Kong: Skull Island
Une équipe de scientifiques explore une île inconnue du Pacifique, s'aventurant dans le domaine du puissant Kong, et doit se battre pour échapper à un Eden primitif.Une équipe de scientifiques explore une île inconnue du Pacifique, s'aventurant dans le domaine du puissant Kong, et doit se battre pour échapper à un Eden primitif.Une équipe de scientifiques explore une île inconnue du Pacifique, s'aventurant dans le domaine du puissant Kong, et doit se battre pour échapper à un Eden primitif.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 1 victoire et 22 nominations au total
Avis à la une
This is a really cool movie! It's not deep or complex, but it's visually great and a lot of fun.
Released in 2017 and directed by Jordan Vogt-Roberts, "Kong: Skull Island" takes place in 1973 where a military crew about to depart Vietnam is commissioned to guide an expedition to map out the eponymous island. Of course, the giant ape, Kong, is soon discovered, as well as several other deadly colossal creatures, including reptilian underground monsters dubbed "Skullcrawlers." Will anyone make it out alive?
Like my title blurb says, this delivers the goods for fantasy-adventure lovers. The opening act is great with its kinetic air and excellent late 60s/early 70's soundtrack. The rest of the movie more or less keeps up the entertainment value, highlighted by the racially diverse cast, led by Samuel L. Jackson, John Goodman, Tom Hiddleston, Brie Larson and John C. Reilly; there are many others.
"Skull Island" has the high adventure demanded in a King Kong flick and is arguably on par with the original "King Kong" (1933), as well as the 1976 and 2005 versions, although it's superior to the latter because it lacks that one's pretentious over-length, cartoonish CGI-jungles and overkill action sequences (like the absurd brontosaurus stampede). Of course, it's criminal to compare a modern CGI-oriented flick with a classic like the 1933 film (or even the '76 version); I'm just saying that, if you favor those movies, you'll probably relish this one because it's cut from the same cloth and is effective for what it is, a colossal creature adventure flick. For further comparison, "Skull Island" is pretty much as good or, IMO, better than any of the Jurassic Park pictures.
Along with the thrilling jungle escapades, there are some interesting subtexts and gems to mine, like the quasi-Ahab subplot and the fact that dropping myriad bombs might not be the best answer. Early in the film the photographer (Brie) tells the the gung-ho Colonel (Jackson) that America lost the Vietnam War. Yet, this isn't really accurate since the USA won every battle of that infamous conflict. So the colonel rightly corrects her: "We didn't lose the war; we abandoned it."
The movie runs 118 minutes and was shot in Ha Long Bay, Quang Ninh, Vietnam; Oahu, Hawaii; and Queensland, Australia; with studio work done in Los Angeles.
GRADE: B+
Like my title blurb says, this delivers the goods for fantasy-adventure lovers. The opening act is great with its kinetic air and excellent late 60s/early 70's soundtrack. The rest of the movie more or less keeps up the entertainment value, highlighted by the racially diverse cast, led by Samuel L. Jackson, John Goodman, Tom Hiddleston, Brie Larson and John C. Reilly; there are many others.
"Skull Island" has the high adventure demanded in a King Kong flick and is arguably on par with the original "King Kong" (1933), as well as the 1976 and 2005 versions, although it's superior to the latter because it lacks that one's pretentious over-length, cartoonish CGI-jungles and overkill action sequences (like the absurd brontosaurus stampede). Of course, it's criminal to compare a modern CGI-oriented flick with a classic like the 1933 film (or even the '76 version); I'm just saying that, if you favor those movies, you'll probably relish this one because it's cut from the same cloth and is effective for what it is, a colossal creature adventure flick. For further comparison, "Skull Island" is pretty much as good or, IMO, better than any of the Jurassic Park pictures.
Along with the thrilling jungle escapades, there are some interesting subtexts and gems to mine, like the quasi-Ahab subplot and the fact that dropping myriad bombs might not be the best answer. Early in the film the photographer (Brie) tells the the gung-ho Colonel (Jackson) that America lost the Vietnam War. Yet, this isn't really accurate since the USA won every battle of that infamous conflict. So the colonel rightly corrects her: "We didn't lose the war; we abandoned it."
The movie runs 118 minutes and was shot in Ha Long Bay, Quang Ninh, Vietnam; Oahu, Hawaii; and Queensland, Australia; with studio work done in Los Angeles.
GRADE: B+
THIS is the way a movie should be done.
Have you ever watched the scene from The Princess Bride where the grandfather tells the kid: It's got everything. "Fencing, fighting, torture, revenge, giants, monsters, chases, escapes, true love ...". Well, in a way, that's this version of KONG, and I am really happy and surprised at just how GOOD it was.
Take a bit of the original Kong, mix it with one part Private Ryan, a dash of The Deer Hunter, some Monty Python, lots of Jurassic Park, a pinch of A Space Oddity and mix well with some (insert your favorite lower-key funny movies HERE). The result is a pleasing fare one can really sink their teeth into and enjoy.
It has some familiar faces too, and what's best about it, is that not only do they live up to their so-called stardom, but even the unfamiliar or not-yet- "famous" actors with smaller roles, really do a great job and sell it. At no time while you are watching this movie do you feel it far-fetched or unbelievable that Kong actually exists, and isn't that, in a nutshell, what all movies should aspire to - the suspension of disbelief? Mission accomplished on this one, and good job to the creators.
A definite must-watch.
Have you ever watched the scene from The Princess Bride where the grandfather tells the kid: It's got everything. "Fencing, fighting, torture, revenge, giants, monsters, chases, escapes, true love ...". Well, in a way, that's this version of KONG, and I am really happy and surprised at just how GOOD it was.
Take a bit of the original Kong, mix it with one part Private Ryan, a dash of The Deer Hunter, some Monty Python, lots of Jurassic Park, a pinch of A Space Oddity and mix well with some (insert your favorite lower-key funny movies HERE). The result is a pleasing fare one can really sink their teeth into and enjoy.
It has some familiar faces too, and what's best about it, is that not only do they live up to their so-called stardom, but even the unfamiliar or not-yet- "famous" actors with smaller roles, really do a great job and sell it. At no time while you are watching this movie do you feel it far-fetched or unbelievable that Kong actually exists, and isn't that, in a nutshell, what all movies should aspire to - the suspension of disbelief? Mission accomplished on this one, and good job to the creators.
A definite must-watch.
A strange movie. It is kind of all over the place with its themes and influences but it has a distinct enough personality and some solid setpieces.
This is a straight adventure story with giant monsters, and the way it's shot and the hammy dialogue are mostly B-movie and comic book derived (check out those Dutch angles and blistering colors and 10 times too big sun, moon, aurora...).
But there's also a clunky Vietnam metaphor that's a straight-up over the top "homage" to Apocalypse Now, et al. The song choices even more so. It makes sense in theory (VietKong anyone?) but I don't think it ever really works and it's just an excuse to make Sam Jackson a bad guy to counterpoint Kong's "human" side.
Characters are fine for the most part. They serve their cardboard purposes and that's what's expected. Hiddleston and Larson in particular feel vastly underdeveloped. Everything they say and do fall instantly from memory and their disappearance from the movie all together wouldn't have changed it that much.
But what we want are monsters and we get them. Most of them are wonders to behold (the water buffalo, spider legs, and octo tentacles yum) except the generic Skullcrawers (the scene where Reilly names them is embarrassing - I don't think Larson or Hiddleston had any idea what to do the dialogue is so ferociously dumb. Reilly almost saves it however).
This Kong feels like a very different movie than the new Godzilla. This is very much an entertaining B-movie with strong comic book influences worn loud and proud. It will be interesting to see how these two worlds collide. If any franchises deserve an extended universe, it's these! That's what they're all about.
This is a straight adventure story with giant monsters, and the way it's shot and the hammy dialogue are mostly B-movie and comic book derived (check out those Dutch angles and blistering colors and 10 times too big sun, moon, aurora...).
But there's also a clunky Vietnam metaphor that's a straight-up over the top "homage" to Apocalypse Now, et al. The song choices even more so. It makes sense in theory (VietKong anyone?) but I don't think it ever really works and it's just an excuse to make Sam Jackson a bad guy to counterpoint Kong's "human" side.
Characters are fine for the most part. They serve their cardboard purposes and that's what's expected. Hiddleston and Larson in particular feel vastly underdeveloped. Everything they say and do fall instantly from memory and their disappearance from the movie all together wouldn't have changed it that much.
But what we want are monsters and we get them. Most of them are wonders to behold (the water buffalo, spider legs, and octo tentacles yum) except the generic Skullcrawers (the scene where Reilly names them is embarrassing - I don't think Larson or Hiddleston had any idea what to do the dialogue is so ferociously dumb. Reilly almost saves it however).
This Kong feels like a very different movie than the new Godzilla. This is very much an entertaining B-movie with strong comic book influences worn loud and proud. It will be interesting to see how these two worlds collide. If any franchises deserve an extended universe, it's these! That's what they're all about.
When the Vietnam War ends, Bill Randa (John Goodman) and his partner Houston Brooks (Corey Hawkins) from the Monarch organization succeed to get the financing for an expedition to the recently discovered Skull Island from Senator Willis (Richard Jenkins). He hires the former Captain James Conrad (Tom Hiddleston) to guide the expedition; a group of soldiers under the command of Colonel Preston Packard (Samuel L. Jackson); and the awarded journalist and photographer Mason Weaver (Brie Larson). On the arrival, the helicopters need to cross a storm and soon they drop bombs on the forest to map the seismology of the island. Soon they are attacked by a huge gorilla called Kong that destroys the helicopters and kills part of the crew and scatter the rest through the island. The group commanded by Conrad meets Hank Marlow (John C. Reilly), a survivor from the World War II that lives with a tribe of natives. He explains that Kong protects the island and the natives from underground monsters and shall not be killed. But Colonel Packard is insane seeking revenge for his men that died.
"Kong: Skull Island" is a brainless adventure with several stupidities. For example, the number of helicopters in the beginning of the journey of Randa, Conrad and Packard is totally incompatible with the size of their ship. Bo pilot would dare to cross a storm like that in a helicopter. The attack of all the helicopters to Kong is absolutely imbecile. Most of the survivor's attitude are at least unreasonable. On the other side, the adventure is highly entertaining and the special effects are top notch. Therefore the best option to the viewer is to shut down the brain and enjoy the adventure since this is the purpose of this type of blockbuster. My vote is seven.
Title (Brazil): "Kong: A Ilha da Caveira" ("Kong: The Skull Island")
"Kong: Skull Island" is a brainless adventure with several stupidities. For example, the number of helicopters in the beginning of the journey of Randa, Conrad and Packard is totally incompatible with the size of their ship. Bo pilot would dare to cross a storm like that in a helicopter. The attack of all the helicopters to Kong is absolutely imbecile. Most of the survivor's attitude are at least unreasonable. On the other side, the adventure is highly entertaining and the special effects are top notch. Therefore the best option to the viewer is to shut down the brain and enjoy the adventure since this is the purpose of this type of blockbuster. My vote is seven.
Title (Brazil): "Kong: A Ilha da Caveira" ("Kong: The Skull Island")
Le saviez-vous
- AnecdotesSamuel L. Jackson said on a talk show that throughout filming, he and his co-stars didn't know just how big Kong was supposed to be. Whenever they asked, they got conflicting answers.
- GaffesThe establishing shot of the Athena shows a CH-47 Chinook helicopter on the bow, four UH-1 Hueys amidships, and one CH-53 Sea Stallion on the stern. In the helicopter battle with Kong later, at least 10 Hueys are shown.
- Citations
Hank Marlow: Hey, what happened with the war? Did we win?
James Conrad: Which one?
Hank Marlow: Uh-huh. That makes sense.
- Crédits fousSPOILER: There is a scene after the closing credits: Brooks and Lin meet Conrad and Weaver and show them records that indicate other monsters existing on Earth; the monsters seen are Rodan, Mothra, King Ghidorah and Godzilla. The scene ends with Godzilla's roar. This leads into Godzilla II : Roi des monstres (2019).
- ConnexionsFeatured in Film '72: Épisode #46.1 (2017)
- Bandes originalesTime Has Come Today
Written by Joseph Chambers and Willie Chambers
Performed by The Chambers Brothers
Courtesy of Columbia Records
By arrangement with Sony Music Licensing
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Kong. La Isla Calavera
- Lieux de tournage
- Ha Long Bay, Quang Bình Province, Vietnam(aerial shots of Skull Island)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 185 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 168 052 812 $US
- Week-end de sortie aux États-Unis et au Canada
- 61 025 472 $US
- 12 mars 2017
- Montant brut mondial
- 568 652 812 $US
- Durée1 heure 58 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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