Vue sur mer

Located in a remote resort in France (but shot on Gozo in Malta), this story is located in the 1970s, so no computers or smartphones and lots of smoking and drinking plus a veteran sport car.

The focus is almost exclusively on a married couple who clearly have a very strained relationship for a reason which is only explained - and then too briefly - at the very end. The pacing is languid, even soporific, and there is only one person to blame: Angelina Jolie who wrote, directed and stars as an unsympathetic character.

Her co-star as husband is her real-life partner at the time Brad Pitt. Sadly this film seems prophetic since Jolie and Pitt split up soon afterwards and both the movie and its afterward seem to echo "Eyes Wide Shut" with then husband and wife Tom Cruise and Nicole Kidman.

"By The Sea" (2015 release; 122 min.) brings the story of married couple Roland (played by Brad Pitt) and Vanessa (played by Angeline Jolie). As the move opens, we see them driving in a gorgeous 1960s Citroen convertible somewhere in the south of France, while Jane Birkin's "Jane B" is blasting on the radio. Roland and Vanessa find an agreeable spot close by the sea and decide to stay there. Eventually another married couple (some years younger, though) ends up in the hotel room next to Vanessa and Roland, not aware that Vanessa found a peep hole, allowing them to look in the other room. To tell you more would spoil your viewing experience, you'll just have to see for yourself how it all plays out.

Couple of comments: this is the third movie in the last 3 years directed by Angelina Jolie (she also wrote the script), but the first one where she directs herself (and Brad). It's been exactly 10 years since Angelina and Brad co-starred (ironically also in a struggling marriage, but of a very different kind!). If it sounds from my introductory lines that a lot is happening in the movie, think again. This is an ultra-slow moving film. You would think that this would allow us to get to know these characters, but alas, that is not the case either. We know virtually nothing as to why the marriage is in trouble, and can only speculate why Vanessa seems depressed, if not worse, and why Roland is experiencing writer's block. Despite all that, the movie does find some traction in the second half, just in the nick of time, frankly. The movie's photography is drop-dead gorgeous (filmed in Malta, that stood in as the south of France). The movie features a number of big French movie stars, including Melvil Poupaud and the beautiful Melanie Laurent (as the other married couple) and Niels Arestrup (as the café tender). There is a ton of great music featured in the movie, both in the musical score, as well as French songs from that era (think Serge Gainsbourg, Jane Birkin, Jacques Dutronc, Sheila, etc.).

"By The Sea" opened this weekend at my local art-house theater here in Cincinnati, and since I don't expect this to play in theaters very long, I went to see it right away. The Saturday early evening screening where I saw this at was attended dismally (4 people, including myself). I can't say it surprised me as the vibe around this movie has not been great. I nevertheless was curious about it (due to a clever trailer, frankly). If you are interested in catching a slow-moving relationship drama that is way off-center, I encourage you this give this a try, be it in the theater (better hurry!), on VAD or eventually on DVD/Blu-ray.

I won't say what everyone else has said about this film. What I will say is that it was a beautiful portrayal of some of the darker emotions in life.

Maybe others hate to see their own loneliness on screen, by two actors they've deemed unworthy before they've even watched it, or they have never experienced themselves the emotions portrayed in this film.

Melancholia is the last film I can remember portraying depression accurately. This film is the same, though it's not as simple as, she has depression or she is lonely. Her character was real to me and Angelina portrayed her well.

If you've ever met someone and loved them more than they love themselves and despite their own thoughts of themselves then maybe you will feel something when you watch this. If not, there are plenty more films out there for you that require a lot less emotional range.

When you see a man or a woman giving a single star out of ten to a movie, stay away from his or hers (or maybe its, you never know - some reviews could be written by bots) reviews: they are the "talibans" of IMDb. They hate or love a movie and never appreciate it with their minds for the real value it may have or not in itself. And mostly, do not trust people who use words like "turgid" in their reviews - they are pedants.

You need a soul to understand this movie and, more importantly, you have to understand how relations are (use to be): difficult, heart-consuming and, sometimes, even strange.

Brad and Angelina played well, the images from Malta were beautifully carved in stone, and yet the movie is not a memorable one. I gave it only 7 stars out of 10.

"If you really love someone, you want more for them than you want for yourself. Do you understand?" Michel (Niels Arestrup)

By the Sea nobly tries to explicate the above quote by the wise bar keep, Michel. Vanessa (Angelina Jolie Pitt) and Roland (Brad Pitt) are visiting the central-casting beautiful Malta to work on their marriage, albeit through the media of drink and voyeurism. It's the '70's and they're celebrities, he an unproductive writer and she a retired dancer.

They're not Burton and Taylor, and the film lacks the passion for any imitation of that famous duo. What it does have are a stunning production design and incomparably romantic location. The first half of the film labors over the small parts of their life—he places her large frame glasses upright because she puts them glass-side down; she digs him about his lack of writing and constant drinking.

However, once the newly-married couple, Lea (Melanie Laurent) and Francois (Melvil Poupaud) arrives, the story gets energy and more eye candy as Brangelina look through a peep hole at the couple's sexual antics. Apparently, this is all that is needed to rekindle the marriage of the older couple.

Well, more action is to come with the big reveal, not much of a revelation I must say. The disconcerting part of that not-so-mysterious surprise is the straight-forward explanation, hardly elegant, a bit too prosaic for a film that regularly intercuts with symbols, e.g., a fisherman in his boat, forcing you to think of the figurative implications and then unnecessarily explicating it.

Although Vanessa is a beauty whom the camera loves and who seems to preen for every shot, I can't help but think Angelina as writer and director has framed a character much like herself. That narcissism gets boring quickly. The prominence of Jane Birkin and Serge Gainsbourg's Jane B. on the soundtrack reinforces Jolie Pitt's infatuation with herself.

Like me you'll be booking passage to Malta soon, but you're unlikely to take away from this film any hints about saving your marriage or finding places in the Oscar nominations for this mediocre work(except, of course, for cinematography!).