Ajouter une intrigue dans votre langueThe social rivalry between two women in the 1930s when Lucia rents Mapp's house for the summer.The social rivalry between two women in the 1930s when Lucia rents Mapp's house for the summer.The social rivalry between two women in the 1930s when Lucia rents Mapp's house for the summer.
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There is a mean streak throughout episode one like a fly buzzing around my head. The light, humor-sprinkled delightful dialog is missing from this version. We have two very talented actresses playing down the humor. Were they directed in this fashion?
The original Mapp & Lucia (1985) was brilliantly performed by all quality actors who understood the material. Character Quaint Irene was a poor lesbian artist wearing manly attire. The new Irene isn't anything. Major Bengi was a humorous drunk but not weirdly creepy as the new one.
I was so let down, almost as much as the remake of All Creatures Great and Small which I stopped watching after the second episode because it did not have the spirit of the relationships from the book that the original version embraced.
The original Mapp & Lucia (1985) was brilliantly performed by all quality actors who understood the material. Character Quaint Irene was a poor lesbian artist wearing manly attire. The new Irene isn't anything. Major Bengi was a humorous drunk but not weirdly creepy as the new one.
I was so let down, almost as much as the remake of All Creatures Great and Small which I stopped watching after the second episode because it did not have the spirit of the relationships from the book that the original version embraced.
With such comedic talent assembled in one series, the outcome is decent but rather timid. I, too, found the 80s version wickedly funny - Geraldine McEwan in particular took huge risks with her "30s fag hag" role (and boy, did it pay off!) - and therefore this remake felt like it was lurching from almost a frame-by-frame copy-and-paste job to a desperately over-the-top retelling and embellishing. Previously, Miranda Richardson had been laugh-out-loud funny in almost every vehicle I had seen her in; yet here, she somehow never came into her own. Overall, the main impetus seemed to be one of the BBC trying to out-ITV ITV, so to speak. That said, the show makes for decent-enough viewing on a home-alone evening, and the gardens, interiors and costumes are luscious indeed.
As an Australian born in the mid 1980s, I admit I never saw the previous Mapp & Lucia TV adaption and I haven't unfortunately come across E.F. Benson's novels.
Having made that disclaimer and confessed my ignorance, I have to say I love watching this BBC version (even if only on my iPad in bed late at night). Having read other reviews, I am now inspired to read the novels and (time permitting) dig out the 80s TV adaptation. I think the casting and acting is fabulous. The town is colorful, picturesque and exiting. The take on 1930s fashion (costume design) I find eccentrically appropriate and exciting to behold. Overall very fun and amusing viewing!
Having made that disclaimer and confessed my ignorance, I have to say I love watching this BBC version (even if only on my iPad in bed late at night). Having read other reviews, I am now inspired to read the novels and (time permitting) dig out the 80s TV adaptation. I think the casting and acting is fabulous. The town is colorful, picturesque and exiting. The take on 1930s fashion (costume design) I find eccentrically appropriate and exciting to behold. Overall very fun and amusing viewing!
I'm a bit late in the day, having only just seen part of the 2014 series on the Freeview Drama channel. I'm afraid this was inferior to the 1980s version...but that had the advantage of 10 episodes. Three episodes means compression - and that usually means distortion. Sorry to say, this 2014 version completely missed the books' flavour which was so well caught in the earlier series.
I was puzzled by some changes: for example, on the page and in the earlier version Irene Coles is an impoverished artist who, for part of the time, lives in a shack; in the three-parter she is as expensively dressed as the object of her (made explicit) affection. The books are not hard to find, so do please read them: you will find them a constant source of pleasure.
I was puzzled by some changes: for example, on the page and in the earlier version Irene Coles is an impoverished artist who, for part of the time, lives in a shack; in the three-parter she is as expensively dressed as the object of her (made explicit) affection. The books are not hard to find, so do please read them: you will find them a constant source of pleasure.
I have seen both Mapp & Lucia adaptations and prefer this one. The two leads, Anna Chancellor and Miranda Richardson, are excellent. Also, since this is a 21st century version it has a more modern feel.
The 1980s version feels like a stage play, while this seems more like what it is--a limited TV series. The previous adaptation is also ten episodes as opposed to three. The story in the 2014 version is charmingly told. The conclusion is satisfying, though it leaves the possibility for a sequel.
The key difference between the two versions for me is the Lucia character. I normally love Geraldine McEwan, but McEwan's performance is hammy, while Chancellor is the better, more subtle performer as Lucia. For some reason, perhaps direction, McEwan decided to use a baby talk voice that eventually became unbearable to me. I cannot stand to hear a grown woman talk like a toddler, and McEwan's performance became cringey.
Another important difference between the two is how the gay subtext is handled. In the 2014 version the gay characters have a lot more depth and poignancy. Overall, as I said, this is the better version to me, but watch both and reach your own opinion.
The 1980s version feels like a stage play, while this seems more like what it is--a limited TV series. The previous adaptation is also ten episodes as opposed to three. The story in the 2014 version is charmingly told. The conclusion is satisfying, though it leaves the possibility for a sequel.
The key difference between the two versions for me is the Lucia character. I normally love Geraldine McEwan, but McEwan's performance is hammy, while Chancellor is the better, more subtle performer as Lucia. For some reason, perhaps direction, McEwan decided to use a baby talk voice that eventually became unbearable to me. I cannot stand to hear a grown woman talk like a toddler, and McEwan's performance became cringey.
Another important difference between the two is how the gay subtext is handled. In the 2014 version the gay characters have a lot more depth and poignancy. Overall, as I said, this is the better version to me, but watch both and reach your own opinion.
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- AnecdotesThe Garden Room and infamous bay window was reconstructed for filming at Lamb House, the fictional Mallards, after the original was lost to wartime bombing.
- ConnexionsVersion of Mapp & Lucia (1985)
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