Une frère et une soeur sont de plus en plus apeurés par le comportement inquiétant de leurs grands-parents lorsqu'ils leur rendent visite en vacances.Une frère et une soeur sont de plus en plus apeurés par le comportement inquiétant de leurs grands-parents lorsqu'ils leur rendent visite en vacances.Une frère et une soeur sont de plus en plus apeurés par le comportement inquiétant de leurs grands-parents lorsqu'ils leur rendent visite en vacances.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 14 nominations au total
Erica Lynne Arden
- Train Passenger
- (non crédité)
Kevin Austra
- Street Walker
- (non crédité)
Richard Barlow
- Police Officer
- (non crédité)
John Buscemi
- Police Officer
- (non crédité)
Evan Charles
- Surfer
- (non crédité)
Avis à la une
This is Shayamalan's second film after the Last Airbender fiasco. It's a return to his light horror and small, contained story roots. The acting and script were good, and combined with the hand-held mockumentary conceit it felt very real. If you like Shayamalan movies and scary movies about crazy old people, give it a try.
So this is the movie that has made me finally get an IMDb account and start reviewing film. I have seen so many 1/10 reviews and statements on here suggesting this film is trash and I find that Ridiculous. While this is no Sixth Sense it is still a step back in the right direction for a very interesting director. I found the story line very intriguing once it got going and was actually very creeped out by some of the eerie scenes. I admit the first 5-10 minutes I thought the child stars were a little annoying, especially the rapping teenage boy lol just no! But as we got into the tale I grew to like the two characters more and started to feel a sense of dread for the predicament they are in. The acting is quality throughout and the two older actors who play the grandparents are legitimately quite scary. I had to stick up for this film as some of the reviews are so extreme. I enjoyed this movie so much more than a lot of others out right now. Also the found footage aspect of this film is good, I normally hate the shaky, blurry found footage movies. I don't care if the camera work being poor is more realistic I like to see what's going on at all times. So if you like M Night's movies aren't stuck up and just want to enjoy a creepy film with a nice twist at the end. I say give it a go!
Now I am the first to admit you have to be in the mood for one of M Night Shyamalan's films. He intentionally tries to throw you off guard when you are watching one of hid films, you constantly question if all is as it should be, or quite simply is he messing with you.
I had ignored all info, trailers and chat about this film, as with all his movies once you know what's going on they change somehow, it's the first for a little while of M's films I can say I really enjoyed.
I won't go into too much of the plot, a single woman estranged from her parents receives an online message from them, she allows her two kids, Becca and Tyler to stay with their grandparents for a week. The kids use the experience to make a film, some behaviour they capture is rather inexplicable.
Excellent acting, but it's the kids that steal the show, I really thought they were brilliant.
At one point in the film my heart truly sank, I felt uneasy being the viewer, I felt powerless, and for that reason I give this film an 8, it's been a while since a movie has done that to me. A bit slow for the first twenty minutes, but the ending is worth the wait.
I had ignored all info, trailers and chat about this film, as with all his movies once you know what's going on they change somehow, it's the first for a little while of M's films I can say I really enjoyed.
I won't go into too much of the plot, a single woman estranged from her parents receives an online message from them, she allows her two kids, Becca and Tyler to stay with their grandparents for a week. The kids use the experience to make a film, some behaviour they capture is rather inexplicable.
Excellent acting, but it's the kids that steal the show, I really thought they were brilliant.
At one point in the film my heart truly sank, I felt uneasy being the viewer, I felt powerless, and for that reason I give this film an 8, it's been a while since a movie has done that to me. A bit slow for the first twenty minutes, but the ending is worth the wait.
It's hard to talk about any M. Night films these days without discussing his career trajectory, how he started off incredibly strong with a triple knockout of The Sixth Sense, Unbreakable, and Signs, only to have his potential squandered, or at least questioned, with films like The Happening, The Last Airbender, and After Earth. As a fan of Shyamalan myself, even I had to admit that he may have lost his luster. With that being said, I'm overjoyed and elated to say that The Visit is Shyamalan's best film since The Village over 10 years ago (my personal favorite). And it's not so bad it's good. The Visit is a legitimately good film, with great performances, terrific setups and even better payoffs, and an overall simple but satisfying story, which is all Shyamalan needs right now.
It's difficult to say much about the story without revealing too much, because The Visit is essentially the type of film where it's better the less you know going in. It's not to say the film is filled with plot twists left and right, but how cleverly it subverts expectations, especially based on the film's misleading marketing campaign. Let this be known: The Visit is a horror AND comedy. It's downright hilarious (intentionally so) during a majority of the film but also equally scary and creepy, which is what M. Night is known for. I was laughing hysterically and screaming, sometimes at the same time! The success of the film is how effectively it jumps in between the two genres and frequently on the dime. The third act showcases this in the best possible way and in full Shyamalan fashion.
Though there are plenty of laughs and screams to be had, The Visit is also filled with surprising moments of drama. There are, at the very least, three genuinely beautiful scenes. One of those involves a zoom in of a certain character, and it's utterly heartbreaking. Credit must be given to Shyamalan who manages to get great performances from his actors, a welcome change after the stilted and wooden performances in his last few films. Olivia DeJonge and Ed Oxenbould play the leads, and they're completely likable in their roles. Oxenbould, in particular, steals every scene he's in, providing many of the film's biggest laughs. Seriously, the jokes in here are funnier than most comedies released these days. Deanna Dunagan and Peter McRobbie are also rightfully creepy as the kids' offbeat grandparents. Last but not least, Kathryn Hahn leaves a great impression, despite the limited screen time she has. She's truly wonderful here.
Overall, The Visit is ridiculously entertaining and a total crowd pleaser. It's the film we were all hoping for Shyamalan to make to get him out of the slump. No, it's not as great as his first four films, but it's a step towards the right direction. Recently, it's been revealed that he'll reunite with producer Jason Blum and Joaquin Phoenix for a new project. If it's another low budget feature like The Visit, which it most likely will be, we might be witnessing an era of Shyamalascance. After all, going back to basics is his greatest asset right now. Who says horror/comedy can't work?
UPDATE: The film is even better the second time around, and I noticed a lot of details I missed during the first viewing. There's even clever meta humor sprinkled throughout that might not be apparent at first. Additionally, I'd like to put a spotlight on Deanna Dunagan, who I didn't give enough credit to beforehand. She was fantastic. How great and fulfilling it is for an actress her age to have a role that is complicated and complex as is the character of Nana, to be sweet and motherly in one scene only to switch (convincingly) to creepy and insane the next. In one especially dramatic scene, you will even ache for her. Only if you stop to think will you notice the many layers Dunagan has to play with, and for that reason, she should be praised.
It's difficult to say much about the story without revealing too much, because The Visit is essentially the type of film where it's better the less you know going in. It's not to say the film is filled with plot twists left and right, but how cleverly it subverts expectations, especially based on the film's misleading marketing campaign. Let this be known: The Visit is a horror AND comedy. It's downright hilarious (intentionally so) during a majority of the film but also equally scary and creepy, which is what M. Night is known for. I was laughing hysterically and screaming, sometimes at the same time! The success of the film is how effectively it jumps in between the two genres and frequently on the dime. The third act showcases this in the best possible way and in full Shyamalan fashion.
Though there are plenty of laughs and screams to be had, The Visit is also filled with surprising moments of drama. There are, at the very least, three genuinely beautiful scenes. One of those involves a zoom in of a certain character, and it's utterly heartbreaking. Credit must be given to Shyamalan who manages to get great performances from his actors, a welcome change after the stilted and wooden performances in his last few films. Olivia DeJonge and Ed Oxenbould play the leads, and they're completely likable in their roles. Oxenbould, in particular, steals every scene he's in, providing many of the film's biggest laughs. Seriously, the jokes in here are funnier than most comedies released these days. Deanna Dunagan and Peter McRobbie are also rightfully creepy as the kids' offbeat grandparents. Last but not least, Kathryn Hahn leaves a great impression, despite the limited screen time she has. She's truly wonderful here.
Overall, The Visit is ridiculously entertaining and a total crowd pleaser. It's the film we were all hoping for Shyamalan to make to get him out of the slump. No, it's not as great as his first four films, but it's a step towards the right direction. Recently, it's been revealed that he'll reunite with producer Jason Blum and Joaquin Phoenix for a new project. If it's another low budget feature like The Visit, which it most likely will be, we might be witnessing an era of Shyamalascance. After all, going back to basics is his greatest asset right now. Who says horror/comedy can't work?
UPDATE: The film is even better the second time around, and I noticed a lot of details I missed during the first viewing. There's even clever meta humor sprinkled throughout that might not be apparent at first. Additionally, I'd like to put a spotlight on Deanna Dunagan, who I didn't give enough credit to beforehand. She was fantastic. How great and fulfilling it is for an actress her age to have a role that is complicated and complex as is the character of Nana, to be sweet and motherly in one scene only to switch (convincingly) to creepy and insane the next. In one especially dramatic scene, you will even ache for her. Only if you stop to think will you notice the many layers Dunagan has to play with, and for that reason, she should be praised.
In my opinion it's not even half as bad as people say it is. The movie is first of all entertaining which is one of the reasons why you would watch it? But also it is well made. The plot is very good and as far as i know original. The way it was filmed was great, any other way wouldn't be the same. I thought the director of this movie was great before and my opinion def didn't change after seeing this one. The acting was good. It says that it's a comedy/horror, you cant really expect to get scared in it like some people complain about. I wouldn't recommend it to a friend but it's worth the watch if you have spare time and don't know what to do with it.
Le saviez-vous
- AnecdotesAccording to statements made on Twitter, director M. Night Shyamalan prepared three different cuts of the film: one that was "pure comedy," another that was "pure horror," and a final one that "fell somewhere in between."
- GaffesThe amount of snow covering the landscape varies dramatically from day to day and even between scenes taking place on the same day.
- Versions alternativesIn the FX broadcast, to keep the TV-14 rating, the defecation featured in the movie are censored. In addition, two scenes involving nudity is blurred out.
- Bandes originalesPossession
Written by Harry Revel
Performed by Les Baxter and His Orchestra and Chorus
[Theremin - Dr. Samuel Hoffman]
Courtesy of RCA Records
By arrangement with Sony Music Licensing
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- How long is The Visit?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Los huéspedes
- Lieux de tournage
- 3049 Merlin Road, Chester Springs, Pennsylvanie, États-Unis(Exterior House)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 5 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 65 206 105 $US
- Week-end de sortie aux États-Unis et au Canada
- 25 427 560 $US
- 13 sept. 2015
- Montant brut mondial
- 98 450 062 $US
- Durée
- 1h 34min(94 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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