Inculpé pour le meurtre de sa famille et laissé pour mort, un ancien tueur à gages ne reculera devant rien pour se venger des « démons » masqués qui ont pris le contrôle de sa ville.Inculpé pour le meurtre de sa famille et laissé pour mort, un ancien tueur à gages ne reculera devant rien pour se venger des « démons » masqués qui ont pris le contrôle de sa ville.Inculpé pour le meurtre de sa famille et laissé pour mort, un ancien tueur à gages ne reculera devant rien pour se venger des « démons » masqués qui ont pris le contrôle de sa ville.
- Réalisation
- Scénario
- Casting principal
Rosalie Chiang
- Ryo Sakata
- (english version)
- (voix)
Bobby Foley
- Shuhei Sakata
- (english version)
- (voix)
Stephen Fu
- Additional cast
- (english version)
- (voix)
Ren Hanami
- Additional cast
- (english version)
- (voix)
Ming Lo
- Additional cast
- (english version)
- (voix)
Anthony Ma
- Additional cast
- (english version)
- (voix)
Nick Martineau
- Additional cast
- (english version)
- (voix)
Résumé
Reviewers say 'Demon City' is an action-packed film with impressive martial arts and gory scenes, praised for its creative choreography. However, it is criticized for weak writing, lack of depth, and an incoherent plot. Supernatural elements and the protagonist's invincibility divide opinions, with some finding them entertaining and others unrealistic. Acting performances are mixed, with strong and mediocre reviews. Pacing, logic, and character development are often faulted, yet it remains appealing to genre enthusiasts.
Avis à la une
"Demon City," is a Japanese revenge thriller directed by Seiji Tanaka and based on Masamichi Kawabe's manga "Oni Goroshi." The film follows Sakata (Toma Ikuta), a hitman who, after surviving an attack that killed his family, embarks on a relentless quest for vengeance against the gang responsible.
The movie delivers on its promise of intense martial arts sequences, gravity-defying stunts, and choreographed fight scenes that keep viewers interested. Even for those accustomed to the over-the-top action of Indian cinema, "Demon City" offers a familiar experience, but nothing beyond that.
Even the background score, composed by Tomoyasu Hotei, known for his work on Quentin Tarantino's "Kill Bill," was not as intense, though the music complements the film's tone. The cinematography is noteworthy, with clear visuals that don't strain the eyes-a common issue in many modern action flicks.
However, the film's foundation feels somewhat weak. The antagonist's character development is limited, and the plot contains noticeable holes. Addressing these issues could have elevated the film to a higher standard.
In conclusion, "Demon City" is a high-octane action film that delivers thrilling sequences and strong performances. While it has its shortcomings in narrative depth, it remains an engaging watch for fans of the genre.
The movie delivers on its promise of intense martial arts sequences, gravity-defying stunts, and choreographed fight scenes that keep viewers interested. Even for those accustomed to the over-the-top action of Indian cinema, "Demon City" offers a familiar experience, but nothing beyond that.
Even the background score, composed by Tomoyasu Hotei, known for his work on Quentin Tarantino's "Kill Bill," was not as intense, though the music complements the film's tone. The cinematography is noteworthy, with clear visuals that don't strain the eyes-a common issue in many modern action flicks.
However, the film's foundation feels somewhat weak. The antagonist's character development is limited, and the plot contains noticeable holes. Addressing these issues could have elevated the film to a higher standard.
In conclusion, "Demon City" is a high-octane action film that delivers thrilling sequences and strong performances. While it has its shortcomings in narrative depth, it remains an engaging watch for fans of the genre.
In a down-on-its-luck port city the world's most skillful assassin does one last job before retiring to an idyllic life of ... just kidding, obviously; within 30 minutes of his retirement some bad guys set him on the path to a decade-spanning vendetta. The story is pretty goofy. The script can't seem to decide whether or not it wants to be taken seriously and/or how overt or illusory to make its supernatural implications. Important plot points are just retconned into existence via expositional dialogue or cutaway flashbacks.
But at least there's lots of violent bloody action and the antagonists rock some decent Oni masks. It's all style and no substance but enjoyable as over-the-top fun.
But at least there's lots of violent bloody action and the antagonists rock some decent Oni masks. It's all style and no substance but enjoyable as over-the-top fun.
I really wanted to like this. First 15-20 minutes made me feel like it could be inspired by a mix of John Wick and The Crow (original). They raised the stakes by what happened to the protagonist but we never really get the payoff from the build up. He is inexplicably invincible, even when he wants you to believe he's hurt and sadly the villains never really die. Speaking of which, they are evil to the core but then they have little back stories to make it seem like they have some sort of honour. There are some cool action sequences, and performance around the Samurai culture but overall I found this movie weird and ultimately disappointing. I had to watch John Wick after to scratch the vengeance itch it gave me.
I was expecting a decent movie, but the reason this one didn't meet my expectations is because it is too unrealistic and inconsistent. You can't wake up from 12 12-year coma and go straight into a physical contest (fight), or be able to stand on your feet and this lasts for months. The main character goes even further - he has so much blood, he can never die from blood loss (which can be said about both "The Raid" movies, but the thing is everything there is made less excessive than this movie and just better), but in one moment he can barely standing, the next he is acting like John Wick on PEDs. Don't get me wrong, everything is filmed well enough, the actors are good enough, it is just the entire concept that is poorly represented.
Watched this with zero prior knowledge-no trailers, no comics, just vibes. And honestly, had a blast. Sure, the plot had its fair share of questionable moments (let's just say 'suspension of disbelief' is working overtime), but who cares when the violence is stylish? Think Kill Bill meets a particularly chaotic anime fight scene, with some gorgeous one-take shots that made my inner film nerd very happy.
Special shoutout to Takuma Otoo and Miou Tanaka, who absolutely stole the show. Meanwhile, I spent half the movie wondering why the lead looked so much like Brett Yang from TwoSet Violin. Just me? Anyone?
Overall, ridiculous but ridiculously fun. Would recommend.
Special shoutout to Takuma Otoo and Miou Tanaka, who absolutely stole the show. Meanwhile, I spent half the movie wondering why the lead looked so much like Brett Yang from TwoSet Violin. Just me? Anyone?
Overall, ridiculous but ridiculously fun. Would recommend.
Le saviez-vous
- AnecdotesIn the end scene, Ryo is driving her father's car. In Japan cars have right side steering wheel, but Ryo is driving left side steering wheel.
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Oni-Goroshi: Ciudad de los demonios
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 46 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.20 : 1
- 2.35 : 1
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