Disparue
- Mini-série télévisée
- 2015
- 52min
NOTE IMDb
7,3/10
1,3 k
MA NOTE
Ajouter une intrigue dans votre langueWhen a teenage girl does not return home from a festival, her parents contact the police.When a teenage girl does not return home from a festival, her parents contact the police.When a teenage girl does not return home from a festival, her parents contact the police.
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LA DISPARUE contains a fair share of clichés associated with the detective drama. Shot in the east central city of Lyons, it depicts the urban landscape as threatening, with streets peopled with citizens largely indifferent to one another, and a nightlife full of potential criminals - drug-dealers, pimps and predators looking for available partners. By day the city has its beauty-spots such as a local park; but by night they become sinister places for murders and other crimes to take place.
Other clichés include a chief investigating officer Morel (Pierre-François Martin-Laval) who is divorced and has to shoulder the responsibility of a looking after a rebellious teenage daughter Rose (Myra Tyliann). Neither he nor his ex-wife know quite what to do with her.
Nonetheless Charlotte Brändström's production does have its redeeming factors, most notably its portrayal of an apparently happy family torn apart by the disappearance and eventual death of middle daughter Léa (Camille Razat). We discover a tangled web of intrigue; of rivalries, political affiliations; sibling struggles; and the vain attempt of Léa's parents (Pierre-François Martin-Laval, Alix Poisson) to maintain a normal life in the face of almost unendurable pressures.
The chief attraction of the story lies in the rivalry between Morel and Léa's father Julien. While Julien is almost obsessively concerned to find out what happened to Léa, even resorting to illegal behavior in his quest, Morel has to balance an obvious concern for the family with professional ethics. For the most part Morel manages the task successfully, although he admits on one occasion to sidekick Camille (Alice Pol) that he has been severely emotionally affected by the investigation.
The plot is engagingly complex, with each episode ending on a cliff-hanger, culminating in the final episode that contains an unexpected plot-twist. LA DİSPARUE is definitely worth a look.
Other clichés include a chief investigating officer Morel (Pierre-François Martin-Laval) who is divorced and has to shoulder the responsibility of a looking after a rebellious teenage daughter Rose (Myra Tyliann). Neither he nor his ex-wife know quite what to do with her.
Nonetheless Charlotte Brändström's production does have its redeeming factors, most notably its portrayal of an apparently happy family torn apart by the disappearance and eventual death of middle daughter Léa (Camille Razat). We discover a tangled web of intrigue; of rivalries, political affiliations; sibling struggles; and the vain attempt of Léa's parents (Pierre-François Martin-Laval, Alix Poisson) to maintain a normal life in the face of almost unendurable pressures.
The chief attraction of the story lies in the rivalry between Morel and Léa's father Julien. While Julien is almost obsessively concerned to find out what happened to Léa, even resorting to illegal behavior in his quest, Morel has to balance an obvious concern for the family with professional ethics. For the most part Morel manages the task successfully, although he admits on one occasion to sidekick Camille (Alice Pol) that he has been severely emotionally affected by the investigation.
The plot is engagingly complex, with each episode ending on a cliff-hanger, culminating in the final episode that contains an unexpected plot-twist. LA DİSPARUE is definitely worth a look.
Nordic crime mystery-thriller stuff one of my favorites when it comes to genres. It's interesting to see another country attempt to copy the formula, especially when it isn't a remake.
While "The Disappearance" isn't a remake, it is definitely a copy. A girl disappears, then the carousel of suspect family members and acquaintances. They each take their turn in custody and interrogation while those waiting their turn to be brought in express suspicion of those currently being questioned. Hints that the primary investigator has something in his past that he'd rather not talk about. Lots of borrowed plot elements.
The carousel-recipe, regardless of country, isn't my favorite. It's almost lazy writing, as it could be anyone — just depends on when the carousel stops. When it does stop, a backstory explaining guilt is abruptly created. I prefer the genre variation where the viewer is shown the perpetrator early on and the story that unfolds is how they are found out.
"Disparue" would be great if it were the first of a kind — but at this point it's been done over and over, and often better, in other countries. "Bron/Broen" and the UK "Broadchurch" are examples of 'better'. That being said, "The Disappearance" is engagingly watchable while waiting for the next addictive Nordic Noir crime thriller to come out.
While "The Disappearance" isn't a remake, it is definitely a copy. A girl disappears, then the carousel of suspect family members and acquaintances. They each take their turn in custody and interrogation while those waiting their turn to be brought in express suspicion of those currently being questioned. Hints that the primary investigator has something in his past that he'd rather not talk about. Lots of borrowed plot elements.
The carousel-recipe, regardless of country, isn't my favorite. It's almost lazy writing, as it could be anyone — just depends on when the carousel stops. When it does stop, a backstory explaining guilt is abruptly created. I prefer the genre variation where the viewer is shown the perpetrator early on and the story that unfolds is how they are found out.
"Disparue" would be great if it were the first of a kind — but at this point it's been done over and over, and often better, in other countries. "Bron/Broen" and the UK "Broadchurch" are examples of 'better'. That being said, "The Disappearance" is engagingly watchable while waiting for the next addictive Nordic Noir crime thriller to come out.
This eight-part French remake of an earlier Spanish TV series became the latest sub-titled fix of my wife and I. After a succession of Nordic Noir programmes, this Lyons-set mystery thriller made for an effective change of pace and kept us gripped until the end. Centring around the disappearance of an apparently captivating 17 year old girl after she attends an outdoor pop concert on her birthday, what follows is part police-procedural, part whodunnit and part examination of the effects of grief and loss on individual family and friends connected to the girl.
Unsurprisingly, over eight one-hour episodes, other murders follow, but there is thankfully no serial-killer excess, with a plausible explanation for the subsequent deaths and a reasonable twist at the end, where my previously smug and apparently accurate selection of the killer was controverted, at least somewhat, by the concluding events.
Unlike the familiar Swedish - Danish shows of late, the style here is less dark and oppressive. There is an identifiable French take on events, from much of the action centring on the family restaurant to the seemingly national trait of infidelity with almost every adult character having affairs outside of their established relationships.
The main focus is on the pressures which overtake the marriage of the mother and father of the deceased Lea, the husband who becomes obsessed with finding the killer, harassing the pursuing detective team and setting up his own incident room in his cellar while his wife bottles up her emotions as she tries to keep her family together and marriage intact.
My only gripes would be that I found it hard to accept that a young girl like Lea could beguile so many men, both young and old, as she apparently does, plus I'm not certain the police would actually tolerate the seemingly ever-present attention of the crazed husband-father. Nevertheless, unshowily but effectively directed and excellently acted by almost every cast member, this was an intensely good production from start to finish.
Unsurprisingly, over eight one-hour episodes, other murders follow, but there is thankfully no serial-killer excess, with a plausible explanation for the subsequent deaths and a reasonable twist at the end, where my previously smug and apparently accurate selection of the killer was controverted, at least somewhat, by the concluding events.
Unlike the familiar Swedish - Danish shows of late, the style here is less dark and oppressive. There is an identifiable French take on events, from much of the action centring on the family restaurant to the seemingly national trait of infidelity with almost every adult character having affairs outside of their established relationships.
The main focus is on the pressures which overtake the marriage of the mother and father of the deceased Lea, the husband who becomes obsessed with finding the killer, harassing the pursuing detective team and setting up his own incident room in his cellar while his wife bottles up her emotions as she tries to keep her family together and marriage intact.
My only gripes would be that I found it hard to accept that a young girl like Lea could beguile so many men, both young and old, as she apparently does, plus I'm not certain the police would actually tolerate the seemingly ever-present attention of the crazed husband-father. Nevertheless, unshowily but effectively directed and excellently acted by almost every cast member, this was an intensely good production from start to finish.
One of best taut drama, suspense, series I've seen. On a free trial of "Acorn TV" on Amazon, I decided to give this a try and was immediately drawn in and couldn't tear myself away. Great mystery, story, characters, acting, direction, and locale in Lyon, France.
The very real anguish of a family, after the disappearance of their teenage daughter and the gradually building nightmare gathers steam hour after hour, keeping you guessing right up to the end. A +++
The very real anguish of a family, after the disappearance of their teenage daughter and the gradually building nightmare gathers steam hour after hour, keeping you guessing right up to the end. A +++
If considered separately, particularly, then Disparue is definitely not bad - the story is in place, tensions and twists available, most of performances and characters sustained... But, having comprehensive knowledge of similar Scandinavian creation, then you might want to declare that the final solution is too trivial, there are several scenes providing no additional value to the course of events, and that the French-specific qualities (e.g. friskiness, inconsistency, fast talking) do not fully fit in the background, requiring more balanced and reasoned approaches and actions (instead of Lyon - although a fine place - the location could have been a city in Northern France where Belgian/British "calmness" is more visible). Moreover, female performances excel the male ones, and as for some suspects, it was evident right away that they cannot be offenders in this case, event taking into account the past actions.
But still, if you have not seen e.g. Forbrydelsen, then Disparue is a unquestionably a worth-watch, preferably within short interval, in order to main the thrill between the episodes.
But still, if you have not seen e.g. Forbrydelsen, then Disparue is a unquestionably a worth-watch, preferably within short interval, in order to main the thrill between the episodes.
Le saviez-vous
- AnecdotesThis is actually a French remake of the Spanish series "Desaparecida" which also was released in 2007. The Spanish series were based on a true story.
- ConnexionsFeatured in Un soir à la Tour Eiffel: Épisode datant du 29 avril 2015 (2015)
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Détails
- Durée
- 52min
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