Bare

This movie is amazing! It is a unique story told beautifully with a very talented cast.. Diana Agron and Paz De la Huerta are amazing in it! I already can't to see it again. It's beautifully shot and well put together. Always glad to see female directors shine! Impatiently waiting for it to be released in theaters...

Plot synopsis: Sarah Barton, played by the lovely Diana Agron, is a young girl from a Nevada desert town. After she is fired from her job, she meets Pepper, played by the amazing Paz De la Huerta, a female drifter. Pepper brings Sarah into her dangerous world of drugs and strip clubs led down a dangerous path of illicit drugs and seedy strip clubs. When they become romantically involved, Sarah begins to question the old boring girl she once was.

I cannot believe PDLH is allowed in movies, she looks like hell, and gives the most cliched bogus performance ever. Hideous. It is sad to see an addict just be herself, awful-looking. You've seen this movie 100 times, don't bother. It makes no sense that a blond babe would even give the tramp a second glance.

Bare, A film about a young Woman, Sarah (Dianna Argon), who's having serious hardships in her life From Beginning to the end. Until she meets Pepper, (Paz De La Huerta), who drags Sarah into her world of lowlifes, Stripping, Drugs and Hustling. This Movie directed by Nathalia Leite surely disappoints. Because I wanted to know the fates of the two characters, who emotionally and romantically gets attached quickly. Unfortunately, It leaves no resolution for them.

My Rating: 6.0

Came across this one by chance and decided to give it a try. This is a nicely made coming of age story that takes place in a small dead- end town in Nevada. We have seen stories like that many times before but this one still stood out for me for its feel.

The pace is just right so the film never gets dull despite the fact that it's a slowburner. The camera work is absolutely wonderful and definitely elevates certain scenes. Another thing worth mentioning is the soundtrack. If you love indie/alternative type of music (Chromatics, Part Time) you will be very pleased. The songs perfectly match the scenes. The one that especially stands out in my opinion is the desert scene with the snake, everything comes together nicely there making it almost hypnotic.

The acting is solid. Dianna Agron (The Family, I Am Number Four) and Paz de la Huerta (Enter the Void, A Walk to Remember, Boardwalk Empire) work well together and it's nice to see Dianna Agron doing something different and daring from her previous roles. The stand- out performance would have to be Chris Zylka though (Kaboom, The Leftovers), an obvious scene stealer in this one.

If you are a fan of indie films then I would recommend Bare. Just let yourself slowly be immersed in it and it will take you away a little for those 90 minutes.

Greetings again from the darkness. The debut feature of writer/director Natalia Leite takes on the all-too-familiar territory of a disenchanted teenager being smothered by a claustrophobic small town, and twists it into a nocturnal awakening that changes some lives, while leaving others forever jogging in place.

Sarah (Dianna Agron, "Glee") is a bored, young local in a small Nevada town. She gets fired from her job as a supermarket checker and spends her time hanging out with her boyfriend (Chris Zylka) and their group of equally unambitious friends. One day she stumbles upon Pepper (Paz de la Huerta, "Boardwalk Empire") who is sleeping in an abandoned store owned by Sarah's father. Intrigued by the drifter, Sarah allows herself to be drawn into Pepper's world of drugs and strippers. A quick trip to Las Vegas really opens up Sarah's eyes to the great big world, and also leads to some amorous feelings toward Pepper.

Clichés abound here as the mysterious stranger awakens the spirit of the small town dreamer; the taboo love story; the judgmental family and friends; and the "one last shift" to earn enough money to flee this small town and discover one's true purpose while living a carefree life. Pepper tosses out some philosophical musings and Sarah falls hook, line and sinker. We fully expect this to end badly for both.

Filmmaker Leite does a nice job of creating the feel of the night without judging its participants too harshly. Dianna Agron has the screen presence to pull off the innocent girl's self-discovery, while Paz de la Huerta has the mysterious quality of one to whom someone like the Sarah character would be drawn. It's interesting how Sarah is allowed to choose her own path, and explore the possibilities of what might be. At best, the film is one for a sleepless night, and it does provide two disparate female leads and a director who has earned more opportunities.