En plein milieu de l'hiver dans le Wyoming, un chasseur de primes et son prisonnier trouvent refuge dans un chalet habité par une bande de personnages néfastes.En plein milieu de l'hiver dans le Wyoming, un chasseur de primes et son prisonnier trouvent refuge dans un chalet habité par une bande de personnages néfastes.En plein milieu de l'hiver dans le Wyoming, un chasseur de primes et son prisonnier trouvent refuge dans un chalet habité par une bande de personnages néfastes.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 1 Oscar
- 46 victoires et 116 nominations au total
Demián Bichir
- Bob
- (as Demian Bichir)
Quentin Tarantino
- Narrator
- (voix)
- (non crédité)
Résumé
Reviewers say 'The Hateful Eight' is a complex film with standout performances, especially from Samuel L. Jackson, Kurt Russell, and Jennifer Jason Leigh. Praised for its cinematography, Morricone's score, and Tarantino's dark humor and violence, it explores themes of race, revenge, and post-Civil War America. However, some find it overly long, slow-paced, and heavy-handed with dialogue and violence. Its structure and mystery elements are unique, yet opinions on its impact vary, making it a significant yet divisive addition to Tarantino's work.
Avis à la une
There's a bounty hunter ploughing through the snow, wherever he moves Daisy Domergue moves too, but they need a place to stay, until the storm has gone away, Minnie's cabin's quite close by, so there they go. Before arriving they encounter men adrift, a Major and a Sheriff cadge a lift, but there is tension in the air, mistrust, suspicion and despair, chains are attached; and shackled round loose wrists. At the cabin there are others taking cover, four lone strangers it transpires don't know each other, but they settle for the night, although you know there'll be a fight, and more than one will be impaired, and truly suffer.
Plenty of hate spews forth as well as a number of other less palatable projectiles, but you'd be disappointed if they didn't from the master of magnificent movies.
Plenty of hate spews forth as well as a number of other less palatable projectiles, but you'd be disappointed if they didn't from the master of magnificent movies.
You Guys Need To Watch This Masterpiece.
There are too much dialogue and slow movie but after the first half you will enjoy the movie. Kurt And Jackson's Oscar Worthy Performance 🔥
Some kind of uniqueness in every dialogue such a brilliant piece of work.
Thanks Quentin. Looking Forward For Your Next Movie.
There are too much dialogue and slow movie but after the first half you will enjoy the movie. Kurt And Jackson's Oscar Worthy Performance 🔥
Some kind of uniqueness in every dialogue such a brilliant piece of work.
Thanks Quentin. Looking Forward For Your Next Movie.
I never saw this film back when it was released in 2015. But, I did manage to buy a copy of Blu-Ray. Now, when I first saw it, I thought this movie was flawless/perfect. I now know that no movie despite what anyone may say, is perfect. But I am firm believer that this is in fact Quinton Tarantino's most underrated and under-appreciated film. Everyone I've talked to, says the Hateful Eight isn't Tarantino's most re-watchable film. I disagree. With a phenomenal cast that really gets into their characters. Each one stands out and not one is forgetful. Samuel L. Jackson and Kurt Russell are the stars of this film and it shows. Their performances (in my opinion) were Oscar worthy. Don't even get me started on the story. This is basically a Who-Done-It play turned into a film. The complexity of this story should make the audience feel confused and turn their heads going, "what the hell is happening?". But it does the exact opposite. Everything flows perfectly. The pacing of this film, while it is almost 3 hours, it doesn't feel like it. The cinematography is great. The score brings tension and makes the audience uneasy. But I think my favorite thing of this film, is the scenery. Having these 8 characters who all hate each other, trapped by a blizzard. Really builds up the tension of the catastrophe that is coming. The only thing that is working against this film is the lengthy setup shots at the beginning of the movie. The first five minutes of the film is plagued by it and those tend to drag on. Beyond that, everything about this film is great.
I saw Quentin Tarantino's 8th film on opening night in 70 mm, intermission and all. It was pretty big and fantastic, if not a little bit exhausting. Thankfully, the intermission allowed for a bathroom break.
I just watched it again, now 4 years later, as the extended edition on Netflix, broken into four episodes, and in UHD 4K.
The snowy vistas in high def digital are as epic and beautiful as you'll see in any film. The majority of the story happens indoors, though, in Mimi's Haberdashery, which provides a more intimate feel, as if you are alone with these characters with the blizzard outside, and the noisy footsteps on the wooden floors inside (You need two boards!)
The featured racism of Tarantino's films, and liberal use of the "N" word, doesn't age well with time. It jars. It seems less funny, and even a little sad. But it is what it is, and will stand the test of time in its quality, and what it tried to say as an adjunct to entertainment. What cannot be denied are the performances that Tarantino brings out of his eclectic mix of characters. Walter Goggins still is a standout performance, and thankfully, a redemptive one.
I look forward to seeing Once Upon a Time in Hollywood, knowing that QT will once again bring together time, music, set pieces, gore, dark humor, pulpy dialogue, and more - and would also like to see how his take on the more regrettable aspects of our culture has (or hasn't) evolved over the last few years.
I just watched it again, now 4 years later, as the extended edition on Netflix, broken into four episodes, and in UHD 4K.
The snowy vistas in high def digital are as epic and beautiful as you'll see in any film. The majority of the story happens indoors, though, in Mimi's Haberdashery, which provides a more intimate feel, as if you are alone with these characters with the blizzard outside, and the noisy footsteps on the wooden floors inside (You need two boards!)
The featured racism of Tarantino's films, and liberal use of the "N" word, doesn't age well with time. It jars. It seems less funny, and even a little sad. But it is what it is, and will stand the test of time in its quality, and what it tried to say as an adjunct to entertainment. What cannot be denied are the performances that Tarantino brings out of his eclectic mix of characters. Walter Goggins still is a standout performance, and thankfully, a redemptive one.
I look forward to seeing Once Upon a Time in Hollywood, knowing that QT will once again bring together time, music, set pieces, gore, dark humor, pulpy dialogue, and more - and would also like to see how his take on the more regrettable aspects of our culture has (or hasn't) evolved over the last few years.
The film is too well crafted to get the really low scores, the cinematography is too good, the acting too high caliber, the direction too solid, the score too nice, and the flick too engaging for such ratings.
This also applies to the other end. The "twists" are unimportant and add no spice, the pacing just slogs along, the joy too nonexistent, the characters evoke too little emotion either way, the story too light on satisfaction, the story telling too inconsistent, the length too needless,the magic (other than on the technical side) too absent, and the rewatchability too minimal for me to see greatness but maybe a second viewing will change my perspective but it will definitely be on video for me, only the lure of a hot date fixated on going could get me into the theater again other than maybe just for the experience a 70mm screening.
I'm a pretty avid Tarrentino fan but I didn't overly enjoy this effort. I more appreciate it and can't say I wasn't engaged but I also can't say that I'm eager to see it again and worse for the first time I have little inclination to do so with a flick by Q.
A generous 7/10 (rounding up from 6.5) for me but I could see ceiling of 8 and a basement of 4 at the lowest.
This also applies to the other end. The "twists" are unimportant and add no spice, the pacing just slogs along, the joy too nonexistent, the characters evoke too little emotion either way, the story too light on satisfaction, the story telling too inconsistent, the length too needless,the magic (other than on the technical side) too absent, and the rewatchability too minimal for me to see greatness but maybe a second viewing will change my perspective but it will definitely be on video for me, only the lure of a hot date fixated on going could get me into the theater again other than maybe just for the experience a 70mm screening.
I'm a pretty avid Tarrentino fan but I didn't overly enjoy this effort. I more appreciate it and can't say I wasn't engaged but I also can't say that I'm eager to see it again and worse for the first time I have little inclination to do so with a flick by Q.
A generous 7/10 (rounding up from 6.5) for me but I could see ceiling of 8 and a basement of 4 at the lowest.
Samuel L. Jackson Through the Years
Samuel L. Jackson Through the Years
Take a look back at Samuel L. Jackson's movie career in photos.
Le saviez-vous
- AnecdotesAfter the script leaked online, writer and director Quentin Tarantino did not want to make this movie. However, after they did a brief reading of the script in Los Angeles, the cast was stunned and got excited for the film, and with Samuel L. Jackson persuading him to do this movie, Tarantino accepted.
- GaffesAnytime we see the stagecoach in transit, the road surface has been cleared while the surrounding area is covered in deep snow. As there were no snow plows, and as the snow was falling rapidly accompanied by howling wind, there is no way the road could have been clear of snow drifts. In reality, the six horses would have labored to pull the coach through the snowstorm and the road should have been very difficult to traverse. Instead, it's clear that the road had been cleared of snow by the crew using a snowplow.
- Citations
Oswaldo Mobray: The man who pulls the lever that breaks your neck will be a dispassionate man. And that dispassion is the very essence of justice. For justice delivered without dispassion is always in danger of not being justice.
- Crédits fousThe credit includes "Checkpoint Charlie," the person whose job is to prevent anyone from entering the set with a cellphone.
- Versions alternativesFrom the week of December 25th to 31st 2015, the film was shown exclusively in a 'Roadshow' version at 100 locations across North America (about half of them were 70mm film projection, the other half digital). This version played without previews and ran 187 minutes, including a 4-minute Overture and a 12-minute Intermission. The 'Multiplex' version (digital only) runs 167 minutes, and was shown from January 1, 2016 onwards. In addition to not having the Overture and Intermission, it removes approximately six minutes of footage that Quentin Tarantino felt played better in the 70mm format.
- ConnexionsFeatured in Celebrated: Kurt Russell (2015)
- Bandes originalesRegan's Theme (Floating Sound)
Written by Ennio Morricone
(from the motion picture "L'Exorciste II : L'Hérétique (1977)")
Courtesy of Warner Bros. Entertainment Inc.
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Les Huit salopards
- Lieux de tournage
- Schmid Ranch, Telluride, Colorado, États-Unis(exterior scenes)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 44 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 54 117 416 $US
- Week-end de sortie aux États-Unis et au Canada
- 4 610 676 $US
- 27 déc. 2015
- Montant brut mondial
- 161 217 616 $US
- Durée
- 2h 48min(168 min)
- Couleur
- Mixage
- Rapport de forme
- 2.76 : 1
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