Mardaani

Mardaani is a good film released at the right moment.

I say that because of the high proportion of news about rape and sexual assault and attacks on women in the national newspapers in India. Pradeep Sarkar succeeds in retelling the acclaimed Hollywood story (Liam Neeson's Taken) of how an officer single-handedly taken on the traders of flesh. He charms the audience by filling all holes that would've crept up had it been a poorly researched film, like all other recent Bollywood films are.

Here in, we have inspector Shivani (Rani Mukherji) who uses her manliness to search and kill the young boy, a flesh trade kingpin who kidnapped and sold her adopted child into overseas sex rackets. There are chiefly two villains in the film, both of which are good. But I am awestruck by nobody Tahir Bhasin's brilliant performance as the vindictive boss who speaks like he was a born criminal. His air, his diction, his portrayal - all upped my ante in cinema-watching experience. Come climax, this same villain goes through a paradigm shift and seems to have lost all his qualities, which drives the predictability ahead.

But I am not complaining because the 2 hours were never boring. Plus, since it conveys a message that women should stand up with a touch of power for their rights hits the right chord with the large number of women that were present in the theater hall.

Coming to the cuss language, I didn't mind it because it was a necessary component. Mukherji is good, as well. The supporting cast is fine. The title track is surely to hit the charts.

BOTTOM LINE: One of the very few watchable films in 2014 Bollywood, Mardaani is an unexpected treat. If you have 2 hours to spare this weekend, go watch it and come home entertained.

Can be watched with a typical Indian family? YES (You should!)

'Mardaani' Directed by the talented Pradeep Sarkar, is A Crisp, Intense Crime-Drama, that is Well-Written, Superbly Directed & Brilliantly Acted. The film comes as a pleasant surprise & ranks among the better films of 2014, yet.

'Mardaani' Synopsis: A cop's search for a missing teenage girl leads her to the depraved world of child trafficking. What follows is a cat-and-mouse game between the fearless cop and a ruthless mafia kingpin.

'Mardaani' has a power-packed first-hour, with each sequence leaving an impact. The cat-and-mouse game between the fearless cop & the ruthless mafia kingpin is grasping, although the second-hour slows down a bit. What makes 'Mardaani' work prominently, is its raw approach & the brisk pacing, which keeps its spectator glued to the screen.

Gopi Puthran's Screenplay is fabulous. Its gritty, intense & fast. However, the climatic moments aren't too effective. Pradeep Sarkar's Direction is simply superb. He's in command this time around. Cinematography is top-class. Editing is balanced. Action-Sequences are raw.

Performance-Wise: Rani Mukherji is in terrific form. She enacts the cop with rage & intensity. She leads the film with a yet another stellar performance! Tahir Bhasin is tremendous as the chief villain. He handles his part with utmost conviction. Anil George is absolutely brilliant in a small, yet frightening role. Jisshu Sengupta is sincere. Others lend admirable support.

On the whole, 'Mardaani' packs a solid punch! Strongly Recommended!

With a sudden spate of cop-oriented films in Bollywood, the larger- than-life heroism has occupied our mind space ominously. We saw the maverick soldier Akshay Kumar combating the sleeper cells in Holiday and the tough cop Ajay Devgan decimating the corrupt politicians in Singham Returns. Having said that, the Pradeep Sarkar-directed Yash raj films' latest outing "Mardaani" is a departure from the archetypal escapist commercialism. The protagonist here is a lady - Shivani Shivaji Roy(Rani Mukherjee), a no-nonsense crime branch police officer wages a relentless fight to bust a human trafficking racket in Mumbai.

Giving one of the most low-key and unassuming introduction to the lady hero where her team tracks down a small-time criminal , the plot ticks off when a 12-year old street girl,almost like her family member, goes missing from an orphanage which in turn insinuates the operating of a deadly sex racket. Shivani pursues this case strongly as she senses a strong nexus behind this crime scene of terrifying magnitude until she comes in telephonic contact with the mastermind. What ensues is a cat and mouse game to hunt down the criminal and things take an ugly turn when it is taken to the personal level.

A taut thriller in all respects, Mardaani works because of the slick direction. The treatment stays faithful to the dark and grim subject. I admit that some scenes involving the facets of flesh trade appear voyeuristic due to which the film is certified with 'A' rating, but Sarkar redeems them with some engaging conversations between the cop and her nemesis. Equally entertaining is the banter between Shivani and her team and the liberal use of expletives which lends the film an authentic touch. The tussle here is interestingly cerebral for most parts , thanks to the clever writing (Gopi Guthram) until the climactic showdown which is quite formulaic.

Sarkar treads on a different trajectory altogether. With 2 hours running time devoid of naach-gaana , it is quite unusual for a YRF flick. But what makes Mardani consistently watchable is the spirited performances of the entire star-cast. Surely, its crafted as a come-back vehicle for Rani, and the actress does complete justice in terms of depicting strength and emotional heft. She is quite in ease with the lingo, the uniform and the attitude. Tahir Bhasin impresses as the ruthless kingpin of the sex racket, adding a despicable menace to his character. He is not a regular Bollywood baddie, but a college dropout who is tech-savvy, addicted to video game and smart with Bluetooth. Rani's on screen husband played by Jissu Sengupta is almost side-tracked except in one gut- wrenching sequence where he miserably becomes a pawn in the rivalry of the cop and antagonist.

I enjoyed each and every minute of Mardaani. It's not your regular run- off-the-mill stuff and more importantly pushes the envelope of serious cinema without making you feel bored.

It is heartening and encouraging to see women centric films doing well in Bollywood - Kahaani , English Vinglish, Queen and now Mardaani adding extra charm to the genre.

Mardaani tells the true story of drug racket and child trafficking which is very much existing in current India. An orphan goes missing from NGO doubting Crime Branch officer Shivani Shivaji Roy and investigate the case which involves a cat-mouse game between Shivani and the mafia kingpin.

From the director of Parineeta , Pradeep Sarkar is in a great form. After strings of flops , he comes back with a bang. Hats off to him for creating niche drama with well-written screenplay that will keep glued on to the screen till the end. Cinematography is outstanding. Background score gels well with the mood of the film. Editing adds crispiness to the pace. Mardaani belongs to queen of hearts - Rani Mukherjee. The supremely talented actress will prove the naysayers that she could come back and deliver a solid performance. She is mind blowing with her punches and fiery dialogues. Tahir Raj Bhasin will surprise you as mafia kingpin.

Mardaani has everything going in its favor - Brilliant direction, Strong performances. Highly recommended. Excellent 4/5

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Mardaani is a movie that despite an unimaginative plot and predictable narrative engrosses you in its fabric. Rani Mukerji is pitch perfect in the role of a super-cop that is rightly hued, far from the floss and swagger of Chulbul Pandey and Singham. She is real, gritty and every bit brilliant. Though the film's climax loses itself in melodrama, this is a film that has its heart in the right place and tells a pertinent story at a time when it must be heard.

Rani Mukerji with no make up, stern face maintains her strong demeanor. The actress is non dramatic on purpose and that did the trick for me. She is far from the pomp and show of masala cop films and that subtlety blows your mind. I am ecstatic that the lady has returned in a role that does justice to her caliber.

Tahir Bhasin is a revelation and quite interestingly lives up to Rani's stature. The chase between him and Rani is built brilliantly mostly because of his conviction in rendering such brilliance to his character. His diction and twang both blend in well drawing one's attention even further.