place)! I fell in love with all the characters (I specially liked Midoriko Kimura's role of the Cafe owner)..
Everything in this movie feels so real, and lively. But also filled with emotions. And the theme and general feeling (what you take with you once done) is quite heavy, even if it is something simple we can all understand. I love the kind of stories that put a smile on my face, even if I felt my heart being tugged a bit. You can see the love that was put in it by everyone involved.
Would easily recommend to anyone.. specially to those that sometimes just stop to realize they are alive.
Everything in this movie feels so real, and lively. But also filled with emotions. And the theme and general feeling (what you take with you once done) is quite heavy, even if it is something simple we can all understand. I love the kind of stories that put a smile on my face, even if I felt my heart being tugged a bit. You can see the love that was put in it by everyone involved.
Would easily recommend to anyone.. specially to those that sometimes just stop to realize they are alive.
Ah, such a beautiful film. Just saw it at the Dublin Film Festival, picked it somewhat at random, and did not regret it at all. If you want to have a break from all the noise around and want some peace and quite then this is the film to watch. There isn't much action here, just 3+1 sisters living their day by day lives. Although, the lives are not at all empty, you will find that there is quite a bit of love and pain, decisions big and small, regrets and forgiveness, but they are all expressed in rather subtle tones. And despite anything, you keep feeling that things are getting better and people are growing together rather than falling apart. Such a feel good movie. And, although it is set up in modern times, there is a good measure of tranquility of old Japan mixed in. Small town, old house, veranda into the garden, plum tree, and of course sakura. So all people and events are intertwined with beauty that is around us. Cinematography and acting are flawless. You just completely immerse into the film and are surprised when it stops. And of course, if you've ever been to Japan, there will be many moments that will bring good memories of this incredible place and culture.
All the Hollywood directors producing one comic-book sequel after the other (and all other directors as well) should see this film, they should turn away in shame, and quit directing. Movie is largely seen as a medium to entertain, yet it could be so much more.
Watching this movie, in every scene, it is incomprehensible for a western viewer how it is filmed: There are only daily life scenes, nothing dramatic, yet it is such a heart-warming experience, a simple joy of watching people living their lives.
The story follows 3 very different grown-up sisters who live independently in a big house. The father has left them when they were little, and now they learn that they yet have another little sister. Soon their little dormitory has an additional guest. The main characters are the youngest sister who tries to adapt to her new life, and the oldest sister who is determined to live her life lead by strength and kindness.
Critics have compared Kore-eda with Ozu, because of his calm observation of life. Still, Ozu's films contain great sadness, while Kore-eda's movies ('Like Father,Like Son', 'Kiseki') are full of hope and joy for living. They show simple people trying to find happiness in life. It has a Zen-like quality: one doesn't need big dramatic events to show love and kindness, if you are looking close enough you will find it in the most ordinary things in daily life.
This is one of the best movies I've ever seen.
Watching this movie, in every scene, it is incomprehensible for a western viewer how it is filmed: There are only daily life scenes, nothing dramatic, yet it is such a heart-warming experience, a simple joy of watching people living their lives.
The story follows 3 very different grown-up sisters who live independently in a big house. The father has left them when they were little, and now they learn that they yet have another little sister. Soon their little dormitory has an additional guest. The main characters are the youngest sister who tries to adapt to her new life, and the oldest sister who is determined to live her life lead by strength and kindness.
Critics have compared Kore-eda with Ozu, because of his calm observation of life. Still, Ozu's films contain great sadness, while Kore-eda's movies ('Like Father,Like Son', 'Kiseki') are full of hope and joy for living. They show simple people trying to find happiness in life. It has a Zen-like quality: one doesn't need big dramatic events to show love and kindness, if you are looking close enough you will find it in the most ordinary things in daily life.
This is one of the best movies I've ever seen.
Le saviez-vous
- AnecdotesBefore they shot the movie, four actresses spent a day at the house together to get familiarized with the layout of the house and get comfortable with each other. They cleaned the house, weeded the garden, cooked meals and ate together. They also fixed the shoji screen, which Koreeda liked it so much that he incorporated the scene in the movie.
- GaffesWhen the four sisters are having their lunch with Chika's boyfriend at their house, in the interior shot looking outward, all the noodles on the main plate have been eaten.
In the next scene, an exterior scene looking inward to the house, Sachi reaches down and takes the plate away but Chika reaches up and takes several noodles off the plate with her chopsticks.
- Citations
Sachi Kôda: I want you to stay forever.
Suzu Asano: I want to stay forever.
- ConnexionsReferenced in Il était une fois...: Une affaire de famille (2021)
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is Our Little Sister?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Our Little Sister
- Lieux de tournage
- Kamakura, Kanagawa, Japon(town where the three sisters live)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 467 555 $US
- Week-end de sortie aux États-Unis et au Canada
- 25 118 $US
- 10 juil. 2016
- Montant brut mondial
- 15 946 109 $US
- Durée2 heures 7 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant