Ajouter une intrigue dans votre langueA crew search for all of the old Atari 2600 game cartridges of "E.T. the Extra-Terrestrial" that were tossed into a landfill in the 1980s.A crew search for all of the old Atari 2600 game cartridges of "E.T. the Extra-Terrestrial" that were tossed into a landfill in the 1980s.A crew search for all of the old Atari 2600 game cartridges of "E.T. the Extra-Terrestrial" that were tossed into a landfill in the 1980s.
- Self - Riley Rayburn
- (as a different name)
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With an hour running time not much else could be expected. But digging (pun intended) in the past might uncover something ... well at least will bury the rumors. Ok enough puns - probably. Having watched this I almost want to play ET now ... although ... well at least the documentary is short and really enlightening - for anyone who's interested that is.
Again we're asked to buy in to the S word - subjectivity - and this is where everything falls down . Atari once had an absolute monopoly on video games both in arcades and home consoles . Everyone remembers Pong , a tennis like game involving two players knocking a ball in to their opponents space . Then you had Space Invaders and the likes taking up the market in arcade games and I often remember as a child popping in to the local amusement arcades in Rothesay watching patrons play these games wishing I had the money to play . When I did arcade games had moved forward slightly and grown more intricate and visually better and just all round more fun . It wasn't until I consulted Wikipedia that I found out something important which GAME OVER fails to mention and that is how very few games in the mid 1980s arcades were Atari games . And this means this documentary must be taken wit a large salt mine . By the mid 1980s other consoles by the likes of Sega were eating in to the market and despite what the interviewees are claiming it simply wasn't a bad press revolving around a single game that ended Atari it was simply market forces and more innovative rivals that beat them
This is a pity because this selective rewriting of history damages a very interesting documentary that gives us the story of how video games came in to being . Where it works best is with the visuals . Director Zak Penn best known for his Hollywood superhero screenplays uses the documentary as almost a literal comic book cum video game which works very well in what could have been a boring docu featuring talking head interviews . The history of Atari is also fascinating where game developers were allowed to get stoned at work , think outside the box and makes lots of money . As the laws of evolution show however hippies become yippies become yuppies and there's distinct lack of irony involved when people who have done so much to make a corporate company an absolute minority thinks it's a good idea to dig up a land fill site in Alamogordo causing possible environmental harm as a bit of an ego trip while blaming all the world's problems on a video game that didn't sell . Modesty like truth isn't exactly in evidence here but it still makes for an interesting documentary
Such a compelling and unorthodox story owes itself to be covered in a documentary, and thankfully, there's Zak Penn's Atari: Game Over, a sixty-six minute documentary available for free on Microsoft's Xbox 360 video application. The documentary works to establish the story of Atari's rise to fame before it all came crashing down in the early-to-mid eighties, as well as articulate the real reason for the company's financial troubles instead of reiterating the common myth. In addition, Penn covers the fabled story of the cartridge burial in the Alamogordo landfill in New Mexico.
For years, rumor has had it that hundreds of unsold E.T. cartridges were buried deep in the Alamogordo landfill before being smothered by a thick layer of concrete. Spliced in between interviews with people close to Atari, and those who worked for the company during its heyday, Penn covers the excavation of the landfill, as he works with the landfill's employee Joe Lewandowski. Lewandowski is almost certain that beneath the surface of the dump lies the cartridges so much so that he has created an intricate map that reveals the location of where they'd be.
One of the souls interviewed during the film is Howard Scott Warshaw, who was a video game programmer and creator for Atari during its rise, creating the console's classic games like Yars Revenge and the video game adaptation of Raiders of the Lost Ark. Warshaw was also tasked with creating the aforementioned E.T., a task he was only given five weeks to complete because Atari wanted a presumably hot title for the forthcoming holiday season. Warshaw tirelessly worked to try and complete the game, but the end result was a game that was widely panned for its cryptic, often frustrating structure and layout among other serious problems. Following E.T.'s release, Atari experienced enormous profit declines, a fact later attributed to not only the oversaturation of the video gaming market but because Atari kept funneling advertising money in their flagship console, the Atari 2600, in a time where it commanded the market share and the next generation consoles were already on their way. Warshaw, among over 7,000 other employees, were eventually let go in the mid-eighties, following continuously abysmal performances and small profits.
Atari: Game Over chronicles all this in a delightfully compelling manner, giving us history and the contemporary excavation in a way that will not only please fans of video games but anyone looking for a quirky, offbeat story. Penn is also careful to note why Atari and the video gaming industry are so significant in the world, affirming the idea that the early video gaming consoles turned the Television, a once exclusively passive medium, into an active medium, where one could control their actions and enter alternate worlds with untold possibilities, only limited by one's imagination. In addition, it's also nice to see some affirmation of E.T.'s legacy and quality rather than harping on mindlessly-uttered derogatory statements concerning the game's quality. Humbly emotional scenes come when Warshaw, who now works as a psychotherapist, discusses the imprint E.T. has had on him during his presence at the landfill's excavation and we see the effect one's panned art has had on him over the years. It's a tender scene in a very well done documentary.
Directed by: Zak Penn.
*** 1/2 (out of 4)
Entertaining documentary from director Zac Penn about the fall of Atari and how many people blamed the disaster sales of the video game E.T.. The documentary talks about the rise of Atari and of course it's fall from grace as well as goes into details about the making of the video game based on the Steven Spielberg movie. We also get current footage of them digging up a landfill where legend has it contains millions of copies of the game that didn't sell.
The term video game nerd is used several times throughout this documentary but you certainly don't have to be one in order to enjoy this film, which is without question a fun little gem that makes you realize how the truth is often very far from the legend. We're told about the history of this video and we get interviews with video game experts as well as the man who designed the game. They discuss what kind of pressure was on for it to be released by Christmas and why something just went wrong along the way.
If you're a fan of video games or familiar with the legend of the E.T. game then you're really going to love what's offered here but I think those unfamiliar with the legend will probably enjoy it even more because it's just fascinating to think that one video game brought down a billion dollar industry. Of course, the truth is eventually revealed. Video nerd or not, this is a very entertaining documentary that's worth watching.
"Atari: Game Over" is a film that drives the history teacher in me mad. While the show is interesting to watch for nostalgic reasons (after all, I had an Atari 2600) it's history is poor to say the least. According to so much of "Atari: Game Over" the company was destroyed by the game "E.T." or at least that it died soon after the game died on the shelves--but this is NOT the case at all. The Atari 2600 was soon replaced by the Atari 5200 and Atari 7800 and the company limped on through the 1980s and did NOT fold after the failure of "E.T."--so pretty much everything about the film is wrong when it comes to the real history. Saying the popularity of the Atari games peaked with "E.T." and it was all decline from then on, that WOULD be accurate. But the company dying was not just because of "E.T." but the lousy controllers for the 5200 (they were cheap plastic and overly complicated--and broke VERY quickly) and the system wasn't fixed...it was abandoned. As for the 7800, its titles never generated much excitement--especially since folks were afraid the system would also soon be abandoned. A variety of other financial missteps also hastened the decline, so the whole notion that the company disappeared after "E.T." debuted it a hoax. There must be better films about Atari out there...this one is full of sentiment but short on facts.
Le saviez-vous
- AnecdotesThis was supposed to be the first episode of a six part documentary series called 'Signal to Noise', made by Xbox Entertainment Studios. However, in July 2014, it became apparent that mother company Microsoft was going to shut down Xbox Entertainment Studios. Because of this, no other episodes of 'Signal to Noise' were made.
- Citations
Himself - Narrator: [Discussing the chances that the digging of the dump being successful] You're saying that there's a possibility that this could turn out to be a giant waste of time?
Himself - Waste Disposal Expert & Historian: I think I've said it before: I'll bet the car, I won't bet the house.
- ConnexionsFeatures Pong (1972)
Meilleurs choix
- How long is Atari: Game Over?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Atari
- Lieux de tournage
- Alamogordo, Nouveau-Mexique, États-Unis(landfill site)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 6min(66 min)
- Couleur
- Rapport de forme
- 1.78 : 1