Actualités

Throughout her storied career as a screen and theater actress, Mirjana Karanović has never run away from a challenge. In the melodrama “Mother Mara,” her second feature as a director, co-writer and star, she gives herself challenges aplenty, including showing herself both physically and emotionally naked. Her Mara is a tough, successful businesswoman with platinum curls à la Marilyn Monroe, whose carefully constructed identity falls apart after the death of her 21-year-old son.

Even Mara’s grieving process defies custom. She refuses to stay away from work or cry on the shoulders of others. Instead, she re-ignites her lifeforce through an affair with a much younger man. Some viewers, who would find it perfectly acceptable if the genders of the two principal characters were swapped, may find the older woman/younger man dynamic implausible, but the performances of the two leads and a late twist in the plot do a...

“Mother Mara,” which has its world premiere at Sarajevo Film Festival as a gala screening, playing out of competition, has debuted its trailer (below). World sales are being represented by Antipode Sales International.

The Serbian drama stars and is directed by Mirjana Karanovic, who previously starred in and directed Sundance competition title “A Good Wife.” As an actor she is best known for Jasmila Zbanic’s “Grbavica,” winner of the Berlin Golden Bear, and Emir Kusturica’s Oscar nominated and Cannes Palme d’Or winner “When Father Was Away on Business.”

The film centers on Mara, a successful businesswoman and single mother, who is heartbroken after her son Nemanja’s untimely death. She becomes emotionally detached, refusing to communicate with friends and family. However, when she meets Milan, Nemanja’s close friend, she finds solace and comfort in their relationship. As they grow closer, they uncover more about Nemanja’s life and his passing,...

A Good Wife won best film in the Balkan competition, while the best pitch prize went to The Witch Hunters, but the festival faces an uncertain future.

Kosovo’s Pristina Film Festival (April 22-29) has revealed the winners for its 8th edition, after bouncing back from last year’s government funding cuts, which saw the festival held in exile in Albania.

The jury overseeing the festival’s Balkan competition, dubbed the Honey & Blood program, awarded its best film prize to A Good Wife (Dobra Zena), which Serbian actress Mirjana Karanović wrote, directed and also starred in.

Snezana Penev [pictured right] produced the film, which was a Serbia-Bosnia-Croatia co-production and premiered at this year’s Sundance Film Festival.

The competition’s jury, comprised of Pluto Film’s Jana Wolff, Belgian actor Jehon Gorani and Swiss producer Dario Schoch, awarded best director to Turkish film-maker Kaan Müjdeci [pictured top] for his feature debut Sivas, while best actor went to Assen Blatechki for Bulgarian...

A Good Wife won best film in the Balkan competition, while the best pitch prize went to The Witch Hunters, but the festival faces an uncertain future.

Kosovo’s Pristina Film Festival (April 22-29) has revealed the winners for its 8th edition, after bouncing back from last year’s government funding cuts, which saw the festival held in exile in Albania.

The jury overseeing the festival’s Balkan competition, dubbed the Honey & Blood program, awarded its best film prize to A Good Wife (Dobra Zena), which Serbian actress Mirjana Karanović wrote, directed and also starred in.

Snezana Penev [pictured right] produced the film, which was a Serbia-Bosnia-Croatia co-production and premiered at this year’s Sundance Film Festival.

The competition’s jury, comprised of Pluto Film’s Jana Wolff, Belgian actor Jehon Gorani and Swiss producer Dario Schoch, awarded best director to Turkish film-maker Kaan Müjdeci [pictured top] for his feature debut Sivas, while best actor went to Assen Blatechki for Bulgarian...