Mommy

Not what I expected. It's a film that features quite a lot of dark elements, but the film somehow manages to be really touching in such an odd, but effective way. I don't think it's flawless. The script has a few cracks here and there, and it sometimes feels a bit aimless in what it's trying to say. I also very much enjoyed Dolan's directorial touches, but many times they're a bit jarring and too stylistic for its own good. However, what I will not at all criticize is that 4-minute sequence near the beginning of its third act (you know which one). That glorious score with those images created a profoundly moving sequence, one of the most emotionally powerful scenes of the year. But that's how a lot of the film is. I liked it a lot, but it can feel like many great individual scenes and yet not as cohesive as a whole

The acting here is phenomenal though. The three leads and the places they go to are harrowing and they probably rise the material greatly. The ending was a bit too obvious and not very original, but I'll take it

Not as enamored with it as most, but I still found it to be a truly incredible experience that is no doubt so inherently interesting and entertaining, much like the only other Dolan film I've seen Tom at the Farm.

I had heard magnificent things about this 2014 film by Xavier Dolan, and I have to say after getting around to see it for myself that all of the praise is justified.

"Mommy" is anchored by three absolutely phenomenal performances by Anne Dorval, Antoine Olivier Pilon, and Suzanne Clement. It tells the story of a mother's fierce and at times borderline inappropriate love for her delinquent son and a shy neighbor with a sketchy past who enters their closed circle and bonds with both of them. Dolan plays around with aspect ratios, filming most of the movie in claustrophobic squares and rectangles, but occasionally and gloriously opening up the frame when the troubled youth's world shows signs of promise. The movie explores the impossible and heartbreaking decisions parents must sometimes make for the sake of their children, and the ending Dolan chooses for each of his characters is emotionally stirring in its own unique way.

Grade: A+

The movie 'Mommy' written and directed by Xavier Dolan takes place in an alternate version of Canada where any parent has the option to rid themselves of their troublesome children by sending them to an institution. One of the movies main characters Diane Després finds herself in exactly that situation when her son Steve who has ADHD gets out of a youth detention center. Immediately Diane is presented with the option to send Steve away, but his undying love for his mother paired with her own stubbornness and pride stops her from making such a drastic decision. Right from the start this unique family seems to be heading into a disaster but things change when a mysterious neighbour inserts herself into the lives of Diana and Steve.

The concept of a mother struggling with a troublesome child is not all that unique, and even though this movie has quite a few interesting story elements up its sleeve, at its core it still is a film about a dysfunctional family that has been told many times before. That is not to say that this movie is as mundane as possible since the manner the story is presented in is anything but generic. Characters are extremely well defined and never seem to say or make any decisions which one could consider inconsistent with their usual behavior. The exposition necessary to set up these characters is masterfully woven into the dialogue. The movie never really goes out of its way to tell the viewer something about the characters and instead lets it happen naturally throughout its runtime.

What makes the characters even better are the amazing actors portraying them. The actress Anna Dorval does an excellent job at showing the human side of Diane. Often times when her character is either laughing or crying it comes off as genuine so genuine in fact that it is not hard to forget that you're watching a movie and not a documentary. Even when her character is not speaking it is quite clear that internally she is struggling with the decision to send her son away in order to live a normal life. This struggle also resonates within the viewer via Antione-Olivier Pilon's portrayal of Steve. There is always a noticeable sense of built up frustration and when his violent nature paired with his ADHD sends him on a tantrum his anger seems real and almost scary at times. Afterwards there is always a small sense of regret when he sees the fear he induced into his mother. The mysterious neighbour Kyla is not as on the forefront as Steve or Diane as she is more of an introvert. That is not to say that this character is very forgetful as Suzanne Clément, the actress behind Kyla, masterfully shows that there is more to her character than first meets the eye. Every performance on its own was very good, but what's even better is the way the director shows the relationship they have with one another. As a family, albeit a dysfunctional one, Steve and Diane really come off as one that probably exists somewhere in this world and the interplay between them and Kyla is also very believable.

Almost the entire movie is filmed with an aspect ratio of 1:1. Characters are literally locked up in a little box in the same way as they are locked up in a lifestyle they cannot get out of. Instead of it being a gimmick this feature almost comes off as its own character. Because of this small frame in a lot of scenes there really is only one character that appears on the screen at any given time. This really puts the emotions being portrayed at the forefront and further enhances the already great acting performances. As a viewer the small frame made me feel as if I myself was cramped into a little box. When things are looking up for Steve and Diane the frame widens and when the characters finally get their breath of fresh air the viewer experiences the same as they are finally able to escape from that little box they were trapped in. This aspect ratio does have its side effects though as it comes at the cost of the quality of some of the set-up shots. Some were still fairly well done however, but others probably would have turned out a lot better if it had been done in a regular aspect ratio. This is just a minor thing though as it really does not matter in the grand scheme of things.

What the movie also does not do well is the pace in which the story is told. The movie slows down tremendously just halfway through its runtime and again just before it reaches its ending point. These moments don't last long however as they are over just before the viewer would lose interest but the movie in its entirety would probably have benefited a lot if a good twenty minutes was scraped of its 139 minute runtime. All in all 'Mommy' is an extremely solid movie with great acting performances at its forefront. Xavier Dolan's incredible use of the aspect ratio provides a unique cinematic experience that is absolutely worth the watch.

My rating: 8/10

Anne Dorval is far and away the best actress I have had the pleasure to watch in the past couple years. She was solid in J'ai tuer ma mere. She is explosive in Mommy! I haven't written a review yet but her performance encouraged me to do so. Antoine-Olivier Pilon was great, and Suzanne Clement was also top notch.

I've never been so deeply affected by a movie. I went back and forth between laughter and tears throughout the entire movie. There were several scenes that I related to....

Something that really resonated with me was the scenes where the 3 main characters were laughing, dancing, enjoying life. I personally have a hard time remembering the moments in my life where I was truly happy. I believe that is because in those moments I was so deeply immersed in conversation and laughter that my brain was incapable of creating a memory. While watching Mommy I wasn't able to remember those moments in my life but I was able to make the connection because the performances and script were so realistic. Thank you Xavier Dolan! Waiting for more...

Five months ago, I had no idea who Xavier Dolan was. Now, after watching 'Mommy', I have no hesitation in saying that he's one of most talented artists to have come into prominence in the past few years.

What director and writer Xavier Dolan, who is 25, achieves with 'Mommy' is quite spectacular. Not only does he manage to impress with top-notch directorial skills and an impressive and complex understanding of human relationships, but he has successfully accomplished the ultimate goal of a filmmaker: transmitting emotions -- pure, unaltered feelings.

I was never a supporter of the idea of re-watching films; I thought that by re-watching a movie, you would lose precious time that could have been used to watch a potentially even better film. However, 'Mommy' has completely destroyed this concept for me. Leaving the cinema room, I had a sense of restlessness that went away only after watching it for the second time. And guess what? The feelings the film transmitted remained as fresh and relevant as they were the first time.

There are a myriad of aspects that are worth discussing when referring to this film: the fabulous actors, the impressive use of music, the clever use of colors, the numerous jaw-dropping cinematography-related details and the variety of raw feelings 'Mommy' explores. But, by analyzing each of these aspects in detail, you may risk to experience a film whose surprises will not be as poignant as they would be by discovering them yourself.

I can safely say that 'Mommy' left an indelible mark on me. Its honesty, the beauty it exudes and its life-affirming tone make for an enthralling chef d'oeuvre that will undoubtedly have a certain effect on whoever decides to watch it.

To sum up, 'Mommy' manages to do what an important piece of art does: communicate authentic feelings. And, for this, I am grateful. Bravo, Dolan!