Ajouter une intrigue dans votre langueA documentary about the life of the Australian costume designer and three time Oscar winner Orry-Kelly.A documentary about the life of the Australian costume designer and three time Oscar winner Orry-Kelly.A documentary about the life of the Australian costume designer and three time Oscar winner Orry-Kelly.
- Récompenses
- 4 nominations au total
Deborah Nadoolman
- Self
- (as Deborah Nadoolman Landis)
Avis à la une
I went along to this film with a female friend as a favour, otherwise I would never have watched it. I was however, pleasantly surprised. There is joy in learning something new. This film gives you an insight into something that ordinarily you wouldn't think twice about - costume design in films. The narrative is presented in an interesting way - in the first person and from those who actually knew Orry-Kellly which gives it a lovely authenticity and contemporary feel rather than just being a piece of dry history. Being based on the life of a Hollywood employee in the days when the big studios ruled - Paramount, MGM and Warner's, there is some nice scandal too. The film helps you to relive, or maybe see for the first time the style and glamour of early Hollywood - even during times of international economic hardship. All in all, worth a watch.
I'm a huge fan of classic movies and I loved this documentary about fashion designer Orry-Kelly. He dressed all the greatest stars of the 1930s and 1940s - Bette Davis, Kay Francis, Ingrid Bergman, and Marilyn Monroe. He won three Academy Awards! His personal life was even more fascinating. He was openly gay and the great love of his life was Cary Grant!!! This documentary focuses a LOT of time on Cary. He was in the closet and he broke Orry's heart. This documentary is based on Orry's unpublished autobiography so I believe it's true. They don't sugarcoat Orry's battle with alcoholism which he won after going to rehab in the 1950s. I hope film fans watch this documentary and become a fan of Orry. He was an important part of Hollywood history.
A terrific biography of Australian-born Hollywood costume designer (and 3 time Oscar winner) Orry-Kelly. Gillian Armstrong's fun and emotional look at Kelly's often challenging life includes wonderful taking heads; actresses like Jane Fonda and Angela Landsbury, great designers of the more modern era like Ann Roth and Catherine Martin, film and Hollywood historians like Leonard Maltin and others. They tell absorbing stories about the wildly talented, sometimes wildly difficult perfectionist, as well as heartbreaking ones about his personal life as a gay man in Hollywood at a time when being 'out' was still cause for possible unemployment and human banishment. These attitudes and threats led to – among other things - a terribly painful and ultimately cruel break-up of many years from his early lover and one time best friend Archie Leach, later known as Cary Grant.
But what makes the documentary much more interesting than most Hollywood hagiographies are the more theatrical elements Armstrong and screenwriter Katherine Thompson bring to the party. Along with the great stories, clips and still photos there are also actors playing Kerry (an excellent Darren Gilshenan), his mother and others from his life. Kerry enthusiastically narrates his own story in the midst of wonderfully surreal, theatrical and playfully symbolic settings (rowing alone in a tiny boat is a constant metaphor). These sequences paradoxically bring both lightness and depth to the film, giving us a far more personal connection to the man than most screen biographies have. In the end it's both a lot of fun and tremendously sad and informative about the sexual and human politics of Hollywood, and their costs on real human beings (not only gay men, but women both straight and gay as well).
One of those films I almost didn't see since it's not a subject that called out for me, only to be very happily surprised at how much I got out of it.
But what makes the documentary much more interesting than most Hollywood hagiographies are the more theatrical elements Armstrong and screenwriter Katherine Thompson bring to the party. Along with the great stories, clips and still photos there are also actors playing Kerry (an excellent Darren Gilshenan), his mother and others from his life. Kerry enthusiastically narrates his own story in the midst of wonderfully surreal, theatrical and playfully symbolic settings (rowing alone in a tiny boat is a constant metaphor). These sequences paradoxically bring both lightness and depth to the film, giving us a far more personal connection to the man than most screen biographies have. In the end it's both a lot of fun and tremendously sad and informative about the sexual and human politics of Hollywood, and their costs on real human beings (not only gay men, but women both straight and gay as well).
One of those films I almost didn't see since it's not a subject that called out for me, only to be very happily surprised at how much I got out of it.
I liked it. I REALLY liked it. The clips and artsy crafty re-enactments and all.
Some of the other reviewers down graded the film because of the theatrical bits but they made it less cut and DRY documentary. MORE clips would have been nice but the job as it was , was well done !
A must see for any lover of films of the Classic Era.
Some of the other reviewers down graded the film because of the theatrical bits but they made it less cut and DRY documentary. MORE clips would have been nice but the job as it was , was well done !
A must see for any lover of films of the Classic Era.
I will not attempt to precis the content of this film. Gillian Armstrong and her production team have created a swiftly moving film about Orry-Kelly that needed to be told before all living connections to his work die.
For anyone interested in what goes into making a film this is a must see documentary that follows a real story arc. He has his high and lows but most of all Orry-Kelly had respect from the Hollywood industry from studio heads down.
Some of the well documented activities of some of Hillywood's biggest stars may come as a surprise to some.
For anyone interested in what goes into making a film this is a must see documentary that follows a real story arc. He has his high and lows but most of all Orry-Kelly had respect from the Hollywood industry from studio heads down.
Some of the well documented activities of some of Hillywood's biggest stars may come as a surprise to some.
Le saviez-vous
- AnecdotesJames A Michener, the celebrated novelist has long claimed (and bragged) that at 37, he was the oldest private serving in the army during the second world war. This movie and the book on which it was based prove Orry-Kelly far surpassed that boast when he was drafted at age 45 and served until the army finally released those over the age of 45.(He was 46 by then!)
- GaffesThe birth and death dates of Marion Davies and Fannie Brice were reversed. Marion Davies lived from 1897 - 1961; Fannie Brice from 1891 - 1951. The dates given in this film switch the dates, having Davies die in 1951 and Brice in 1961.
- ConnexionsFeatures Le temps des cerises (1927)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Las mujeres que desnudó (La historia de Orry-Kelly)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut mondial
- 131 701 $US
- Durée1 heure 35 minutes
- Couleur
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