Ajouter une intrigue dans votre langueThe story of legendary blues performer Bessie Smith, who rose to fame during the 1920s and '30s.The story of legendary blues performer Bessie Smith, who rose to fame during the 1920s and '30s.The story of legendary blues performer Bessie Smith, who rose to fame during the 1920s and '30s.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 4 Primetime Emmys
- 23 victoires et 47 nominations au total
Sharan C. Mansfield
- Miss Taylor
- (as Sharan Mansfield)
Onira Tares
- Chorus Girl
- (as Onira Tarés)
Avis à la une
Great performances and cinematography but just disappointing it just did not capture me. That's no criticism of the performances they were great.....it just misses the mark.
Firstly make your own mind up but for me knowing a bit about her life story it seems to lack any emotion. There's a coldness to it, kind of this happened then this happened. In one scene where Bessie faces her sister it seems just flashed through. Considering the history between them it should have been a much more powerful moment. The movie does not draw the viewer in. In my opinion it lacks any depth.
I guess the script writing is what's wrong but am no expert it just misses the mark. Great performance by QL. Not something I would think about watching again.
Firstly make your own mind up but for me knowing a bit about her life story it seems to lack any emotion. There's a coldness to it, kind of this happened then this happened. In one scene where Bessie faces her sister it seems just flashed through. Considering the history between them it should have been a much more powerful moment. The movie does not draw the viewer in. In my opinion it lacks any depth.
I guess the script writing is what's wrong but am no expert it just misses the mark. Great performance by QL. Not something I would think about watching again.
A movie about some aspect of Bessie Smith's life is decades overdue, considering the broad cultural shadow she casts. A few episodes of her tumultuous life explored in depth would resonate, but like too many biopics, this one suffers from the creators' attempt to tell the whole story, or most it, and the results are mechanical, predictable and force-fitted into various agendas. Most biopic makers stumble upon these rocks. Their task is difficult.
From the start of "Bessie" we are told five things over and over: Bessie was haunted throughout her life by memories of the mother she lost as a child. Bessie had lesbian dalliances. Bessie loved to drink straight gin, preferably right out of the bootlegger's glass jar. Bessie had a violent temper. Bessie was a fiercely independent, take-charge kind of gal. But the main thing about Bessie that is presented only sporadically and by rote is her distinctive singing and how it came to be that way. Queen Latifah, who would seem to be a fine choice for this role, does suggest Smith in girth and even in facial features, but despite a strong voice which she tries to adapt to the Smith groove, she never makes us feel the rafters rising as the Smith legend tells us. The only time she approaches the true Smith sound is near the end when hard living had begun to ravage her vocal chords. And in the early scenes Latifah, given her age and physicality, cannot possibly persuade us that she is a young, unformed artist-to-be.
The attempt to demonstrate how she gradually upstaged her mentor, Ma Rainey (played to the hilt by Mo'Nique), is episodic and sketchy, not organic or dramatic; the same goes for the re-enactments of Smith's altercations with members of the high-toned Manhattan art scene in the 1920s and early 1930s. Some good substance is made of her volatile love affairs with men (Michael Kenneth Williams and Mike Epps). But her mid-career slump is presented as with no explanation or cause, other than perhaps the Great Depression. SPOILER ALERT: Her tragic death (a potential movie in itself) is entirely absent, as "Bessie" ends in mid-air, or mid- road, as we are left with her musings about where she will go next after a picnic with her former bootlegger.
So, a point has been scored for Bessie Smith. It opens a conversation. But more is needed.
From the start of "Bessie" we are told five things over and over: Bessie was haunted throughout her life by memories of the mother she lost as a child. Bessie had lesbian dalliances. Bessie loved to drink straight gin, preferably right out of the bootlegger's glass jar. Bessie had a violent temper. Bessie was a fiercely independent, take-charge kind of gal. But the main thing about Bessie that is presented only sporadically and by rote is her distinctive singing and how it came to be that way. Queen Latifah, who would seem to be a fine choice for this role, does suggest Smith in girth and even in facial features, but despite a strong voice which she tries to adapt to the Smith groove, she never makes us feel the rafters rising as the Smith legend tells us. The only time she approaches the true Smith sound is near the end when hard living had begun to ravage her vocal chords. And in the early scenes Latifah, given her age and physicality, cannot possibly persuade us that she is a young, unformed artist-to-be.
The attempt to demonstrate how she gradually upstaged her mentor, Ma Rainey (played to the hilt by Mo'Nique), is episodic and sketchy, not organic or dramatic; the same goes for the re-enactments of Smith's altercations with members of the high-toned Manhattan art scene in the 1920s and early 1930s. Some good substance is made of her volatile love affairs with men (Michael Kenneth Williams and Mike Epps). But her mid-career slump is presented as with no explanation or cause, other than perhaps the Great Depression. SPOILER ALERT: Her tragic death (a potential movie in itself) is entirely absent, as "Bessie" ends in mid-air, or mid- road, as we are left with her musings about where she will go next after a picnic with her former bootlegger.
So, a point has been scored for Bessie Smith. It opens a conversation. But more is needed.
Well, i had very high expectations for this film after watching the trailer... but, it wasn't quite so. It actually was a good movie, but not what i expected. It could have been an epic, like La Mome or Ray, but it just missed that opportunity.
The story is somewhat incoherent, maybe it's the script, or just bad editing. There were some scenes that are short and take place in different times, so it becomes hard to follow and understand the story and the importance of those scenes. It's a little bit confusing at times and because of that the film loses flow. That is basically the one major flaw in this movie.
Apart from that, the actors did a great job, i've never seen Queen Latifah like this, she was wonderful. The music was great of course. The costumes, the set - beautiful.
In conclusion, i wouldn't call this a masterpiece, but it's not bad, i would recommend watching it on a Friday night with your loved one maybe. The plot is interesting, the music is wonderful, it sets that 20's mood and you'll have a great time for sure.
The story is somewhat incoherent, maybe it's the script, or just bad editing. There were some scenes that are short and take place in different times, so it becomes hard to follow and understand the story and the importance of those scenes. It's a little bit confusing at times and because of that the film loses flow. That is basically the one major flaw in this movie.
Apart from that, the actors did a great job, i've never seen Queen Latifah like this, she was wonderful. The music was great of course. The costumes, the set - beautiful.
In conclusion, i wouldn't call this a masterpiece, but it's not bad, i would recommend watching it on a Friday night with your loved one maybe. The plot is interesting, the music is wonderful, it sets that 20's mood and you'll have a great time for sure.
an introduction to a splendid career and bitter life. beautiful, seductive, impressing in few scenes. but only a good and useful introduction to the universe of Bessie Smith. and this is not a real surprise. it represents the recipes of many biopics who use great cast, splendid costumes, recreates the spirit of period but the afraid to make mistakes impose only a sketch of presented personality. sure, it is enough to listen her music for understand it. and against my belief than Viola Davies could be the best choice for the role of Bessie Smith, Queen Latifah does a great job. but not the slices of life, as isolated pieces from a puzzle are the wrong fact but the end who seems be not reasonable. to difficult to recreate in the most inspired manner a spectacular career, Bessie Smith becomes a symbol. a reasonable choice. but, maybe, not the best.
Bessie is a nicely produced flick about 'Bessie Smith the singer' with a little suggestion of 'Bessie Smith the person' sprinkled throughout the story. At movies end you don't feel you know something about her outside of her remarkable singing.
There are scenes of her rise from rags to riches and the family she tries to make but that's all you get through brief scenes and then it's back to her as a singer.
This isn't a bad movie, it's entertaining and Queen Latifah pulls out all the stops as Bessie the singer. But the ending leaves you pretty much where you were when you started the movie as far as Bessie the person is portrayed.
There are scenes of her rise from rags to riches and the family she tries to make but that's all you get through brief scenes and then it's back to her as a singer.
This isn't a bad movie, it's entertaining and Queen Latifah pulls out all the stops as Bessie the singer. But the ending leaves you pretty much where you were when you started the movie as far as Bessie the person is portrayed.
Le saviez-vous
- Citations
Bessie Smith: I ain't playing second to nobody!
- Bandes originalesGimme a Pigfoot and a Bottle of Beer
Written by Wesley Wilson (uncredited)
Remixed and Produced by Adam Blackstone and Queen Latifah
Additional Orchestration and Scoring by Stephen Tirpak (as Steve Tirpak)
Meilleurs choix
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- 藍調天后
- Lieux de tournage
- Olde Town Conyers, Géorgie, États-Unis(Chattanooga Streets)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 55min(115 min)
- Couleur
- Mixage
- Rapport de forme
- 1.78 : 1
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