Close Range

In between filming scenes of the upcoming UNDISPUTED IV, it seems as though director Isaac Florentine and karate torchbearer Scott Adkins decided to crank out an additional movie while they had the time. Shot on a low budget in only a couple of locations with a limited cast, CLOSE RANGE may be the most compact action film of 2015, but it's a pretty good one at that. While not the best work of either the director or the star, this is high quality time-wasting material that supplies all the thrills that action junkies and Adkins fans could want. Potentially the best DTV action title of the year.

The story: Following a rescue mission, a mercenary (Adkins) and his family are besieged on a rural homestead by the minions of a dangerous drug lord (Tony Perez).

For the most part, the film looks like something that Florentine would have filmed 15 years ago, before he achieved major cult fame. He's virtually exploiting himself here, from the pseudo-western vibe and corny dialogue to the condensed nature of the script. Running at a slim 85 minutes, CLOSE RANGE sticks pretty close to its adrenaline agenda and doesn't bother with things like character development, focusing instead on physical tension. It's the type of movie that drama snobs will hate, though it's also a step down from the level of storytelling that Florentine's become adept at. It's disappointing that the film's premise boils down to a white guy almost exclusively killing evil Latinos, and overall, I conclude that this one leaves less of an impression than almost any other picture the star and director have made together.

…Unless, of course, we're talking about the action scenes, for which the auteurs remain in top form. These scenes are an even balance of fights and shootouts, and both are exhilarating. The best of the gunfights take place within a home, at close quarters, with the shooters blazing at each other across furniture and through walls. The fights, though, are in a league of their own. Adkins has so many stellar matches under his belt that how these ones rank among the rest is a matter of opinion, but know that onwards from the very first fight – wherein Scott lays waste to seven thugs within a single extended camera shot – top effort has been made. These fights are potential star-makers, as Adkins finds some choice opponents in relatively unknown performers like Jimmy Chhiu, Craig Henningsen, and especially fight choreographer Jeremy Marinas. Occasional slow motion marginally taints some of the brawls, though their overall quality is strong enough to withstand this fault.

In a movie wherein the characters are stock, the setups are old hat, and the lines are recycled, what can still make it worth watching? In this one's case, the answer is gusto and talent. I emphasize how much this seems like something the filmmakers threw together as a side project, but the fact that it's Isaac Florentine doing the throwing means a lot. CLOSE RANGE is a short, fun trip to Actionville that I encourage all fans to take.

Close Range is the latest featuring action star Scott Adkins and as a fan of his films and other bone breaking martial arts action films, I was entertained. An action movie in many ways is as good as it's star, Adkins further proves he is one of the top actors in the genre today by delivering on what he does best - kick ass. Close range contains solid action from beginning to end with a solid opening fight sequence, plenty of bloody gun play throughout and a climax with hard hitting hand-to-hand combat that will definitely please fans of such films. The main character also has a bad ass name like any true action hero should - Colt Macready. The movie is not without it's flaws though, acting certainly isn't the strength of the movie and neither is the story. Overall, a good direct to VOD action film and I look forward to more from Scott Adkins including Undisputed IV and Hard Target II. If your someone who wants a fast paced, pure action film served rated R, done with no CGI and real stunts, your thirst for some real action will be satisfied.

7 / 10.

The most casting role Scott Adkins has nowadays is either supporting or antagonist character where he would only do a couple of fight scenes but plastered on the poster nonetheless for more draw. Luckily, Close Range has given him more freedom to deliver his trademark action sequences, although it's plagued with an alarmingly sketchy presentation of gangster genre with cheesy Cinemax vibe and awful soundtracks.

Plot is actually good, at least for the first act, as MacReady (Scott Adkins) opens the movie trying to save his niece from mafia. It's a nice setup as it wastes no time to push the action, and continuous shot fighting scene definitely helps. However, it soon becomes the tedious cat-and-mouse between MacReady, the Mexican mafia and unsavory cop.

The pacing loses steam fast, repeating the same angle of corrupt police officer or gang member chasing the hero. It lacks structure aside from the primordial rush of periodic fisticuffs and gun-totting scenes, even these are simplified. As expected, there's not much in term of acting, it's not utterly terrible but it does appear jarring at times. The characters are either stereotypical damsel-in-distress, overly vilified or straight up gangster extras.

Most of the presentation revolves around old corny action flick ambiance, a bit like binge night on Cinemax with the music department playing the same Desperado inspired tunes over and over again. Fortunately, the action is admittedly decent. Scott Adkins has more plenty of chances on creating brutal beatdown, some of which are pretty creative. Even though this can get over-the-top, the high octane action would definitely please genre fans, or those wanting for more Undisputed action.

Close Range tries to spice the bland drama with misguided style. It's a good thing that the combat looks visceral enough, but it still might not attract viewer beyond action buff.

In Mexico, the former decorated and now rogue soldier Colton "Colt" MacReady (Scott Adkins) rescues his niece Hailey (Madison Lawlor), who was kidnapped by a dangerous cartel. During his operation, he kills the son of the druglord Fernando Garcia (Tony Perez) and brings a flash drive with the handcuff key of Hailey that Garcia's son had on his necklace. Garcia contacts the dirty Sheriff Jasper Calloway (Nick Chinlund) that goes to the ranch of Colton's sister, Angela Reynolds (Caitlin Keats), with two deputies. Angela is married to the scum Walt Reynolds (Jake La Botz) that stole drugs from Garcia's shipment, the reason why Hailey was abducted. While Calloway holds Angela and Hailey in the ranch, Garcia heads to the spot with eleven "soldiers" from his cartel to retrieve the flash drive.

"Close Range" is an action film for fans of shootings and fightings cnly since the choreography is very well made. However, the storyline and specially the acting is awful, full of clichés and wooden faces. It is difficult to point out who is the worst, but at least Madison Lawlor and Nick Chinlund are funny to see their faces. I am not sure whether Hailey last name is Reynolds, since Walt is her stepfather; therefore does not make sense his last name for her, only for Angela. Last but not the least, who would keep vital information in a flashdrive without any back-up? The USB flash drive is the same vulnerable as the hard disk drive. In other words, it can fail at any time without any omens. Once it gets broken or become inoperative, without any doubts, your data will get lost likewise. Hence, it is prudent and advisable to back up your flash drive data. My vote is four.

Title (Brazil): "Perigo Extremo" ("Extreme Danger")

Let me be clear about this once again so there is no misunderstanding.

Adkins has potential. He can deliver. His work as Boyka in the Undisputed franchise was stellar and Undisputed 3 in particular is actually one of the best MMA films of all time.

In my various and sundry reviews for the IMDb, I pointed out that Adkin's film roles subsequent to Boyka were reflecting a downward career path.

For this observation I received the usual monkey-hammering of the NOT USEFUL key.

But this film says it all. Even the opening credits, done in the retro feel of the 1960s Italian Westerns (and you have to be of a certain age to know that!) tells you IN ADVANCE this is a B-movie, DTV production, done to generate cash flow and little else.

Adkins really deserves better.

The good news? There is another UNDISPUTED in the works, with the same production team.

We can only hope...