Cunk on Life
- Émission spéciale
- 2024
- 1h 11min
Ajouter une intrigue dans votre languePhilomena Cunk delves into life's profound questions, examining subjects from the big bang to A.I., meeting academics and artists, all with her trademark misguided observations.Philomena Cunk delves into life's profound questions, examining subjects from the big bang to A.I., meeting academics and artists, all with her trademark misguided observations.Philomena Cunk delves into life's profound questions, examining subjects from the big bang to A.I., meeting academics and artists, all with her trademark misguided observations.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 2 Primetime Emmys
- 2 nominations au total
Douglas Hedley
- Self - Prof. of Philosophy of Religion, University of Cambridge
- (as Professor Douglas Hedley)
Alison Wright
- Self - Prof. of Italian Art, University College London
- (as Professor Alison Wright)
Celia Deane-Drummond
- Self - Senior Research Fellow, Theology, University of Oxford
- (as Dr. Celia Deane-Drummond)
Paul Nurse
- Self - Nobel Prize Laureate, Physiology or Medicine
- (as Sir Paul Nurse)
Jim Al-Khalili
- Self - Prof. of Quantum Physics, University of Surrey
- (as Professor Jim Al-Khalili CBE)
Joyce Harper
- Self - Prof. of Reproductive Science, University College London
- (as Professor Joyce Harper)
Prokar Dasgupta
- Self - Prof. of Surgery, Kings College London
- (as Professor Prokar Dasgupta OBE)
Anil Seth
- Self - Prof. of Neuroscience, University of Sussex
- (as Professor Anil Seth)
Joanna Woodall
- Self - Prof. Emerita, The Courtauld Institute of Art
- (as Professor Joanna Woodall)
Stephen Case
- Self - Prof. of Criminology, Loughborough University
- (as Professor Stephen Case)
Ruth Chang
- Self - Philosophy, University of Oxford
- (as Professor Ruth Chang)
Richard Thomson
- Self - Prof. of History of Art, University of Edinburgh
- (as Professor Richard Thomson)
Brian Cox
- Self - Prof. of Particle Physics, University of Manchester
- (as Professor Brian Cox CBE)
Avis à la une
I am in such conflict here. I love the concept of the Cunk series -the mockumentary style. But the jokes are mostly toilet and genital humour that a 14 year old boy would be proud of.
What made the earlier Cunk mockumentaries quite riveting is that the humour might have had a smattering of genital and toilet humour but it was generally clever. In this special, it seems that the writers decided that virtually every word needed to have a double entendre. It simply felt very childish, silly and a sad, weak attempt at humour. The second serious problem is the too much repetition of Cunk's poor social skills in mentioning vile information using her ex boyfriend and now, a new character, her Aunt. This technique worked well when spaced across episodes. It lost it's impact compacted into a one hour special. Sadly, the, dare we call them 'thoughtful' real scientific information that was present, albeit briefly in each episode of earlier Cunk, was lost in this quest for a laugh a minute.
Having said all of that, Morgan is so brilliant an actor that her expressiveness alone is enough to create amusement. Thanks to her, this special is lifted higher than the writing deserves.
What made the earlier Cunk mockumentaries quite riveting is that the humour might have had a smattering of genital and toilet humour but it was generally clever. In this special, it seems that the writers decided that virtually every word needed to have a double entendre. It simply felt very childish, silly and a sad, weak attempt at humour. The second serious problem is the too much repetition of Cunk's poor social skills in mentioning vile information using her ex boyfriend and now, a new character, her Aunt. This technique worked well when spaced across episodes. It lost it's impact compacted into a one hour special. Sadly, the, dare we call them 'thoughtful' real scientific information that was present, albeit briefly in each episode of earlier Cunk, was lost in this quest for a laugh a minute.
Having said all of that, Morgan is so brilliant an actor that her expressiveness alone is enough to create amusement. Thanks to her, this special is lifted higher than the writing deserves.
They must have lost the writers and producers that make Cunk on Earth a success. The jokes are all flat, and the timing that made all the jokes worth is nowhere to be found. Philomena seems like she's trying to force all the words out in rapid fire, not giving anything room to breathe. It's also turned from a fake documentary into a self aware comedy, which makes it a bit unbearable.
It gives off the vibe that someone wanted to pump out material after the recent success of Cunk on Earth, but didn't want to put in the prerequesite work to make it good again.
A pity, Diane deserves so much better. She's gone so far and has so much further to go.
It gives off the vibe that someone wanted to pump out material after the recent success of Cunk on Earth, but didn't want to put in the prerequesite work to make it good again.
A pity, Diane deserves so much better. She's gone so far and has so much further to go.
10TopBobUK
Just stepped up a gear from the other mockumentaries which I already loved.
Fair play to Charlie Brooker and the other writers - this was superb. I didn't stop laughing.
Every interview and comment was yet another gag, with absolutely no fluff or respite. Easily my favourite programme from Xmas 2024 - possibly the year.
Having chaptered elements through this extended version helped prevent this getting too stale.
You do wonder how much the interviewees are prepared for these. Do they know whats coming are are just told to keep a straight face - or are they told they need to dumb the answers down as if to a small child or Golden Retriever (Thanks Jeremy Irons for that line)
Fair play to Charlie Brooker and the other writers - this was superb. I didn't stop laughing.
Every interview and comment was yet another gag, with absolutely no fluff or respite. Easily my favourite programme from Xmas 2024 - possibly the year.
Having chaptered elements through this extended version helped prevent this getting too stale.
You do wonder how much the interviewees are prepared for these. Do they know whats coming are are just told to keep a straight face - or are they told they need to dumb the answers down as if to a small child or Golden Retriever (Thanks Jeremy Irons for that line)
I love Cunk. I've seen all of her shows to date and love them all. I was so excited for the new one and put it on without a moment's hesitation.
And then... Just underwhelmed all the way. Jokes felt flat and repetitive. The experts are repeats and are clearly in on the joke by now that their reactions just don't feel sincere.
I'm not sure what's gone wrong behind the scenes, but the formula that worked so well, and was borrowed heavily from the Borat/Ali G playbook, didn't work here. Maybe it's me, maybe my expectations were too high, or maybe the ideas tank is dry and they're treading the same ground without anything new or fun left to do. Probably a bit of both.
It's a shame. I hope they can find their spark again. Until then, I'll continue to enjoy what was.
And then... Just underwhelmed all the way. Jokes felt flat and repetitive. The experts are repeats and are clearly in on the joke by now that their reactions just don't feel sincere.
I'm not sure what's gone wrong behind the scenes, but the formula that worked so well, and was borrowed heavily from the Borat/Ali G playbook, didn't work here. Maybe it's me, maybe my expectations were too high, or maybe the ideas tank is dry and they're treading the same ground without anything new or fun left to do. Probably a bit of both.
It's a shame. I hope they can find their spark again. Until then, I'll continue to enjoy what was.
I'll start by saying that it is my style of humour but blow after blow leaves you limp and no longer interested.
It could have been a funny half hour show - that would be enough.
I enjoyed it at first, seemed witty and cheeky and funny but then it just starts to repeat and it's just painful.
This is my first Cunk to be fair so I didn't know what I was getting into.
I suspect that a lot of the 9-10 star reviews are by mega fans or maybe some involved in the production. But I get why some people would love it.
Like I said I did, it's funny, until it isn't Like Dad jokes, funny, 2nd one funny... but then pleases stop.
It could have been a funny half hour show - that would be enough.
I enjoyed it at first, seemed witty and cheeky and funny but then it just starts to repeat and it's just painful.
This is my first Cunk to be fair so I didn't know what I was getting into.
I suspect that a lot of the 9-10 star reviews are by mega fans or maybe some involved in the production. But I get why some people would love it.
Like I said I did, it's funny, until it isn't Like Dad jokes, funny, 2nd one funny... but then pleases stop.
Le saviez-vous
- AnecdotesPresented in a style parodying programs by historians such as popular Professor Suzannah Lipscomb & Professor Kate Williams.
- ConnexionsFeatures L'Âge de cristal (1976)
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- La vida según Filomena Cunk
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 11 minutes
- Couleur
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Lacune principale
By what name was Cunk on Life (2024) officially released in Canada in English?
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