Après avoir voulu dissimuler un accident de voiture qui a causé la mort d'un homme, un détective véreux de la criminelle est traqué par un homme mystérieux qui prétend avoir été témoin de l'... Tout lireAprès avoir voulu dissimuler un accident de voiture qui a causé la mort d'un homme, un détective véreux de la criminelle est traqué par un homme mystérieux qui prétend avoir été témoin de l'événement.Après avoir voulu dissimuler un accident de voiture qui a causé la mort d'un homme, un détective véreux de la criminelle est traqué par un homme mystérieux qui prétend avoir été témoin de l'événement.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 21 victoires et 17 nominations au total
Avis à la une
This premise is just the set-up for a film that comes off as a string of sometimes awesome set-pieces. The long sequence in the room with the coffin is a masterwork of tension, and if the rest of the movie can't quite equal that high, then it does a very good job nonetheless. A HARD DAY has everything you'd want from a thriller: dark laughs, shock scenes, violence, and some plot twists you definitely won't see coming. I particularly enjoyed the endless climax, which keeps you on the edge of your seat and leaves you breathless afterwards. Check it out!
There's a reason for that, they're great movies, really great movies.
The funny twist that I see on many of these police movies is that the police corruption, including the main character is considered as a norm. There is no glorifying the main character as a hero, standing above the dirty sea untarnished. He is just as dirty as the rest.
Again, a similar plot lines that runs through here is the main character is not the most likable character. Also it's more a story on a man who just happens to be a police officer rather than a police story.
These are things that have popped up quite a few times in other South Korean thrillers I've seen and it still has not gone stale.
The quirky, dirty, off beat, stylized, South Korean action movie is incredibly refreshing when placed up against the rest of the world.
This is a great movie, doesn't get into my top ten of South Korean movies but it's getting harder and harder to get into that top 10. With all the fantastic movies out there a great movie doesn't make the cut.
I'm European and my initial reaction, the first couple of minutes, was a quiet laughter because the language sounded funny. But soon after that the impossible plot and situations starting to unfold...
This is about a corrupted Korean homicide detective who drives his car on his way to attend his mother's funeral. What happens during his ride to the funeral home might happen to anyone, but his actions after the fact escalate in a way that is both funny and tragic. The plot thickens and he finds himself in a roller-coaster of crime, bad luck and bad decisions. The conclusion is satisfying though!
The direction is very very good. Adds to the thrilling sensation that many of the scenes have, but also has a definite black sense of humor. The main actor gives an exaggerate performance but maybe that's what this part needed.
Overall: If you come across it, watch it.
You may be able to spot a couple of things, but in general this is really a refreshing experience with many action sequences combining "horror" and comedy (that's everyday horror, as in what can go wrong and so forth). A great mixture that allows for set pieces that are original and a genuine funny viewing experience for the audience. I can highly recommend this
Le saviez-vous
- AnecdotesIf you're curious about the coordinates shown on the phone message, here they are: 36°06'52.41"N 126°46'40.26"E
- Citations
Park Chang-min: There are 2 types of humans. One who lowers his tail before the alpha. And the one who tries hard after a beat. Which one are you?
Go Geon-soo: Are you a cop?
Park Chang-min: Didn't I give you a jolt? That sinking feeling.
Go Geon-soo: What do you want?
Park Chang-min: That was the most important and smart thing you've ever said. What I want? It's simple.
- Crédits fousThe tone of the cellphone is Jazz Suite #2 (Waltz) of Dmitri Shostakovich, known for being the man theme of Stanley Kubrick's Eyes Wide Shut (1999)
- ConnexionsRemade as Po.Ju (2017)
Meilleurs choix
- How long is A Hard Day?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 19 004 $US
- Montant brut mondial
- 26 488 847 $US
- Durée
- 1h 51min(111 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1