Like You Mean It

A delicate theme just well explored. Sensitive subjects , from the stress about future to the complicated lines of relationship are wise used , exposed, explored in beautiful manner.

The shadow of madness as presence and the great cinematography are two good points of this film who not desires to impress but proposing a fair, honest tone about ordinary pressures and the answers to them.

The acting can be defined as key of this special drama for the slow story, for the reflection moments, for the way to reflect crisis , for the simplicity and gentle pieces defining the characters. A story who has so many chances to be perceived as a personal one.

This film has some components of a good film -- romantic relationship facing some challenges, overall good acting, an international aspect with German dialog, great production quality, and enough plot to explore the potential impact of life events on the main characters -- so I was surprised that it left me dissatisfied most of the way through the film. The main character, Mark, remains virtually emotionless throughout, with the exception of a mental/emotional collapse in one scene. He remains an impervious handsome lead we're hoping might become human. His partner Jonah expresses more emotion, and we have more of a sense of his character and longings. But the script fails to develop these two characters, instead indulging in scenes of sexual imagery and intimacy to seduce its viewers.

Mark's lack of emotional involvement extends to virtually all areas of his life, including his family in Austria and his work as an actor on the fringes of Hollywood. The straight couple who are friends of Mark and Jonah show flashes of humanity, but no particularly compelling story relevant to the film. In the final scene, Mark's modest attempt to reach Jonah may be intended to show his humanity, but there's no hint of what he learned or why he's changed. I gained little insight into these characters in the film, certainly felt no connection to them or their lives, and wondered what the writer/director was trying to communicate. This isn't uncommon among current films -- with attractive actors whose physical appearance is their only identity, leaving audiences to watch them without knowing much of anything about them. Their appearance speaks for itself.

Give me Scenes From a Marriage by Ingmar Bergman for a slow-moving but dramatic film or else a film with a gripping plot. Pretty actors, skin, a slow-paced plot, and no drama fall flat for me.

I really can't think of other gay-themed movies that come close to the class, plot and execution of this film. As it was written and directed by the main character (Mark/Markus) my immediate reaction was that it would be a self-indulgent vehicle for this actor to highlight/showcase his skills (usually meaning lack thereof). But no...this was really incredible on all levels. The writing and acting was completely believable (I'm even wondering if some of the characters ad libbed because they "owned" their roles so well). The subject matter is a failing relationship; common enough to most people. Yet the twist is not that this is a gay relationship so much as it was really doomed from the beginning due to the mental/psychological baggage of one of the characters. The pace, editing and cinematography spoke VOLUMES for the characters as opposed to dialogue in places...I totally GOT it. I would highly recommend this Indie film for anyone who enjoys psychological drama.

I've been giving this film a bit of thought since I saw it last week. Like You Mean It is a subtle, interesting film and I definitely recommend that you see it. Philipp Karner, writes, directs and plays the lead role in a slice-of-life about a gay couple whose relationship is put under the microscope as frustrated actor Mark starts to withdraw from intimacy, leaving his long-suffering boyfriend confused and hurt. The script is naturalistic with some sparkling, well-observed dialogue and strong performances from the actors, particularly in the cameo parts. The film is lovingly crafted and the use of audio to create ambiance and a sense of space is outstanding. The narrative pace is nicely judged and is punctuated by scenes of Mark driving around his home town, alternately attempting to save and sabotage his relationship, all the while ignoring calls from his sister back in Austria. The niggling flaw with the film is what gets left unsaid. There are hints of past medical issues, there are hints that Mark's relationship with his family is problematic but none of this is called out explicitly. When the resolution comes we're left unsatisfied and wondering why. Like Mark, the director is holding out on his audience, and while on the whole the unfolding tale is subtly and elegantly told it just falls short of creating sufficient motive to explain his character's actions. That said the film is an absorbing 90 minute window onto the world of a struggling couple, raises some interesting questions about how we undermine ourselves and is elegantly sketched. I'll definitely be looking out for more from Philipp Karner.

Interesting to see a film that depicts a central character that has a mental disorder for which he's received treatment. Mental disorders are very common, but most people don't recognize it when they see it. Often, it's associated with substance abuse problems. In the end, it's hard to tell which came first....the mental problem or the drug or alcohol abuse. In this story, Mark, the leading character, doesn't seem to have a drug problem, but he certainly is struggling with mental issues, none of which become well illuminated. It's unfortunate because nothing is learned about how to deal with loved ones who have mental problems. Even Jonah, Mark's boyfriend, doesn't seem to have a clue. Nor does their relationship therapist. The film remains a germ of a good idea, but it never got what it needed to fully germinate.