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I JUST HAD TO RANT ABOUT THE CINEMATOGRAPHY. It is stylistic, yes, doing it for music videos is good those are only 3 minutes more or less at times, but for a full feature film, it felt awkward.

There were also lots of closeups from a lower angle that are mostly used to exhibit on how great an actor is, and I'm sorry, Jerald is just not that. I could never get invested into some scenes since because Jerald only does this one face where it looks like he is deep in contemplation when the scene demands him to show a different emotion.

Also tried so hard to blend the comedy and drama genre which felt confusing, and this is where the cinematography betrayed the distinction between the two, some comedic scenes are in close up, and at times they were done well with wides.

Sampung Utos Kay Josh invites viewers to examine the complexities of faith, morality, and the human psyche when confronted with adversity. The film delves into the internal struggle between steadfast belief and the overwhelming weight of life's challenges, prompting a reevaluation of one's moral compass.

The narrative serves as a poignant exploration of the consequences that arise when unwavering faith is met with relentless hardship. It challenges the audience to consider the fragility of moral convictions and the ease with which they can be compromised under duress.

Through its dark comedic lens, Sampung Utos Kay Josh underscores the importance of empathy and understanding in the face of personal turmoil. It encourages a dialogue on the resilience of the human spirit and the capacity for introspection and growth amidst moral ambiguity.

When life's trials shake the foundations of our beliefs, how do we navigate the path between conviction and compromise?