En 1942, un officier du renseignement canadien en Afrique du Nord rencontre une combattante de la Résistance française lors d'une mission meurtrière derrière les lignes ennemies. Lorsqu'ils ... Tout lireEn 1942, un officier du renseignement canadien en Afrique du Nord rencontre une combattante de la Résistance française lors d'une mission meurtrière derrière les lignes ennemies. Lorsqu'ils se retrouvent à Londres, leur relation est mise à l'épreuve par les pressions de la guerre... Tout lireEn 1942, un officier du renseignement canadien en Afrique du Nord rencontre une combattante de la Résistance française lors d'une mission meurtrière derrière les lignes ennemies. Lorsqu'ils se retrouvent à Londres, leur relation est mise à l'épreuve par les pressions de la guerre.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 1 victoire et 10 nominations au total
- Vincent
- (as Vincent La Torre)
- German Ambassador
- (as Anton Blake)
Avis à la une
A very good script, with some great plot turns, and superior acting from both Marion Cotillard and Brad Pitt in complex, challenging roles. My favorite bit: when they make love in a car in the Moroccan desert with a sandstorm going on all around them. It is a good metaphor for their love story in the midst of the great chaos of World War II. And it has a realistic feel, for the most part--for the sets in Casablanca (some good homage to the Bogart film, I would say also some Brando homage in parts of Pitt's performance), and the time back in the UK (second favorite bit is during a party in London). One does get the sense of the all-out effort demanded to win the war, something we do well to commemorate in these days when the last veterans of that most epic event in history are at death's door.
It is a Zemeckis film, from the school of film-making of Steven Spielberg, and that means your emotions are subject to the whim and whimsy of the director's manipulation. Sometimes you are aware of that, but oftentimes you are not, and that makes it better (than, say, Forrest Gump).
I will take the movie as a whole and suggest Oscar nominations for original screenplay and both leading roles.
In an age where special effects have taken over, it's refreshing to watch a film that mainly cares about characters and complex human situations. Yet for anyone wanting to see war action, you'll get plenty of that as well.
The stars themselves and the costumes all look stunning. Yes almost too stunning at times, but it's so glorious to look at you can forgive the film-makers for that. Some ridiculous negative reviews prevented me from seeing this in theatres, which I now regret. Tosh from Marvel keeps scoring high on RT, but then you see it and it's complete garbage about crystals (every movie, seriously). Films like Allied deserve more serious attention.
Overall, well worth a look!
Out of the desert and in London, "Allied" moves into a different territory, albeit still with plenty of style. Max and Marianne's wartime romance in exotic settings turns into a real family, but doubts arise about Marianne's identity.
London during the war as the main setting for two thirds of the movie looked very realistic. I did not mind what could be the historical inaccuracy of the Blitz, because the bombing added a layer of drama to the story.
I particularly liked the scene during the party, with Sing, Sing Sing playing in the background. It is a slightly menacing tune and it complemented perfectly the atmosphere of tension, suspicion and slight desperation.
Even if I have never been a Brad Pitt fan, he did a good job playing quiet Max, a man of a few words who sees his new world disintegrating. One can easily imagine him as a long-term bachelor falling for the beautiful, brave French partisan. Cotillard was also convincing as the ambiguous "femme fatale". Contrary to what some reviewers wrote, plenty of chemistry between the two, but also tenderness.
If you like movies with a solid plot, linear storytelling, believable characters, difficult choices, great costumes and soundtrack, then you should like this.
P.S. couple of remarks: Pitt's French was not the best and no way he could have passed for Parisian, but that did not bother me too much. The final scene is a couple of minutes too long, but again, not a major problem. However, what a relief to follow a good plot without the zig- zagging in time, overused but often useless editing style.
I just love the style of the picture. Generally that World War 2 era has that glamorous style to it, and leave it to Robert Zemeckis to add that extra kick.
Although I've Seen better costumes but this maybe because Canada did not have the best uniforms out of the WWII crowd.
And that made this movie strangely interesting. The 1st movie I ever seen about Canada's involvement in the War. Maybe I have seen others but it's so rare that it makes this movie seem unique that the story is about a Canadian wing commander who falls in love and builds a life with a woman who may not be all that she claims.
Speaking of which, The best part of the movie is that drama. Though I love the art direction as it puts me in That WWII setting, the visual effects do a good job of placing you right there, but the drama coming from Brad Pitt and Marion Cotillard's connection on camera. It's this connection that's the most important and makes the movie what it is, and the emotion baggage is well worth it.
So not much of a war epic or an espionage movie as I went to see if for but it's a great love story set perfectly and beautifully in a different time and place worthy of checking out.
Le saviez-vous
- AnecdotesMarion Cotillard tutored Brad Pitt for his limited French dialogue.
- GaffesThe British Colonel states that the traitor has to be executed immediately by the hand of her husband. Yet, when he is arguing with Max in front of the airplane Max just tried to steal, he bitterly complains that Max should not have killed the German spy network ("we could have interrogated them," he says). The same would apply to Marianne: she has much to say. Incidentally, during World War II, the British routinely "turned" all agents they captured on British soil. Those who refused to cooperate were either executed or imprisoned.
- Citations
Marianne Beausejour: Je t'aime, Mon Québécois.
- Crédits fousAs the opening title of "Allied" fades to black, the three middle letters reading "lie" remain on-screen for just a moment longer. Blink and you'll miss it.
- ConnexionsFeatured in Lorraine: Épisode datant du 19 octobre 2016 (2016)
Meilleurs choix
- How long is Allied?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Aliados
- Lieux de tournage
- Parque Natural de Corralejo, Fuerteventura, Canary Islands, Espagne(Dunes of the Sahara Desert)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 85 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 40 098 064 $US
- Week-end de sortie aux États-Unis et au Canada
- 12 701 743 $US
- 27 nov. 2016
- Montant brut mondial
- 119 520 023 $US
- Durée
- 2h 4min(124 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1