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5,8/10
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MA NOTE
Ajouter une intrigue dans votre langueAfter a young fashion designer runs afoul of her corrupt stepmother and stepsisters, she dons a disguise to help save the family business for her father.After a young fashion designer runs afoul of her corrupt stepmother and stepsisters, she dons a disguise to help save the family business for her father.After a young fashion designer runs afoul of her corrupt stepmother and stepsisters, she dons a disguise to help save the family business for her father.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
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I enjoyed this movie immensely! It took the "Cinderella-like" tale to a whole new Modern Day version that I very much enjoyed. The characters were relatable and hilarious, and I couldn't help laughing so hard during it. Portia, the actress playing the lead female, did a FANTASTIC job playing her parts! It wasn't too dorky that it was terrible and overdone; it had just enough silly humor that it was entertaining for me. The romantic parts were charming and "awwww!"-inducing that I couldn't help but melt inside. So adorable!
It's a GREAT movie to watch and laugh out loud with the entire family!! You won't regret it! :D
It's a GREAT movie to watch and laugh out loud with the entire family!! You won't regret it! :D
It probably helps to compare this film more to 'Twelfth Night' than to 'Cinderella', though it owes both.
I enjoyed it; but then I enjoy anything with Portia Doubleday. She is not as slapstick-funny as Amanda Bynes; but she is prettier; and she carries off the awkwardness of the Kate character amusingly and even credibly. You are inclined to like her character here - she is honest, well-meaning, and determined without being either overly sappy or shallow.
If there are shallow acting performances, they're down to everyone else - Daniel's character was insufficiently developed, making him appear like a caricature of Prince Charming rather than a real-life, modern-day Orsino; and Elise's character is hardly any Olivia. The actors are good enough but they aren't given much to work with.
Being a vehicle for Miss Doubleday is the movie's one saving grace. I really missed seeing her (little spoiler here) on the runway at the end; as it'd have been a major PR success for the company to have had Kate present in her new capacity; and of course she's lacking nothing to have made a good model... if only on her own terms :)
I enjoyed it; but then I enjoy anything with Portia Doubleday. She is not as slapstick-funny as Amanda Bynes; but she is prettier; and she carries off the awkwardness of the Kate character amusingly and even credibly. You are inclined to like her character here - she is honest, well-meaning, and determined without being either overly sappy or shallow.
If there are shallow acting performances, they're down to everyone else - Daniel's character was insufficiently developed, making him appear like a caricature of Prince Charming rather than a real-life, modern-day Orsino; and Elise's character is hardly any Olivia. The actors are good enough but they aren't given much to work with.
Being a vehicle for Miss Doubleday is the movie's one saving grace. I really missed seeing her (little spoiler here) on the runway at the end; as it'd have been a major PR success for the company to have had Kate present in her new capacity; and of course she's lacking nothing to have made a good model... if only on her own terms :)
Portia Doubleday heads a phenomenal cast who have fun with Shakespeare's themes of disguises and miscommunication. I started watching this show thinking it was just a Cinderella remake, but was taken on a surprise road trip through a comedic spectacular.
Newly graduated Kate Kassell (Portia Doubleday) is trying to be a fashion designer but her father Lee (Chris Noth)'s cheap knockoff reputation stymies her. She joins her fathers company which was started with her deceased mother. Her stepmother Elise (Lauren Holly) schemes to kick her out of the company. Elise with her simpleton daughters are undermining the company. After they successfully get Kate fired, her friends suggest returning as a male designer.
This is sorta Cinderella with a dash of Twelfth Night. I like Portia Doubleday and really the only reason to watch this. Her weird-looking male character is off-putting at first but he does grow on me. The father is infuriating as if he is suffering dementia. It might be helpful to see the roots of the dysfunctional father daughter relationship. The evil stepmother is fine. The fashion business is nothing insightful or real. At the end of the day, none of that is the big problem. It is simply too cheap and too cheesy to be effective. It is not more than a TV movie that cannot elevate. Doubleday does an admirable job but it is not enough.
This is sorta Cinderella with a dash of Twelfth Night. I like Portia Doubleday and really the only reason to watch this. Her weird-looking male character is off-putting at first but he does grow on me. The father is infuriating as if he is suffering dementia. It might be helpful to see the roots of the dysfunctional father daughter relationship. The evil stepmother is fine. The fashion business is nothing insightful or real. At the end of the day, none of that is the big problem. It is simply too cheap and too cheesy to be effective. It is not more than a TV movie that cannot elevate. Doubleday does an admirable job but it is not enough.
This is just another version of Cinderella with a twist of fashion. I thought it was charming and entertaining. Some parts delivered from by the main actress made me cringe a bit, but this is the type of movies I enjoy - clean and family friendly.
Le saviez-vous
- AnecdotesKate (Portia Doubleday) goes by the alias of Nate Ganymede while working at Kassell disguised as a man. This is a reference to William Shakespeare's "As You Like It," where the female character Rosalind masquerades as a boy named Ganymede.
- GaffesWhen Kate is sorting through buttons, she places a box into a large gray container, but in the next shot the gray container is gone. Then she is seen pulling out the gray container and placing it where it had been before and putting two other boxes inside of it.
- ConnexionsReferences Priscilla, folle du désert (1994)
- Bandes originalesYoung and in Love
Written and performed by Emilia
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- How long is After the Ball?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- After the Ball
- Lieux de tournage
- Montréal, Québec, Canada(Filming)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 161 820 $US
- Week-end de sortie aux États-Unis et au Canada
- 31 718 $US
- 1 mars 2015
- Montant brut mondial
- 234 417 $US
- Durée1 heure 41 minutes
- Couleur
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