Carjackers

Overall the movie was good, the acting decent and the scenery/photography excellent. But it sucked that it went off the rails with a couple of glaringly obvious forced plot-twists to the storyline:

1. The carjackers were presented as pretty smart having completed a number of jobs in the past but simultaneously too unsophisticated to know that millions of gems would be tracked?

2. I absolutely hate it when during a life-or-death fight scene, the good guy/girl would get the upper hand against the bad guy who's literally trying to kill him/her, but then NEVER seems to finish him off. They ALWAYS inexplicably turns their back on the bad guy or otherwise gets distracted and allows their mortal enemy to regain the upper hand; it's so stupid!

The way was mainly opened with BALLE PERDUE films series - which is not finished - and resumed with GTMAX, TIGRES ET HYENES, and some Olivier Marchal's films now "forbidden" in movie theaters. Not unbearable films, far from that, but with always some light touches that have nothing to do in those gritty plots. I mean SUPPOSED to be gritty plots. The most interesting thing here is Frank Gastambide's character as some kind of villain, very unusual for him. He is not a gangster, not a cop, just some kind of mercenary working for the palaces and tracking down punks. As in some crime movies where robbers pull a heist against a mafia casino and are hunted my mafia goons. I love this Gastambide's role, but I really disllike the romance element here, between Olivier Marchal's daughter - Zoé and the young father with his daughter. It has nothing to do here, and the kids scenes really annoyed me. Back to Frank Gastambide, he should play in a further Olivier Marchal's film. The acting here is superb, even for supporting roles. But it could not have been grittier. It is tough, with good surprises. There was another thing that annoyed me, pulling a heist, armed robbery, without gloves.... They touch several things, cars, briefcases; what about finger prints? Screenwriters should be more careful to such details.

A terrible script straight out of ChatGPT, action scenes worthy of a Z-movie, and above all, a hilarious cast, and shame on these pseudo actors/actresses.

When Franck Gastambide is the best actor (or rather the least worst) in this film, you know you're going to waste two hours of your life, the prize going to the heroine Zoé Marchal (daughter of Olivier Marchal... well, this would explain it) who plays... oh my god, it's stinging your eyes and ears. Poor thing, find yourself another hobby... Apart from serving as a means of torture or annoying your mother-in-law, I see no reason to watch this rubbish.

Not quite sure some of these reviews were written by humans or by the competition using "art and facial lack of intelligence"

clearly we did not see the same movie

This was ace from beginning to end YES F Gastambide is a little wooden at times OK always wooden but the action bit were fabulous the friendship between the 4 warm and real

The French spoken by all of these guys is estate French Arab slang and it sounds odd in a "de souche" mouth (ethnic Gaul) but these days everybody there wants to sound like that like college kids talking ghetto jive

Loved it from beginning to end some of the detractors probably watched the dubbed US version which truly would make no sense

This is a French film made in the French language not L. A . Or New Jersey but Bayonne (region) the original one the one in France

Highly recommended.

This movie is a train wreck. Two dimensional characters making incredibly stupid decisions with no clear motivations, silly action scenes littered with plot armor shrapnel, and Gastambide's pathetic acting as the dim highlight of this waste of server space of a movie.

The scenario could have been written by a teenager, and instead of plot twists you get blindsided by how insultingly stupid it gets.

The editing is what you would expect from a mediocre commercial.

The framing is so basic that its motto is "Live Laugh Love", the pacing is rushed and awkward, the soundtrack is simultaneously disturbing and unmemorable, and the social criticism is so heavy handed it makes one want to side with the bad guys. But they're too poorly written for that.

Avoid at all costs.