Cunk on Life

I love Cunk. I've seen all of her shows to date and love them all. I was so excited for the new one and put it on without a moment's hesitation.

And then... Just underwhelmed all the way. Jokes felt flat and repetitive. The experts are repeats and are clearly in on the joke by now that their reactions just don't feel sincere.

I'm not sure what's gone wrong behind the scenes, but the formula that worked so well, and was borrowed heavily from the Borat/Ali G playbook, didn't work here. Maybe it's me, maybe my expectations were too high, or maybe the ideas tank is dry and they're treading the same ground without anything new or fun left to do. Probably a bit of both.

It's a shame. I hope they can find their spark again. Until then, I'll continue to enjoy what was.

I am in such conflict here. I love the concept of the Cunk series -the mockumentary style. But the jokes are mostly toilet and genital humour that a 14 year old boy would be proud of.

What made the earlier Cunk mockumentaries quite riveting is that the humour might have had a smattering of genital and toilet humour but it was generally clever. In this special, it seems that the writers decided that virtually every word needed to have a double entendre. It simply felt very childish, silly and a sad, weak attempt at humour. The second serious problem is the too much repetition of Cunk's poor social skills in mentioning vile information using her ex boyfriend and now, a new character, her Aunt. This technique worked well when spaced across episodes. It lost it's impact compacted into a one hour special. Sadly, the, dare we call them 'thoughtful' real scientific information that was present, albeit briefly in each episode of earlier Cunk, was lost in this quest for a laugh a minute.

Having said all of that, Morgan is so brilliant an actor that her expressiveness alone is enough to create amusement. Thanks to her, this special is lifted higher than the writing deserves.

Philomena Cunk (Diane Morgan) is discussing Life, the Universe and Everything with her many guests in a wide ranging conversation. The first twenty minutes is really Cunk on Religion. It can come off as Cunk making fun of religion. That part depends on the audience. The comedy is a bit scattered. The issue is that some of the experts are catching on to the premise and they're not all playing it correctly. On the other hand, Brian Cox is going full grouch and that is hilarious. Pump Up the Jam is fun in the Monty Python way. There is a chance that Cunk is getting diminishing returns. We'll see.

The latest entry in Charlie Brooker's Cunk On... universe, Cunk on Life is certainly not Diane Morgan's funniest outing as the fantastically oblivious documentarian Philomena Cunk, but she retains all the brainless charm we would want. As usual, she offers up her own understanding of the subjects in-between a series of interviews where we yet again must ask just how "in on it" the interviewees were.

This time around, she explores life itself and the many different explanations for how life exists, not to mention the greatest of all questions: why.

It doesn't take too long before she starts interviewing those who believe that the greatest riddle of all time isn't actually a riddle at all (and yet will project arrogance onto those who simply try to explain that NOBODY truly knows the answer and/or ask that people would PROVE these things before taking them as definitively factual), namely the religious. The first exchange with "spiritual author" and parapsychology scholar Rupert Sheldrake perfectly distills what I'm referring to: "Is there a God?" "Yes." "Oh, that was quick."

Later, Cunk tries to wrap her head around science, death, the philosophies that concern death, and the role that science seems to have assumed following the proverbial death of God, but more and more of the jokes end up rather lame. Cunk on Life is not as consistently or constantly hilarious as 2023's Cunk on Earth, and some of the less successful gags are in the form of skits, an element that Cunk on Earth did not use. It's also markedly more juvenile than before. The best parts are still the narrations and interviews, which make perfect use of the bewildering stupidity of this character.

When people say she's Borat-ing, they don't just mean the simple fact that she's doing a docu-comedy where a character interacts with real people who do not know that it is a character. Just as Borat speaks with people who are racist enough to believe that a caricature like Borat could be a real person (validating them to a point where they reveal even uglier things about themselves), Cunk often seems to come across scholars who are sufficiently full of themselves to believe that Cunk/Diane Morgan really is just that dumb (not discerning that they're the ones being taken for a ride).

Ok can we talk about how amazing the professor from the Munch scene (Richard Thomson from University of Edinburgh) is though, he managed to keep the conversation going and almost communicated with Cunk successfully while holding respectful boundaries. You can tell he has such passion about art that he's more shocked even a bit hurt than offended by her opinions. Enjoyed this special because I'm a fan of the series, a bit overdone otherwise with the trying to be trendy parts and self-reference but still pretty funny, right now I want more of this series but also don't want more of this series. Required characters limit finally met so I can post!