Mardaani

It is heartening and encouraging to see women centric films doing well in Bollywood - Kahaani , English Vinglish, Queen and now Mardaani adding extra charm to the genre.

Mardaani tells the true story of drug racket and child trafficking which is very much existing in current India. An orphan goes missing from NGO doubting Crime Branch officer Shivani Shivaji Roy and investigate the case which involves a cat-mouse game between Shivani and the mafia kingpin.

From the director of Parineeta , Pradeep Sarkar is in a great form. After strings of flops , he comes back with a bang. Hats off to him for creating niche drama with well-written screenplay that will keep glued on to the screen till the end. Cinematography is outstanding. Background score gels well with the mood of the film. Editing adds crispiness to the pace. Mardaani belongs to queen of hearts - Rani Mukherjee. The supremely talented actress will prove the naysayers that she could come back and deliver a solid performance. She is mind blowing with her punches and fiery dialogues. Tahir Raj Bhasin will surprise you as mafia kingpin.

Mardaani has everything going in its favor - Brilliant direction, Strong performances. Highly recommended. Excellent 4/5

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With a sudden spate of cop-oriented films in Bollywood, the larger- than-life heroism has occupied our mind space ominously. We saw the maverick soldier Akshay Kumar combating the sleeper cells in Holiday and the tough cop Ajay Devgan decimating the corrupt politicians in Singham Returns. Having said that, the Pradeep Sarkar-directed Yash raj films' latest outing "Mardaani" is a departure from the archetypal escapist commercialism. The protagonist here is a lady - Shivani Shivaji Roy(Rani Mukherjee), a no-nonsense crime branch police officer wages a relentless fight to bust a human trafficking racket in Mumbai.

Giving one of the most low-key and unassuming introduction to the lady hero where her team tracks down a small-time criminal , the plot ticks off when a 12-year old street girl,almost like her family member, goes missing from an orphanage which in turn insinuates the operating of a deadly sex racket. Shivani pursues this case strongly as she senses a strong nexus behind this crime scene of terrifying magnitude until she comes in telephonic contact with the mastermind. What ensues is a cat and mouse game to hunt down the criminal and things take an ugly turn when it is taken to the personal level.

A taut thriller in all respects, Mardaani works because of the slick direction. The treatment stays faithful to the dark and grim subject. I admit that some scenes involving the facets of flesh trade appear voyeuristic due to which the film is certified with 'A' rating, but Sarkar redeems them with some engaging conversations between the cop and her nemesis. Equally entertaining is the banter between Shivani and her team and the liberal use of expletives which lends the film an authentic touch. The tussle here is interestingly cerebral for most parts , thanks to the clever writing (Gopi Guthram) until the climactic showdown which is quite formulaic.

Sarkar treads on a different trajectory altogether. With 2 hours running time devoid of naach-gaana , it is quite unusual for a YRF flick. But what makes Mardani consistently watchable is the spirited performances of the entire star-cast. Surely, its crafted as a come-back vehicle for Rani, and the actress does complete justice in terms of depicting strength and emotional heft. She is quite in ease with the lingo, the uniform and the attitude. Tahir Bhasin impresses as the ruthless kingpin of the sex racket, adding a despicable menace to his character. He is not a regular Bollywood baddie, but a college dropout who is tech-savvy, addicted to video game and smart with Bluetooth. Rani's on screen husband played by Jissu Sengupta is almost side-tracked except in one gut- wrenching sequence where he miserably becomes a pawn in the rivalry of the cop and antagonist.

I enjoyed each and every minute of Mardaani. It's not your regular run- off-the-mill stuff and more importantly pushes the envelope of serious cinema without making you feel bored.

Mardaani is a good film released at the right moment.

I say that because of the high proportion of news about rape and sexual assault and attacks on women in the national newspapers in India. Pradeep Sarkar succeeds in retelling the acclaimed Hollywood story (Liam Neeson's Taken) of how an officer single-handedly taken on the traders of flesh. He charms the audience by filling all holes that would've crept up had it been a poorly researched film, like all other recent Bollywood films are.

Here in, we have inspector Shivani (Rani Mukherji) who uses her manliness to search and kill the young boy, a flesh trade kingpin who kidnapped and sold her adopted child into overseas sex rackets. There are chiefly two villains in the film, both of which are good. But I am awestruck by nobody Tahir Bhasin's brilliant performance as the vindictive boss who speaks like he was a born criminal. His air, his diction, his portrayal - all upped my ante in cinema-watching experience. Come climax, this same villain goes through a paradigm shift and seems to have lost all his qualities, which drives the predictability ahead.

But I am not complaining because the 2 hours were never boring. Plus, since it conveys a message that women should stand up with a touch of power for their rights hits the right chord with the large number of women that were present in the theater hall.

Coming to the cuss language, I didn't mind it because it was a necessary component. Mukherji is good, as well. The supporting cast is fine. The title track is surely to hit the charts.

BOTTOM LINE: One of the very few watchable films in 2014 Bollywood, Mardaani is an unexpected treat. If you have 2 hours to spare this weekend, go watch it and come home entertained.

Can be watched with a typical Indian family? YES (You should!)

Bollywood has always space to celebrate womanhood through their films. Mardaani is on that league. After watching the trailer recently I decided to watch this movie which deals the serious subject of sex trafficking in India. Based on some true events the story opens up with Rani as a brave lady officer who is bold and mannish. The dialogue was witty to portray a daring officer when she deals with a goon who messes with her. The way she asks them "anyone else wants to learn law" was fantastic. The story gets serious when Rani tangles herself into the case of a missing girl "Pyarri" who is known to her. Then she traces and reaches Walt the kingpin of the child sex trafficking and challenges him that she will save the girls within thirty days. The rest of the story travels with some raw reality about human trafficking and drug deals from Mumbai to Delhi to expose some hard truth about India. Whether Shivani Shivaji Roy was able to succeed her mission of saving the girls before they lose their innocence in prostitution is the rest of the plot featuring some investigations, chase etc., makes us stay engaged throughout the movie. As for as the performances the lead starting Rani Mukerji is promising as Shivani Shivaji Roy senior inspector of police crime branch Mumbai. May it be a blind girl in "Black" or an adulterous wife in "KANK" or a daring journalist in "No one killed Jessica" or the bubbly thief in "B&B" she has always justified her role. Yet again she proves again her versatility. Then comes Tahir Bhasin as Walt the antagonist succeeds in creating a feel of hatred towards him. Technically brilliant camera works and BGM helped the movie greatly. #Mardaani is a worth watch gripping tale but lags something to join the wagon of other woman hood films like "English Vinglish" "Kahaani" "Queen" "Fashion" "The Dirty Picture". Eagerly waiting to watch the next film on this league PC's avatar as "MaryKom". -Reviewed by Sivakumar Balachandran

There are some movies which are made just to entertain but there are some which makes you think, Mardaani falls in the latter genre.

Human Trafficking is a business which is growing at an alarming rate worldwide and India is a hub of Child Trafficking and Mardaani deals with this topical subject.

Gopi Puthran chooses a controversial topic of Human Trafficking for his story and the risk with such subjects is that it becomes preachy. But thankfully Gopi's screenplay refrains from doing so and tells the story in a thriller format of a crime branch Inspector Shivani Shivaji Roy (Rani Mukherjee) who has a soft spot for an orphan Pyari (Debutant Priyanka Sharma). Life takes a turn for Shivani when Pyari goes missing, how Shivani busts the Human Trafficking nexus and finds Pyari constitutes the rest of the story.

Gopi's screenplay captures the modus operandi of how human trafficking is done in a thriller format which is engaging and keeps you at the edge of the seat; not much time is spent on the emotional quotient. It is the climax which looks a bit too convenient. The characters are realistic and so are the dialogues. But I thought the Thriller quotient could have been much better as the surprise element is missing in most part of the movie.

The performances are the biggest highlight of the movie. Rani as Shivani gives a crackling performance, everything from her body language to the way she speaks everything is spot on. Rani Mukherjee again proves that you cannot keep a good actor away for too long. Another brilliant performance is of the debutant Tahir Raj Bhasin who plays the antagonist Karan, he is so good that you start hating him, truly a brilliant debut. Tahir's portrayal of Karan is a perfect complement to Rani's portrayal of Shivani. Mona Ambegoankar gives a superb performance, though her role is small but she shines even in a brief role, sad to see that a brilliant actress like her is underutilized. Another debutant Priyanka Sharma as Pyari shows spark. Jishu Sengupta the Bengali actor is wasted in a brief role. Rest of the cast is cast well and they do a good job. I should mention Shanoo Sharma the casting director who has done a brilliant job of casting.

The second highlight is the cinematography by Artur Zurawski who captures the bylanes of Mumbai and Delhi well and keeps the tone as realistic as possible in lieu of the narration.

With "Mardaani" Pradeep Sarkar resumes his original form which was seen in "Parineeta" (2005). Though a dark and sensitive subject, but Pradeep handles it well and keeps the narrative simple though a bit of twists would have been better. But Pradeep is successful is extracting some brilliant performances from the cast which is commendable.

Kudos to Pradeep Sarkar for taking up such a sensitive issue for a movie and showing how women can defend themselves against odds. This movie is a true celebration of woman power....