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Love, Death & Robots
S4.E1
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Close Encounters of the Mini Kind

  • Épisode diffusé le 15 mai 2025
  • TV-MA
  • 7min
NOTE IMDb
6,8/10
8,1 k
MA NOTE
Close Encounters of the Mini Kind (2025)
ActionAnimationAventureComédieCourt-métrageDrameFantastiqueHorreurMystèreScience-fiction

Ajouter une intrigue dans votre langueA miniaturized alien invasion unfolds through unique tilt-shift photography, turning catastrophic destruction into an oddly adorable spectacle of chaos and human folly.A miniaturized alien invasion unfolds through unique tilt-shift photography, turning catastrophic destruction into an oddly adorable spectacle of chaos and human folly.A miniaturized alien invasion unfolds through unique tilt-shift photography, turning catastrophic destruction into an oddly adorable spectacle of chaos and human folly.

  • Réalisation
    • Robert Bisi
    • Andy Lyon
  • Scénaristes
    • Robert Bisi
    • Andy Lyon
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,8/10
    8,1 k
    MA NOTE
    • Réalisation
      • Robert Bisi
      • Andy Lyon
    • Scénaristes
      • Robert Bisi
      • Andy Lyon
    • 18avis d'utilisateurs
    • 7avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos5

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    Avis des utilisateurs18

    6,88K
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    10ComradWinston

    Some Dumb Fun

    There are plenty more or less serious episodes in this buffet of animations. Some more cute, others artful, depthful, and then there is this. A simple few minute piece of dumb fun.-has nobody heard of a palate cleanser?

    Some of the more serious episodes I'd easily say are too serious, or maybe more accurately take themselves 'too seriously'. Playing-out as if they think they're cleverest thing as I sit there, seeing each plot development coming a mile away. An almost distasteful pretension that the story is this microcosm of genius when to me, many are very explicitly 'tech demos' or demonstrations of an art team and far less anything of narrative substance. I'd probably edit the hell out of half these things specifically when it comes to the story direction, given the chance.

    I love these lil people episodes exactly for what they are: that bit of fun. And I could even imagine it as a nice lil silly series of its own. If nothing else, I'm content to see one of these nestled between tech demos playing-out like they think they're among the most mysterious or smartest bits of media ever made. This itself is it own tiny transgression, one artful mediums need, before everyone is stuck with their noses up each others bums, smelling their own farts all day.
    5krachtm

    Immature but has funny moments

    This is a comedic alien invasion. It's pretty much Mini Dead, which was alright, but with more of a silly 50s scifi premise.

    It seems to take turns mercilessly mocking the humans and the aliens. The humans are generally portrayed as dumbasses, and the aliens aren't a whole lot better.

    The biggest problem, in my opinion, is that the subtlety is almost nonexistent. It's over-the-top enough that it's fun and funny in spots. However, I think it could have been done better. There just isn't all that much to it.

    The art, however, is quite good. If you're just looking for some violent and immature fun, it's fine. If we're going to do silly scifi comedy, I'd have preferred something like Captain Sternn from the 80s Heavy Metal movie.
    7jamesrupert2014

    Tiny rude invasion epic

    In a tiny, squeaky universe, friendly aliens land on Earth, are ill-treated, and things escalate to all-out war cumulating in an existential threat to the very fabric space-time itself. A diminutive Earth was overrun by miniature undead in season 3's 'Night of the Mini Dead' (S03E04) and this has much the same fun-size aesthetic and silly charm. Being puny allows for a number of rude sight-gags (including some inappropriate cow-oitis) as there is insufficient resolution for indignation. The highly kinetic saga of microscopic interspecific war is fun in a silly way and a big improvement over the season's blah opener (the Red Hot Chili Puppets).
    8southdavid

    Cups and Saucers

    Netflix's "Love, Death and Robots" series returns for a fourth run. Overall, I enjoyed the first three seasons and wrote short individual reviews for each episode, and I think I'll take the same approach here.

    This fourth season begins with a spiritual sequel if not an actual one. Identical in style to the "Night of the Mini Dead" episode that had come before and using the same isometric visual style. This sees aliens land in the desert and a misunderstanding lead to a war between the humans and an invading alien force. The aliens have the upperhand until the humans bring down a tripod and begin to use their weapons against them.

    It's almost too short to really form that valid an opinion about it, but it's a funny short that tells a full story without any true dialogue and has all the references to the wider world of alien invasion films that you might expect.

    Fun, hopefully there's another one of these types of episodes next time.
    8RafaelM-644

    Good episode. I would love a standalone series for the Minis!

    I liked the episode, they kept the context simple and without any major twists, but it was consistent with the episodes of the series up until then.

    The episode portrays the end of the world with aliens invading the planet of the minis and their possible reaction, with a comical ending, without many surprises, but I still like the simple and bold style of the series that has a lot of spirit and differentiation from the other episodes of the series, so I give this episode an 8.

    That way, I like the universe of the minis, and I even believe that they deserve an independent series to show the development of their little world.

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    • Connexions
      References Le Jour où la Terre s'arrêta... (1951)
    • Bandes originales
      Ride of the Valkyries
      Composed by Richard Wagner

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    Détails

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    • Date de sortie
      • 15 mai 2025 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Sociétés de production
      • Blur Studio
      • Buck
      • Netflix Studios
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