Lorsqu'un jeune avocat ambitieux se charge d'une grosse affaire contre le directeur puissant et impitoyable d'une grande entreprise pharmaceutique, il se retrouve vite mêlé à une affaire de ... Tout lireLorsqu'un jeune avocat ambitieux se charge d'une grosse affaire contre le directeur puissant et impitoyable d'une grande entreprise pharmaceutique, il se retrouve vite mêlé à une affaire de chantage et de corruption.Lorsqu'un jeune avocat ambitieux se charge d'une grosse affaire contre le directeur puissant et impitoyable d'une grande entreprise pharmaceutique, il se retrouve vite mêlé à une affaire de chantage et de corruption.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire au total
Lee Byung-hun
- The Accountant
- (as Byung Hun Lee)
Christopher Rodriguez Marquette
- Giffords
- (as Christopher Marquette)
Nathan Moore
- Lawrence
- (as Nathan J. Moore)
Chris J. Fanguy
- Cop #2
- (as Chris Fanguy)
Kamilla Bjorlin
- Susie
- (as Milla Bjorn)
Avis à la une
"Misconduct" has some very strong elements, including a talented cast and solid production values. There's a clever reversal of fortune at the midpoint. The plot concerns individuals taking extraordinary steps to bring an individual who seems to be above the law to justice, although some characters have hidden agenda and things are not always what they seem.
Yet, it doesn't quite come together.
The motivations of the characters aren't always clear, logical or consistent. Sometimes, this works to its advantage, particularly with Hopkin's performance. Other times characters do things that don't make much sense. This seems particularly confusing with one incident involving a firearm and another involving a needle.
Characters often seem to know things they have no way of knowing. One character maintains a pied-à-terre under an assumed name that everybody seems to know about.
Police procedures are often unrealistic. The police can't simply arrest somebody unless they actually observe them committing a crime, even on the strength of a accusation supported by evidence of uncertain provenance. The Fifth Amendment guarantees, "No person shall be held to answer for a capital, or otherwise infamous crime, unless on a presentment or indictment of a grand jury..." Even if an accusation is not brought before a grand jury, an accuser can't simply go to the police and ask them to arrest somebody in a dramatic confrontation.
Characters often show up at critical moments for no rational reason. Half the cast shows up for a climatic scene.
Many details seem contrived. A body is found holding a cell phone displaying a text message. A garment picks up traces of perfume by being in close proximity to somebody.
Many of the scenes don't quite end. Somebody shoots a guy in the leg, but faces no consequences, then holds a gun on somebody else and we cut to the next scene without knowing how the scene ends. Ticking clocks are set in motion, but largely ignored.
The dramatic perspective is muddled.
The story involves a major lawsuit that might be a class action tort or might be a civil action for fraud, but it's not clear whom the law firm represents or why they have standing. Much is made of whether certain evidence was obtained illegally; however, this is usually only relevant in criminal cases, not civil cases, and it's not clear that the evidence was obtained illegally by the parties to the suit.
Basically, the film is less than the sum of its parts. Some of the parts are quite nice, but they don't quite fit together to form a cohesive and compelling whole.
Yet, it doesn't quite come together.
The motivations of the characters aren't always clear, logical or consistent. Sometimes, this works to its advantage, particularly with Hopkin's performance. Other times characters do things that don't make much sense. This seems particularly confusing with one incident involving a firearm and another involving a needle.
Characters often seem to know things they have no way of knowing. One character maintains a pied-à-terre under an assumed name that everybody seems to know about.
Police procedures are often unrealistic. The police can't simply arrest somebody unless they actually observe them committing a crime, even on the strength of a accusation supported by evidence of uncertain provenance. The Fifth Amendment guarantees, "No person shall be held to answer for a capital, or otherwise infamous crime, unless on a presentment or indictment of a grand jury..." Even if an accusation is not brought before a grand jury, an accuser can't simply go to the police and ask them to arrest somebody in a dramatic confrontation.
Characters often show up at critical moments for no rational reason. Half the cast shows up for a climatic scene.
Many details seem contrived. A body is found holding a cell phone displaying a text message. A garment picks up traces of perfume by being in close proximity to somebody.
Many of the scenes don't quite end. Somebody shoots a guy in the leg, but faces no consequences, then holds a gun on somebody else and we cut to the next scene without knowing how the scene ends. Ticking clocks are set in motion, but largely ignored.
The dramatic perspective is muddled.
The story involves a major lawsuit that might be a class action tort or might be a civil action for fraud, but it's not clear whom the law firm represents or why they have standing. Much is made of whether certain evidence was obtained illegally; however, this is usually only relevant in criminal cases, not civil cases, and it's not clear that the evidence was obtained illegally by the parties to the suit.
Basically, the film is less than the sum of its parts. Some of the parts are quite nice, but they don't quite fit together to form a cohesive and compelling whole.
"New events have come to light that change the nature of this allegation." Arthur Denning (Hopkins) is a pharmaceutical executive that is being sued for negligence, and to top it off his girlfriend has disappeared. Ben Cahill (Duhamel) is an up and coming lawyer that is assigned to the case. When Ben becomes personally involved with what is happening lives and careers are in jeopardy. I was very excited about this movie. Al Pacino and Anthony Hopkins together seems like a dream paring and I was looking forward to seeing those two together. Little by little my hopes were vanishing and by the time they were on screen together it was so anti-climatic that I didn't even care. Pacino and Hopkins were on screen total for about 15 min, not together. The movie is told through present day and flashbacks, but I didn't realize that until almost the end. The movie is decent but because of my high expectations involving the first paring of Pacino and Hopkins I was severely disappointing. Overall, this for me was just too disappointing for me to have enjoyed like I could have if it was two lesser actors. I give this a very disappointing and frustrating C.
Despite a great cast this film could mot be salvaged. It has way too many holes in it and just wasn't believable. It had little redeeming value. Glad we were able to watch it for free.
I was so excited to see this film when i saw the preview and all the a list actors. Al Pacino, Anthony Hopkins, Malin Ackerman and Josh Duhamel, are among my favorites. What a disappointment, the plot is a mess and makes no sense. Al Pacino speaks with a ridiculous southern accent, Alice Eve is one of the worst actress, its like shes on anti depressants the entire film no emotion or connection with Josh. It was so frustrating to watch. I don't know whats happening in Hollywood, maybe they are running out of ideas but this film had so much potential. This film is up there with Knock Knock. Don't waste your time seeing it.
I didn't liked this movie. The acting seemed to me unnatural, all of the actors were over-calm an emotionless, it was like a film for androids, at least in most of it. The plot had a potential but it was unrealized for a lot of reasons, I think mostly the directing. As the action was moving towards the end the whole thing became even more messy and sporadic and it all ended with a grand finale of nonsense.
Sorry about my poor English but I felt obliged to prevent other people from seeing that movie. I'm a simple man and I don't know much about the art cinematography but I can distinguish a bad movie when I see it, believe me.
Sorry about my poor English but I felt obliged to prevent other people from seeing that movie. I'm a simple man and I don't know much about the art cinematography but I can distinguish a bad movie when I see it, believe me.
Le saviez-vous
- AnecdotesMade just £97 (about $125) in its U.K. opening weekend, with an average of four viewers per screen.
- GaffesIt would be close to impossible for any law firm to draft, finalize, and arrange formal service of a fraud complaint against a billionaire, plus schedule a deposition with him, all in less than one week. A demand for production of documents is usually needed first, with a minimum of two weeks for the plaintiff to respond, then a deposition is scheduled to obtain the plaintiff's testimony about the documents.
- ConnexionsReferenced in Cinematic Excrement: 2nd Look: Hillary's America (2023)
- Bandes originalesHead Trip
Written & Performed by Lee Coombs
Courtesy of Cutting Edge Music (Holdings) Limited
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- How long is Misconduct?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Falta de ética
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 11 000 000 $US (estimé)
- Montant brut mondial
- 2 049 761 $US
- Durée1 heure 46 minutes
- Couleur
- Rapport de forme
- 2.35 : 1
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