Ricki and the Flash

I have seen every movie made by Meryl Streep and I think she is a GREAT movie actress. Having said that, this movie is vile! The only positive thing that can be said is that the other actors did not embarrass themselves like she did. Not for one second did I buy her as Ricki. It is the only sub-par performance of her career. Now the script and dialog - imagine a soap opera from the fifties. PLot - from the silent era in subtlety. Direction - the wedding scene is flat out incompetent in that not a single character reaction rings true. Now, Meryl's voice is not unpleasant, nor is it any good. For some reason, she tortures the audience with mediocre performance after mediocre performance for what felt like hours. By the way, I really hated this movie

How often have people said, it wasn't a great movie, but Meryl Streep is worth watching (I think of The Iron Lady, for example). In this one, a rock and roll singer (sort of reminded me of Bonnie Raitt) continues to ply her trade. In the past, she birthed three children, a girl and two boys, who have left her life. Her ex-husband calls her and says that the daughter is having serious trouble and it would be good for her to come to Indianapolis. She is totally broke and must use every available cent to get there and then live off her wealthy ex. He doesn't mind. But her daughter is hugely resentful of her, blaming her for her foibles. Played by Streep's actual daughter, she is a piece of work. Unfortunately, this slips into a maudlin, predictable presentation, much too contrived and simplistic. The final scenes, while a bit touching, are beyond the pale. But Streep again manages to make silk purses out of sow's ears.

"Ricki and the Flash" (2015 release; 101 min.) brings the story of Ricki (played by Meryl Streep), an aging cover band singer-guitarist. As the movie opens, we find ourselves in the Tarzana (LA) neighborhood bar The Salt Well, where Ricki and her mates are bringing us Tom Petty's "American Girl". The next day we see her at work as a cashier in a local grocery store. Ricki gets a call from her ex (played by Kevin Kline) in Indianapolis, who informs her that their daughter Julie (played by Mamie Gummer) is depressed as a result of her failing marriage. Ricki immediately flies out to Indy to comfort her daughter. At this point we're not even 15 minutes into the movie, but to tell you more would spoil your viewing experience, you'll just have to see for yourself how it all plays out.

Couple of comments: the movie is directed by noted rock documentarian Jonathan Demme (Stop Making Sense; several Neil Young docs). Here he finds himself in familiar territory. The script is courtesy of Diabolo Cody (Juno, Young Adult). I have to tell you that I was surprised how utterly predictable the entire story line is in "Ricki and the Flash", I mean, not a single surprise or other deviation from a straight-forward path. I had expected more from Cody. Demme tries the best with the rather weak material. What should've been real tension between Streep's character and her kids, comes off pretty weak. The best line comes deep in the movie when her ex comments: "It's not the kids' job to love you, it's your job to love them!" So true. The one and only reason to watch this film is of course the timeless Meryl Streep, who easily looks about 15-20 years younger than her actual age (66, if you can believe it). Gummer (in the role of Julie) is Streep's real life daughter but you could easily mistake them for sisters. The movie's shooting was delayed so as to give Streep enough time to learn the guitar (Streep wouldn't have it any other way!). There are some nice side performances as well, none more so than Rick Springfield as her band made and romantic interest Greg. Kevin Kline as the ex is quite good too. The music plays a big role in the movie obviously, and in the end credits it is noted that the live music is performed by Rick and the Flash. Along the way, we get covers of Lady Gaga's Bad Romance, U2's I Still Haven't Found What I'm Looking For, and many others. Bottom line: "Ricki and the Flash" is an okay but ultimately uneven and forgettable movie that stars one of the best actresses this country has ever seen. There is a reason why this movie only has a 59 on Rotten Tomatoes...

The movie opened nationwide this weekend. Despite my misgivings for this film, I ended going to see this right away. The matinée screening where I saw this at here in Cincinnati was very nicely attended actually. If you like movies with a heavy emphasis on bar music, or are simply a fan of Meryl Streep, I encourage you to check out "Ricki and the Flash", be it in the theater, on VOD or eventually on DVD/Blu-ray.

The big surprise to me was Meryl Streep with a guitar. Turns out Meryl pulled this off really well, alongside Rick Springfield and Meryl also has a great voice for Rock & Roll. I've seen it in a lot of flicks where it was clearly evident that the actor or actress with a musical instrument was not actually playing, just by observing their hand movements with the musical instrument but in this movie Meryl appears to be playing, and rather well at that.

Corny, shallow plot line that's been played out on the Silver Screen so many times it isn't even funny but the novelty of this flick is that we get to see a terrific actress demonstrate yet another talent that proves her versatility as a professional actor. The movie's teaser poster suggests that and that is what we get. I reckon not a lot of actors can pull that off as smoothly as Meryl did in this flick.

Definitely worth a look while it is still in a theatre in your town.

Meryl Streep, Rick Springfield, Audra McDonald and Kevin Klein are all worth watching in this predictable and sentimental movie musical. The problem really comes down to a mediocre script from Diablo Cody. I expected more from Academy Award winner Ms. Cody than this workmanlike and often tedious screenplay. The music is great and Streep is a super singer and along with Springfield, they turn in great performances. Audra McDonald is a gem who I hope to see more of in films in the future. The milieu of the sleazy bar in Tarzana where Streep and Springfield are the house band is fascinating. Too bad it all ends up to be nothing more than a tired wedding and predictable emotional resolution of a mother and her entitled children. Thank God for the music which director, Jonathan Demme, allows to play out at length - perhaps to fill in the time since the script was substandard. We all love Meryl Streep but I couldn't help but wonder, how did her daughter get that job.