45 ans

titular four and half decades and we meet them less than a week before a party to celebrate this special anniversary. That morning, Geoff receives a letter in German which over the next few days provokes a profound re-evaluation of their marriage. Although based on a short story of only 12 pages by David Constantine, the cinematic translation has all sorts of subtle changes, notably adopting the female rather than the male viewpoint.

Technically this is a wonderful film. It is shot entirely in the unusual ambiance of Norfolk and writer/director Andrew Haigh offers us many long shots of the flat terrain and even flatter broads. Above all, the acting is superb with both Courtenay and (especially) Rampling at the top of their game. The final scene, focused so long on Rampling's face is as evocative as anything since the camera clung to Geta Garbo's visage at the conclusion of "Queen Christina".

Emotionally, however, this is a tough piece of work. It is so slow, so understated, and ultimately so profoundly melancholic. In the cinema, my wife and I - together for three and a half decades - were surrounded people of the same vintage, most of them couples. I think that we were all looking for an affirmation that living with the same person decade after decade after decade, in spite of its trials and tribulations and irritations, is richly rewarded by so many shared memories and such deep love. This is not that film.

'45 YEARS': Three and a Half Stars (Out of Five)

British drama flick; about an elderly couple, that's about to celebrate their 45th wedding anniversary, that suddenly has romantic difficulties, due to memories of a past relationship resurfacing. The movie was written and directed by Andrew Haigh; and it's based on the short story 'In Another Country', by David Constantine. The film stars Charlotte Rampling (who was nominated for an Academy Award, for her performance) and Tom Courtenay. The movie is very slow-paced; but interesting, and very well acted.

Kate (Rampling) and Geoff (Courtenay) are retired, and have been happily married for 45-years. They're about to celebrate their anniversary, in Norwich; after missing their 40th celebration (due to Geoff's medical complications). A week before the party, Geoff receives a letter from Switzerland; notifying him that the body of a past lover (from the 60s), has been found in a melting glacier there (where she fell, on a hiking trip). The news causes Geoff to reminisce, greatly; which doesn't sit well with Kate.

Like I said, the movie is very slow; but it also feels extremely real. The characters are very well developed; and it really feels like you're watching a couple that's been together for a very long time. Both Rampling and Courtenay are very good in the movie, and they make the film worth watching. It's a sad, but touching story.

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The movie flows very slowly, but the two actors playing the leads did not bore me. They were really good at expressing the situation. The film in general played out very mundane but give lots of drama without overdoing it.

A few days before their 45th wedding anniversary Geoff and Kate are sitting in their house when Geoff receives a letter from Switzerland stating they found his first love. Basically the letter reminds him that, through no fault of his own Geoff lost his first love, and as he dwells on this fact Kate realizes this too.

The whole situation was done well and interestingly, as the two actors inside a small cottage for most of the movie react to the letter. Kate has to watch Geoff get lost in, not really regret but something that would have never been and it makes her think about what she met to him for the past 45 years.

It was a really good movie, very impress how they could keep the story so real and down to Earth and still hole the viewer.

45 Years is a almost a theatrical film, with not many characters and a slow-burning, subtle but powerful exploration of couple dynamics, the nature of love and trust, the weight of the past on the present, and who truly are those people with whom we share our lives. There is also a pointy finger to the social façade that many couples show to the world, which is not always as rosy or perfect when they are behind closed doors.

We get to know this apparently exemplary couple, Geoff and Kate Mercer, who have been married for 45 years and are approaching the celebration of their 45th wedding anniversary, content with their lives, caring, and loving. Until some news related to Geoff's past arrive and open a Pandora's box filled of smells of another woman, a love story that was more powerful that initially seems, and the ramifications that the story had on Geoff's marrying Kate. After the box in open, we get to see the real nature and strength of their relationship.

One of the main virtues of the film is, paradoxically, one of its most bugging disappointments: the ambiguity of feelings the viewer experiences about the unfolding events.

We get to know the past story, and some of the ramifications on the Swiss love story on Geoff & Kate's love story. However, we don't know why a story that happened so long ago, before the couple met, is hitting Kate so harshly. We get to live, in a way, the same doubts and mixed feelings she feels about the sincerity and integrity of her husband's love, feelings, and openness in their relationship: was she a rebound or was he really in love with her when they married? Why did he hide everything? Why is he's still hiding things and laying about everything? Why is he so distressed about a person he met 40+ years ago? Can she really trust him?

On the other hand, we don't really know what is behind Geoff's secrecy and moodiness either: Did Geoff hide his past to Kate on purpose? Did he just want to put the past behind and move on afresh with her? Is his current behavior the result of his inability to deal with his emotions? Or is it a reminder of what life was and would have been like with the other woman? Does he really love Kate? Did he love Kate when he married her?

These annoying doubts create a subtle emotional tension that bugs you inside, without any dramatic scene needed to be created. After all, things that destroy a relationship the most aren't always the fights or dramas, but the unsettling feelings of distrust, disrespect, lack of communication and lack of openness of those people with whom we share our lives. At the end of the film, I found that it was OK for us not to know anything for sure. The lack of knowledge produces an unsettling feeling in the viewer, and you get to say (or at least I did) you can never get to know anybody fully, no matter s/he is your partner, parent or offspring, there is always more to any person than meets the eye, and you should never ask people for their secrets as you might not be able to deal with their answer.

Charlotte Rampling and Tom Courtenay are great in their respective roles, looking their age and playing being elderly with grace and verisimilitude.

Andrew Haigh's latest film "45 Years" (2015) is one of the big film events of this year and not least because of the memorable performances of its two leading actors, Charlotte Rampling and Tom Courtenay. It's a very simple film, granted, but exceptionally good as such. Both performers do an excellent job. Haigh's narrative is character-driven and never self-aware. All seems to be subjected to what is going on inside these characters. The film has been shot in the beautiful English countryside whose unreliable and unpredictable weather plays an integral role in the drama of untold memories, hidden emotions, and their appearance. It is a moving film about time and the complex relations between the past and the present.

The story centers around a retired, childless couple, Kate (Rampling) and Geoff (Courtenay) who have been married for 45 years. One day Geoff receives a letter telling him that the body of his ex-lover before his marriage, Katya, has been found fully preserved in the Swiss glaciers. This event as well as the approaching arrival of their 45th anniversary coerces the couple into re-evaluating their relationship, the choices they have made in life, and their deepest desires.

This story, based on a short story by David Constantine, is itself great in its simplicity, but Haigh also deals with it in an exquisite fashion. He has chosen not just the perfect performers for the roles but also the perfect milieu of the English countryside which works as a barometer for the characters' emotions. Haigh utilizes a moving camera and lingering, though not strikingly long, shots. He uses a wide range of different shots ranging from long full shots of the landscapes to medium close-ups of Kate's seemingly calm face which encapsulates her powerful eyes where a lot of emotion is going on that she is unable to express in words or gestures. Repeatedly, Haigh places Rampling wandering in the milieu, defining the character's relationship with the space that surrounds her. These scenes may strike as excessive to some, but one ought to relate them to the 45 years, to the time that is embodied in these five days before the anniversary celebration.

The title of the film refers to a time gone by, but the film takes place strictly (that is, flashbacks are excluded) in the present. The past finds form in the memory of Katya, the ghost in the couple's life who Kate never really knew. Katya, as the embodiment of the past, is a threat to the presence. It is as if she mocked the living in her death that has saved her from aging unlike Kate and Geoff. Geoff also takes a sudden interest in climate change, a powerful symbol not only for the slow eruption of drama for the couple but also the emergence of Katya, the past, beneath the surface. In a key scene, where Kate goes to their attic to study Geoff's old travel photos from the trip to Switzerland where Katya died, the slide projector -- offering the truths from the past -- is the only source of light and sound in an otherwise dark and silent present. In the long take, which covers the whole scene, we can sense the danger of the past swallowing the present, the danger of Kate falling into the glacier that once engulfed Katya.

Overall, "45 Years" is an extremely simple film. It bears no social nor metaphysical connotations. Formal elements serve the development of drama and character psychology. One can't really, however, talk about the subordination of style for the service of story because the external story is veritably marginal. It is, above all, an inner drama, taking place inside the characters. In all its simplicity, "45 Years" is a subtle, yet emotionally bursting film about the fragility, incompleteness, and vulnerability of life and love which have already lasted through a lot and grown in the process.