En 1974, l'artiste Philippe Petit recrute une équipe pour l'aider à réaliser son rêve : parcourir sur un fil l'immense vide qui sépare les tours du World Trade Center.En 1974, l'artiste Philippe Petit recrute une équipe pour l'aider à réaliser son rêve : parcourir sur un fil l'immense vide qui sépare les tours du World Trade Center.En 1974, l'artiste Philippe Petit recrute une équipe pour l'aider à réaliser son rêve : parcourir sur un fil l'immense vide qui sépare les tours du World Trade Center.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires et 17 nominations au total
- Outdoor Café Woman
- (as Emilie Leclerc)
Avis à la une
The basic story of The Walk is this: a French street performer becomes obsessed with hanging a high wire between the two Twin Towers and walking on it. He flies to New York, recruits a few people to help him, and after weeks of of planning, is ready to perform an impossible stunt that will be remembered forever. The script is very well written and the story comes across very nicely to the viewer. It focuses on all the right moments for the right amount of time, which means the pacing is generally good. My only problem arises in the beginning as I felt it was a little rushed. Character development is also not the finest, but it is enough to make the viewer care about the characters. Other than that the story was told in a very captivating way that left viewer on the edge of their seat.
The Walk is a visual treat, specifically the last part of the film. There are magnificent, swooping camera shots showing off the beautiful Twin Towers in all their glory and with IMAX 3D, the viewer feels like they are thousands of feet in the air on the high wire. There were multiple times in this movie where vertigo kicked in due to the crazy heights portrayed in the film. The cinematography really helps the viewer become immersed in the experience as there are so many memorable shots of the Twin Towers and views of New York City. The CGI used to create this wonderful experience looks insanely real and really makes one appreciate the beauty and height of the Twin Towers. When Philippe Petit is on the high wire, wind and distant traffic noises are added to the incredible CGI to enhance the feeling of being 110 stories up in the air and with moving camera angles, the experience is beautiful and realistic.
The acting in this movie is superb. Joseph Gordon-Levitt is amazing as Philippe Petit and really does a good job showing how insane Petit really was. Charlotte Le Bon also does a fine job portraying Petit's girlfriend, and Ben Kingsley gives a good performance as Petit's mentor. All the supporting cast give great performances as well.
Robert Zemeckis does an amazing job making this movie as intense and thrilling as possible. His direction really made this movie what it is; and it is visual spectacle told within a great story.
In the end, The Walk is a visually thrilling and intensely told masterpiece. It boast beautiful cinematography, flawless CGI, great acting and direction, and a captivating story. This is truly a movie to behold in IMAX 3D and one will come out of the theater feeling immensely satisfied with the experience. The Twin Towers were beautifully portrayed in this movie and made one appreciate their existence even more. I am proud to say that this is one of the best and most satisfying movie experiences of this year.
This is the story of Philippe Petit, a performer with the idea of wire-walking across the World Trade Center towers. While it may sound simple, the journey there is a captivating one. The presentation is almost magical with circus act and flamboyant atmosphere, although there are plenty of realistic details and intricate planning involved, at times it almost feels like a funny heist movie.
Visual is breathtaking, the cinematography takes full advantages of the vistas, let it be small village or big city. The way the scenes are shot gives the movie a much more surreal ambiance. It's an enhanced realism, and although it's not as refined, there's a spirit of Hugo lingering here. It makes great use of 3D with timely panoramic shots and even stuff-thrown-at-your-face antic, but for this movie I wouldn't mind.
The same goes with its jazz influenced soundtracks, occasional slow ballad or alternate take on popular songs. The production value just oozes gorgeousness. All the technical aspects aside, the best attraction is definitely Joseph Gordon-Levitt. He is utterly remarkable, youthful and charming. This is the kind of acting prowess that can captivate audience with sheer passion, it's a true homage to the real life counterpart.
The Walk is nothing short of a breathtaking tale. Its charismatic protagonist and masterful visual invite the audience to not only walk alongside, but in a sense glide freely through such an inspiring story.
The Walk is a masterpiece. It is an extremely realistic & immersive theater experience. Director Robert Zemeckis has done a wonderful job in recreating the actual events of Petit's life. The last 40 minutes of the film, is worth the ticket price alone. The Walk is my all time favorite 3D movie. Right from the first scene, till the last scene, the 3D provides both immense depth & many eye-popping moments. The cinematography is wonderful. Both Paris & New York City in the 1970s, have been portrayed beautifully. When Petit takes that climactic walk between the Twin Towers of the World Trade Center the 3D definitely adds to the thrill of the experience. If you have a fear of heights or even otherwise, you will be on the edge of your seat as Philippe Petit embarks on one of the most dangerous feats ever attempted, in the history of mankind. You will be hoping against hope that Philippe Petit successfully completes his life changing walk. Joseph Gordon-Levitt is outstanding as Philippe Petit. The fact that Gordon-Levitt learned the art of tightrope walking & speaks in an authentic French accent is commendable. Charlotte Le Bon is great as Annie. Ben Kingsley is superb as Papa Rudy. Clement Sibony is brilliant as Jean-Louis. Cesar Domboy is amazing as Jeff/Jean-Francois. Steve Valentine is good as Barry Greenhouse. James Badge Dale is awesome as Jean-Pierre/J.P. Ben Schwartz & Benedict Samuel are impressive as Albert & David respectively. The Walk is a must watch. If you're not a movie buff but, you want to watch one movie in the theater this year, make it The Walk.
There is much romance surrounding the Empire State building. In 1957 it was the setting for the romantic film 'An Affair to Remember' starring Cary Grant and Deborah Kerr. The 1993 film 'Sleepless in Seattle' starring Tom Hanks and Meg Ryan, is in truth, really little more than a reworking of that older film. Getting to the top of the building is hard work and takes a long time, and that is with using the series of lifts to get you there. At the top you discover that even a famous horse was there too.
By contrast the Twin Towers of the World Trade Center seemed a let down. Sure, they were an iconic sight, briefly seen in many movies such as 'Working Girl' (1988), and even functioning as a prop in 'Escape from New York' (1981). But the large, fast, and functional lifts, shot you up to the top of the building in no time at all. This all changed for me on Tuesday 11th September 2001. Watching live on the TV, I found the scenes almost impossible to believe. For many months it was difficult to accept the reality of what had happened. Now I am always happy to see a shot of the towers, such as in the opening sequence of HBO's TV series 'The Sopranos' (1999-2007), and would have preferred it to have been retained.
In this new film, 'The Walk' (2015), Director Robert Zemeckis, has penned a screenplay from the book 'To Reach the Clouds', that tells a true story of the early days of the Twin Towers. The story could be considered unbelievable, but this film is in fact a true representation of this astonishing story.
The film is narrated, thus giving us the audience the needed exposition. The early part of the film is set in Paris, France, and is cleverly filmed in a distinctive French-style. Innovative use is made of black-and white photography, subtitles and French-mime to help tell the story of a young street performer working the streets of Paris who uses mime and his juggling skills. His name is Philippe Petit, and in this film he is played by Joseph Gordon-Levitt. The era is the late-sixties, and this is shown well. Philippe himself is a self-proclaimed anarchist. He also has an ambitious dream which is accurately and authentically captured in this film. In 1968, at the age of 17, he reads about the building of the Twin Towers and resolves to walk from one tower to another on a tightrope stretched across the top of the towers.
Before that though we have a nice romance between Philippe and Annie, played by Charlotte Le Bon. We have too, in this film, Ben Kingsley playing the role of an old high-wire performer, teaching his protégé the ropes. We get believable and thoughtful performances from the star and the supporting actors. Philippe, in 1971, walks between the towers of the cathedral of Notre Dame, shown in this film, and in 1973, did a walk at the Sydney Harbour Bridge in Australia, though this is not in the film.
Now Philippe resolves to carry out his ambition at the Twin Towers of the World Trade Center in New York City in the USA. This is where the rest of the film is located. Philippe recruits his supporters and they plan their coup. There is a time-element here, as the Towers are nearing completion. Detailed planning is also required and equipment is needed too. It is determined that a 450LB cable will be required as well as a specially made 55LB 26ft balancing pole. The gap between the towers was 200ft, the height above ground 1,368ft. The coup was planned for 7th of August 1974, one week before Philippe's 25th birthday.
While the acting is good, and the contrast between Paris and New York is shown authentically, and cleverly, by the different styles of filming, it is the special-effects that make this film. This reviewer saw the 3D version of this film. It was one of the main draws of the film and it must be doubted that this film could have been made as authentically before now. The camera shoots up and down the Twin Towers as well as across the wire. It looks down at the wire, and then swoops down to the ground. The effect is truly breathtaking. The tension is there throughout the latter part of the film. There too, are you, on the wire, looking up, and down.
It is clear how dangerous and foolhardy was this coup that Philippe Petit attempted. Nowadays, he would be declared an adrenalin junkie. No doubt he was that. This attempt can now never be replicated. I had thought that the WTC should not have been built on. I was wrong. It is right that something bigger and better should be built. The human spirit should always strive to go onwards and upwards.
The Twin Towers of the World Trade Center remain, always, an iconic vision of New York City, as well as the indomitable symbol of soaring ambition, vision, and the spirit of humanity throughout the world. Now Philippe Petit and Robert Zemeckis have given it it's own magic and romance too.
Breathtaking! 10/10.
From the first moment we meet Petit talking to us from the top of the Statue of Liberty, and this story is about freedom if nothing else, we know we are in the presence of a man who has followed his dream and achieved it. To co-writers Zameckis and Christopher Browne must go praise for giving the Frenchmen poetic English in small doses, just enough to elevate the proceedings from nuts and bolts to heady ambition.
Those 15 minutes on the wire are as suspenseful as possible—a mark of the true auteur, who can make us worry for our hero even though we know he will survive (he does narrate after all, and some audience will remember Man on a Wire, the excellent doc from 2008). Because Zameckis knows his special effects, I was mesmerized by the shots from atop the towers to the street below. Although I don't like heights anyway, I had to look down every time in wonder at the scope of the danger to Petit.
While the Walk is about this extraordinary man, it is also a romantic eulogy to the towers, which arguably became favorites of New Yorkers after Petit's stunt. The "forever" pass to the top of the towers he receives as a reward from the city is painfully ironic considering 9/11. Because his feat was once in a lifetime, perhaps the passing of the towers reminds us that nothing lasts "forever."
Le saviez-vous
- AnecdotesPhilippe Petit personally trained Joseph Gordon-Levitt how to walk on a tightrope. When the training started, Petit predicted that Gordon-Levitt would need no more than eight days of training to be able to walk on a wire alone, which came true.
- GaffesWhen practicing the line shoot via bow and arrow in France, the distance needed is clearly marked and Phillipe dances in celebration when the arrow surpasses it. Not long thereafter - with the group in New York - Phillipe has to pull a press conference ruse to get that same distance information. Furthermore, even if he hadn't already made his calculations back in France, it is as simple as measuring the distance at the base.
- Citations
[first lines]
Philippe Petit: "Why?" That is the question people ask me most. Pourquoi? Why? For what? Why do you walk on the wire? Why do you tempt fate? Why do you risk death. But, I don't think of it this way. I never even say this word, death. La mort. Yes of okay, I said it once, or maybe three times, just now... But watch, I *will* not say it again. Instead, I use the opposite word. Life. For me, to walk on the wire, this is life. C'est la vie.
Philippe Petit: [now standing in the torch of the Statue of Liberty] So, picture with me it's 1974, New York city, and I am in love with two buildings - two towers. Or as everyone in the world will calls them, the Twin Towers of the World Trade Center. They call to me. These towers, they stir something inside of me, and they inspire in me a dream. My dream is to hang a high-wire between those twin towers, and *walk* on it! Of course, uh, this is impossible, not to mention, illegal. So, why attempt the impossible? Why follow your dream? But, I cannot answer this question why, not with words. But I can show you how i happened. And so, we must go back in time, and across the ocean, because my love affair with these beautiful towers did not begin in New York. In case you couldn't tell, I'm not from here. No, my story begins in another one of the world's most beautiful cities, se Paris.
- Bandes originalesDouce Candy
Adaptation of "Sugar Sugar"
Written by Jeff Barry and Andy Kim
French lyrics by Ann Grégory
Performed by Claude François
Courtesy of Mercury Records France
Under license from Universal Music Enterprises
Meilleurs choix
- How long is The Walk?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- En la cuerda floja
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 35 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 10 137 502 $US
- Week-end de sortie aux États-Unis et au Canada
- 1 560 299 $US
- 4 oct. 2015
- Montant brut mondial
- 61 181 942 $US
- Durée2 heures 3 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1