NOTE IMDb
5,9/10
8,8 k
MA NOTE
Ajouter une intrigue dans votre langueHelena has lived on a spaceship since birth 20 years ago. She meets her first human besides her dead parents, when Álex repairs the oxygen supply. Things are not what they seem.Helena has lived on a spaceship since birth 20 years ago. She meets her first human besides her dead parents, when Álex repairs the oxygen supply. Things are not what they seem.Helena has lived on a spaceship since birth 20 years ago. She meets her first human besides her dead parents, when Álex repairs the oxygen supply. Things are not what they seem.
- Récompenses
- 1 victoire et 2 nominations au total
Silvia Santamaría
- Marta
- (as Silvia Varón)
Avis à la une
The beautiful Clara Lago is on her way from a ruined Earth to Celeste, and awakes in her space- pod to find someone docking - the first living person she'll meet apart from her deceased parents. But the handsome engineer who visits to fix her oxygen is offhand, even though he kisses her... You can see the first of the twists coming (it's in the trailer) but some of the others are nicely handled. This low-key futuristic Spanish-made adventure has some good ideas, a pleasing score and cool visuals, but the director could have made more of the story's tragic implications.
a nice film with a Sci.Fi. pretext, using clichés, a story with too many holes, sketches of acting and a generous theme who has no force to survive to the end. the premise is generous and the the first scenes - a good point. but, maybe, the real problem remains the absence of a clear perspective about the script. because, at the end, it is a kind of salad. moral dilemma, selfishness, a drawing of pink love story, an end who seems be generous improvisation for a project without clear sense. short, a strange film. or only expression of good intentions. because , except the desire to use too many subjects, it gives nothing else. except an easy love story, confuse, unrealistic and too modest to be interesting.
This movie takes it's time to tell the story. If you don't have patience you will get nothing out of it. I totally liked this flick because it drew me in. I don't mind a slow moving story if it can keep my interest. This movie has it's flaws, but overall it told a good story with a different perspective. Some people will be put off by subtitles, but that's not a problem for me. I would recommend this for someone who wants something different.
'ORBITER 9': Four Stars (Out of Five)
A Spanish science fiction romance about a young woman who's spent her whole life in a space pod, and learns that the reality she's always known is a lie. The film was directed and written by Hatem Khraiche (in his feature film directorial debut). It stars Clara Lago, Álex González, Andrés Parra and Belén Rueda. I found it to be interesting and effectively involving as well.
Helena (Lago) is a young woman who's spent her entire life (since birth) on a space pod sent from Earth to a distant planet. Once there she's told she'll meet other people and have a normal life. Her only communication has been with the ship's onboard computer. That is until a repairman, named Alex (González), arrives on the pod to make needed repairs to it. Helena immediately falls in love with him, having been the only person she's ever met, and Alex feels strong emotions for her as well. That's why he's compelled to tell her the truth, which will expose to Helena that nothing she's believed about her entire reality is true.
The movie proposes great questions about what the greater good is, morally, and how much is an acceptable cost to achieve it. Although the story feels a little reminiscent of other classic sci-fi tales, it still seems mostly fresh and original. The actors all give decent performances in it, and the visuals are beautifully shot as well. The film succeeds at pretty much everything it sets out to do. Still I didn't love it, but I have no real complaints about it either.
A Spanish science fiction romance about a young woman who's spent her whole life in a space pod, and learns that the reality she's always known is a lie. The film was directed and written by Hatem Khraiche (in his feature film directorial debut). It stars Clara Lago, Álex González, Andrés Parra and Belén Rueda. I found it to be interesting and effectively involving as well.
Helena (Lago) is a young woman who's spent her entire life (since birth) on a space pod sent from Earth to a distant planet. Once there she's told she'll meet other people and have a normal life. Her only communication has been with the ship's onboard computer. That is until a repairman, named Alex (González), arrives on the pod to make needed repairs to it. Helena immediately falls in love with him, having been the only person she's ever met, and Alex feels strong emotions for her as well. That's why he's compelled to tell her the truth, which will expose to Helena that nothing she's believed about her entire reality is true.
The movie proposes great questions about what the greater good is, morally, and how much is an acceptable cost to achieve it. Although the story feels a little reminiscent of other classic sci-fi tales, it still seems mostly fresh and original. The actors all give decent performances in it, and the visuals are beautifully shot as well. The film succeeds at pretty much everything it sets out to do. Still I didn't love it, but I have no real complaints about it either.
Great concept, but it wasn't explored as fully as it could have been. The twist was revealed too soon, given how predictable the ending was. I personally would have liked to see more focus on the moral/ethical consequences/repercussions, then it could have really found its niche.
Le saviez-vous
- AnecdotesWhen Helena is learning to use chopsticks with Alex, the outdoor cafe they are at is an homage to the scene in Blade Runner, when Deckard(Ford) is having noodles. Raining, outside cafe, night, a lot of functional neon as lighting. The director even threw in a clear umbrella, reminiscent of those used in Blade Runner.
- GaffesAt Sylvia's workplace and then again when Alex is walking down the highway, there are brief reflections of otherwise unseen lights, implying they are camera/stage lights the filmmaker picked up.
- ConnexionsReferenced in Dani & Flo: Épisode #1.27 (2017)
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Détails
Box-office
- Budget
- 4 000 000 € (estimé)
- Montant brut mondial
- 297 682 $US
- Durée
- 1h 35min(95 min)
- Couleur
- Rapport de forme
- 2.35 : 1
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