The Door

It was a pretty good movie, nothing spectacular, but worth a watch. The acting was decent, and the atmosphere was pretty creepy. The story it self was very predictable, especially if you've read Pet Cemetery. Sarah Wayne Callies was terrific in it. I just didn't find the story very original.

I liked that it was set in India and incorporated some of the Indian religions and customs.

Don't expect anything ground breaking, but it's a good movie to watch if you like jump scares. All in all, it wasn't a bad way to spend and hour and a half.

Directed by Johannes Roberts and Roberts co-writes the screenplay with Ernest Riera. It stars Sarah Wayne Callies, Jeremy Sisto, Sofia Rosinsky and Suchitra Pillai.

Still struggling to come to terms with the death of her young son, Maria (Callies) is told of an Indian ritual where she can say goodbye to her son one last time, under one condition. The condition is that the conversation will be on the other side of a door - a door which simply must not be opened...

There were far worse horror films than this released in 2016, that's not to say this should be a selling point for The Other Side of the Door, but it at least is effective in what it does. The problems really are that it's all very cliché ridden, but how many horror films do not have clichés anyway? This is one for those who are just after a few genuine scares, some creeping dread like atmosphere, and a nifty ending. It doesn't tread any new ground, and it comes off like the bastard child of Ringu and Pet Sematary, but sometimes a safe horror with clichés is all you need for a decent night in with the lights off. 6.5/10

"The Other Side of the Door" (2016 release; 95 min.) brings the story of Maria and Michael. As the movie opens, we are informed that this is "Mumbai, India" and we see the couple having dinner and walking on the beach, On a whim, they decide to make Mumbai their home. We then go "Six Years Later", and Maria is having a nightmare, Soon we learn that the couple lost a young son (we learn how in a flashback) and the couple and their daughter are struggling in the aftermath. After Maria tries to commit suicide, the household maid Piki tells her about a mysterious temple in the woods far away, where Maria could meet her little boy one more time and say a final farewell. At this point we're not even 15 minutes into the movie, but to tell you more would spoil your viewing experience, you'll just have to see for yourself how it all plays out.

Couple of comments: this is the latest horror movie from British director Johannes Roberts, who most recently gave us "Storage 24". Here Roberts goes the super-natural dimension, looking for the thin line between life and death. I must admit that I didn't know a whole lot about this movie going into it, and as it turns out, this was quite the disappointment for me. If shock effects akin to a bat flying out of a cave or toys in a bedroom starting to move are enough to make it a scary movie, then this will be right up your alley. Not to mention that there are several plot points that are utterly unbelievable, even accounting for the fact that this is a horror movie, where all belief is suspended. This is in stark contrast to how much better that other 'horror' movie which I saw recently, "The Witch", was compared to this. Sarah Wayne Collins (as Maria), best know for her work in "The Walking Dead", does the best she can with the material she is given and as always is easy on the eyes. But even she cannot overcome the fact that the movie lacks much character development, and as a result there is little to no emotional investment on the viewer's part. Early on in the movie, Piki tells her that when she is in the temple, whatever her little boy does, "you must not open the door!!!". Wanna take a guess what happens? One of the better aspects of the movie is actually the score, courtesy of Joseph Bishara, a noted composer in the horror movie genre (the "Insidious" franchise, the "Conjuring" franchise, etc.).

"The Other Side of the Door" opened nationwide this weekend. The Friday evening screening where I saw this at here in Cincinnati was attended okay but not great. Couldn't help but notice that I saw 4 or 5 people leave midway through the film, and not returning. I made it to the end, but barely. A darn shame. I love a good horror movie, and surely this wasn't it, but by all means, if you have a chance to check out "The Other Side of the Door", be it in the theater, on VOD or eventually on DVD/Blu-ray, I'd encourage you to do so and draw your own conclusion.

I love horror. These movies are a bit overdone,however I loved the casting. Sarah Wayne Callie's is one of my favorite actresses and Jeremy Sisto can always pull it off. This movie is predictable, however, I watched until the very end. I paused when doing something else! It definitely has some super creepy scenes. They did a great job at making this movie as realistic as possible when dealing with the genre. I ignored the reviews and ratings and rented this on demand. Looking back I would have waiting until Netflix or a non pay. Instead I wanted a good creep and I got it! This movie gets a B- from me and watch before you decide if it's a good or bad movie.

I'll be honest. I think if I hadn't seen this in cinema,with the lights off, the loud sound system and the big screen, I would've given it a lower score. If you saw The Forest earlier this year, you know what to expect from The Other Side of The Door.

The Good: I know a lot of peeps don't like her, but I think Sarah Wayne Callies has a great presence and a naturalness to her performances that I enjoy. She made for a believable mother, who had to make the kind of choice no parent should ever have to. Jeremy Sisto is another actor I like (remember him as the guy who got the arrows in his back in Wrong Turn?) and the kid actress, while average, didn't annoy me and actually appears in one of the better/scarier scenes in this movie. I also liked that the location was India and the evil/dark presence was part of their folklore. It was a little something new, that I hadn't really seen in North American films.

The Bad :Cliches, clichés, clichés! When for the love of Rice will they stop using the tired old tropes of : -Ghost with hollow eyes and stretched mouth (CGI of course) Look over there! Oops no, it's right next to you! (accompanied with loud ass noise) -Parent is completely absent from story for no reason, only to show up at the end. Sisto is VASTLY underused in this movie, to the point where I wondered if there was bad editing and he had scenes that were cut out. -Not following your own rules! (Burn stuff and ghost goes away, but wait, nope!) - Told not to do something or else. Does it anyway! -Witness the supernatural. Interact with the supernatural. Denies it exists.

I could go on and on, but nobody likes to read these days so I'll just stop and say, wait for it on DVD and watch it to pass the time. The Other Side of the Door, may scare the average horror viewer, but it's tepid waters, for the hardcore lovers of the genre.