NOTE IMDb
6,1/10
31 k
MA NOTE
Deux agents de la CIA et ex-amants sont réunis après une tentative de sauvetage ratée et sont forcés de travailler ensemble dans cette histoire profondément fascinante d'espionnage mondial, ... Tout lireDeux agents de la CIA et ex-amants sont réunis après une tentative de sauvetage ratée et sont forcés de travailler ensemble dans cette histoire profondément fascinante d'espionnage mondial, de dilemme moral et de trahison mortelle.Deux agents de la CIA et ex-amants sont réunis après une tentative de sauvetage ratée et sont forcés de travailler ensemble dans cette histoire profondément fascinante d'espionnage mondial, de dilemme moral et de trahison mortelle.
- Récompenses
- 1 victoire au total
Ahd
- Leila Maloof
- (as Ahd Kamel)
Résumé
Reviewers say 'All the Old Knives' is a dialogue-driven spy thriller with mixed reception. Chris Pine and Thandiwe Newton's performances are praised for their chemistry and intensity. The film's slow pace and focus on character interactions are highlighted, though some find it lacking in thrills. The plot's moral ambiguity and classic spy film comparisons receive varied feedback. Direction and screenplay are divisive, and the supporting cast is seen as underutilized.
Avis à la une
The movie has all the good accessories: sleek production, atmospheric mise-en-scene, glossy photography, powerful soundtrack.
But it's the excellent screenplay (from author Olen Steinhauer) and acting performances that make All The Old Knives a high quality espionage thriller, one made of the good old stuff.
For once the genre is not represented in movies by the usual kiss-kiss bang-bang, car chases, fistfights and the whole James Bond enchilada. This is espionage for connoisseurs.
But it's the excellent screenplay (from author Olen Steinhauer) and acting performances that make All The Old Knives a high quality espionage thriller, one made of the good old stuff.
For once the genre is not represented in movies by the usual kiss-kiss bang-bang, car chases, fistfights and the whole James Bond enchilada. This is espionage for connoisseurs.
Where the complicated strings of life in the shadowlands of spying at each other, ultimately leads to the fall of a king or chessmate or chest mate and good night...
an unusual tight , extremely dusk, grey and dark spythriller, not as action filled as ''spy games'', but eventually pretty decent try on a genre that hasnt been overflowing the market lately. Its got pieces and bits of material from 70 and 80's classics, like ''sting'' and ''the mole'', and the story is pretty tense to follow.
A bit slow on plot speed, and some lack on prescicionediting, its overflowed with decent filmatographic and dramaturgic cleverness, and the surprises never seems to end. A bit dull is the musical score, and the acting never reaches the upper cut, but entertaining it is. So without blood and gore and heavy shootouts, the grumpy old man recommends this kinda spy chess.
an unusual tight , extremely dusk, grey and dark spythriller, not as action filled as ''spy games'', but eventually pretty decent try on a genre that hasnt been overflowing the market lately. Its got pieces and bits of material from 70 and 80's classics, like ''sting'' and ''the mole'', and the story is pretty tense to follow.
A bit slow on plot speed, and some lack on prescicionediting, its overflowed with decent filmatographic and dramaturgic cleverness, and the surprises never seems to end. A bit dull is the musical score, and the acting never reaches the upper cut, but entertaining it is. So without blood and gore and heavy shootouts, the grumpy old man recommends this kinda spy chess.
Slow boil thriller. Moves at a deliberate pace over two timelines. A solid cast and story. Just as things get predictable, a third act plot twist adds to the story intrigue.
Don't come into this expecting nonstop action and thrills. What we have here is a ponderous, character-driven Cold War style espionage film that takes it time telling its intriguing story and has a satisfying payoff.
I was happy that some of the twists have much more depth than at initial glance and feel more natural than a lot of shock value storytelling. Pine and Newton do most of the heavy lifting and fit their roles well. Pine gives off some serious elder Brosnan vibes here and I'm here for it. The story ends up being quite heartfelt and bypasses most of the cliches that plague the genre.
The people complaining about how confusing it is clearly did not pay attention because every prior moment of intrigue is explained by the end.
I was happy that some of the twists have much more depth than at initial glance and feel more natural than a lot of shock value storytelling. Pine and Newton do most of the heavy lifting and fit their roles well. Pine gives off some serious elder Brosnan vibes here and I'm here for it. The story ends up being quite heartfelt and bypasses most of the cliches that plague the genre.
The people complaining about how confusing it is clearly did not pay attention because every prior moment of intrigue is explained by the end.
Definitely a 7 or more. Right now showing a 6 is very underated. Great acting by both Newton and Pine. Keeps you interested throughout. I'd recommend for sure.
Le saviez-vous
- AnecdotesThe rendezvous location where Henry and Celia have dinner is supposedly the wine-only "Vin de Vie" restaurant in Carmel when, in actuality, the glass-walled restaurant with ocean views was built on a soundstage in London using an LED backdrop. It looks remarkably like Canlis in Seattle
- GaffesNear the beginning of the film, Chris Pine's character drives to Carmel-by-the-Sea. But he's shown driving south on the Pacific Coast Highway over Bixby Creek Bridge, which would take him in the opposite direction.
- Citations
Celia Harrison: [about having children] It's not for the faint of heart.
- Bandes originalesLovesong
Written by Robert Smith (as Robert James Smith), Simon Gallup (as Simon Johnathon Gallup), Porl Thompson, Boris Williams, Roger O'Donnell, Laurence Tolhurst (as Laurence Andrew Tolhurst)
Performed by Amanda Bergman
Produced by Petter Winnberg
All instruments played by Petter Winnberg
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- How long is All the Old Knives?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- All the Old Knives
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 41 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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