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Night Will Fall

  • 2014
  • Not Rated
  • 1h 15min
NOTE IMDb
8,0/10
3,6 k
MA NOTE
Night Will Fall (2014)
Researchers discover film footage from World War II that turns out to be a lost documentary shot by Alfred Hitchcock and Sidney Bernstein in 1945 about German concentration camps.
Lire trailer1:52
1 Video
48 photos
GuerreL'histoireDocumentaireDocumentaire militaire

Ajouter une intrigue dans votre langueResearchers discover film footage from World War II that turns out to be a lost documentary shot by Alfred Hitchcock and Sidney Bernstein in 1945 about German concentration camps.Researchers discover film footage from World War II that turns out to be a lost documentary shot by Alfred Hitchcock and Sidney Bernstein in 1945 about German concentration camps.Researchers discover film footage from World War II that turns out to be a lost documentary shot by Alfred Hitchcock and Sidney Bernstein in 1945 about German concentration camps.

  • Réalisation
    • André Singer
  • Scénario
    • Lynette Singer
  • Casting principal
    • Helena Bonham Carter
    • Jasper Britton
    • Leonard Berney
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    8,0/10
    3,6 k
    MA NOTE
    • Réalisation
      • André Singer
    • Scénario
      • Lynette Singer
    • Casting principal
      • Helena Bonham Carter
      • Jasper Britton
      • Leonard Berney
    • 20avis d'utilisateurs
    • 21avis des critiques
    • 85Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 8 victoires et 14 nominations au total

    Vidéos1

    Trailer
    Trailer 1:52
    Trailer

    Photos48

    Voir l'affiche
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    + 42
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    Rôles principaux31

    Modifier
    Helena Bonham Carter
    Helena Bonham Carter
    • Narrator
    • (voix)
    Jasper Britton
    • Narrator for German Concentration Camps Factual Survey
    • (voix)
    Leonard Berney
    • Self - Royal Artillery
    • (as Maj. Leonard Berney)
    George Leonard
    • Self - Oxfordshire Yeomanry
    Josef Kramer
    Josef Kramer
    • Self - Commandant, Bergen-Belsen Concentration Camp
    • (images d'archives)
    Anita Lasker-Wallfisch
    • Self - Bergen-Belsen Survivor
    Mike Lewis
    • Self - Army Cameraman, 1981
    • (images d'archives)
    • (as Sgt. Mike Lewis)
    Bill Lawrie
    • Self - British Army Photographer
    • (archives sonores)
    • (as William Lawrie)
    Richard Dimbleby
    Richard Dimbleby
    • Self
    • (archives sonores)
    David Dimbleby
    David Dimbleby
    • Self - Broadcaster
    Raye Farr
    • Self - United States Holocaust Museum, 1995-2013
    Toby Haggith
    • Self - Imperial War Museums
    • (as Dr. Toby Haggith)
    James William Illingworth
    • Self - British Army Gunner
    • (images d'archives)
    Alexander Vorontsov
    • Self - Soviet Cameraman, 1986
    • (images d'archives)
    • (as Alexander Voronstov)
    Matvey Gershman
    • Self - Soviet 8th Guards Army
    Eva Mozes Kor
    Eva Mozes Kor
    • Self - Auschwitz Survivor
    Vera Kriegel
    • Self - Auschwitz Survivor
    Tomy Shacham
    • Self - Auschwitz Survivor
    • Réalisation
      • André Singer
    • Scénario
      • Lynette Singer
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs20

    8,03.6K
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    Avis à la une

    dougdoepke

    Searing

    The imagery is searing. Yes, the finished documentary is loosely assembled, as others point out. But then it's the graphic horrors that count. At 75, I've seen the hellish horrors in other documentaries. Nonetheless, the tale must be told every generation, and what could be more persuasive than such footage. I'm glad the filming comes from a number of death camps, showing the systematic nature of the extermination, and what, I think, most any of us are capable of given certain conditions.

    I am sorry that footage showing the gas chambers was apparently not yet available. That would further demonstrate the murderous Nazi intent. I've heard apologists claim that the mounds of emaciated dead resulted from a wartime lack of food, not the result of intentional starvation. Still, those German civilians parading through the camps do look well fed. Too bad that more isn't detailed about how the documentary got caught up in the politics of the day. As a result the film ended up filed away for decades. That appears an interesting story deserving of more explanation. Also, the interviews with survivors bring a bygone time to life, and are often as wrenching as the past is. For them, the reality of the camps is still a vivid presence.

    No, the 75-minutes are not entertaining, as others point out. Nonetheless, the visible record of "human junk piles" presents an opportunity for our deepest reflection.
    10ppasake1

    Should be required viewing in schools

    I am the daughter and granddaughter of German Jews who got out just before Kristalnacht. I am also the relative of many many who were not as fortunate. My great-aunts and great-uncles along with unborn generations perished. Little to nothing is known about their fates; where or how they died and where they were interred.

    In high school, I saw a French documentary that showed me, for the first time, images I had never even imagined. Horror I could not believe. I remember my classmates getting up at the end of the film and walking out of the room seemingly unfazed. I couldn't move.

    Night Will Fall should be seen in every classroom on earth at least once. You cannot be too young or too old to understand the immense nature of mass insanity and those who stand idly by.

    I will never forget and, in fact, am galvanized in my belief that we are too quick to assume evil will not touch us.

    An absolute must see film. You will want to discuss this in depth with children before you let them watch and after.

    NEVER AGAIN.
    8richard6

    Unique, if graphic documentary

    Night Will Fall is a potent documentary produced by the British Imperial War Museum covering the consequences of Nazi brutality towards Jews, Slavs and man, women or child considered inferior. As the Allied forces of Great Britain, United States and Canada advanced on the Western and Southern area of Germany, evidence of actual rumored, reported, alleged, speculated and widely believed accounts of state sponsored systematic murdered became distressingly real to the liberating soldiers.

    The documentary (originally titled: German Concentration Camps factual Survey) contains recently restored actual footage of Nazi atrocities filmed in 1945 by Army camera crews on instructions by the British Psychological War Division. A plentiful amount of footage was gathered throughout the duration of the liberation of Bergen-Belsen, Buchenwald, Dachau and Auschwitz Concentration Camps. Originally, the footage was intended for a 1945 release to highlight the horrors hidden from public view, ignored by others, advocated by some the shocking truth discovered, which later became termed; The Holocaust.

    Likewise the film makers intended not only to reveal the truth; yet, to edit, clarify and comment on what the world can learn from the reality of in-humanity still unimpaired and unforgettable to many. This restored footage is then inter-cut between interviews and melancholy testaments from British, American and Soviet soldiers, or camp survivor who witnessed the act of atrocities or its aftermath. Evoking as these testaments and interviews are, the uneasy commentary by The BBC War Correspondent Richard Dimbley who witnessed the Liberation of Bergen-Belsen is made even-more dismaying by the revelation that British Intelligence, skeptical of his statement, refrained the BBC from transmitting his broadcast to the public for a week after the April 1945 liberation in order to factually confirm the unbelievable horrors uncovered. Dismaying are also the incitable testaments from a Soviet perceptive of what was similarly, yet more eerie witnessed during the Red Armies liberation of the camps in Poland. Decorously, the documentary-makers have rightfully included a few captivating scenes of the Soviet liberation of Auschwitz. Granted, the images captured by Soviet film-crews are truly worthy of admiration. Unfortunately, because these scenes, combined with the commentary of Soviet War Correspondents, are so captivating, more should have been contained. Engaging, is also the explanation of film-makers and Producers Alfred Hitchcock and Sidney Bernstein and their involvement in the documentary.

    Night Will Fall is a well presented, somber in commentary, extremely graphic in detail and at times may-be distressing to the viewer. Not only is the visual evidence of The Holocaust painfully revealing; yet, what is also represented is the advanced practices of reporting and commentary of War Correspondences combined with use of newly formed Army Camera Crews. Both methods intended for public exhibition; the original footage captured and the correspondence were innovating in 1945 for allowing the general public, authorised by the Government, with relatively minimal censoring, to bear witness in full overwhelming scenes of war crimes. Therefore, Night Will fall is clear in its focus, effective in its message and one of the best produced documentaries on The Holocaust.
    9boatista24

    The revolting truth about the Nazis

    This film describes in detail what we already knew about the Nazis. The details of their horrible atrocities need not be gone to in detail here, except as to the contents of the film, itself. Few people realize the immediate effects of the initial sight of the camps on American Generals. Patton toured one camp and emerged so outraged that several adjutants said that they had never seen him so angry. Eisenhower toured a camp and remarked that many US soldiers didn't know what they were fighting for, but now, he could show them what they were fighting against. The large responses to the holocaust were, "oh, it'll never happen again, now!" Look at Uganda 1994, and Serbia 1995. This will never stop unless somebody intercedes. It is the opening of the gateway to hell, with evil piloting the way. If this is not stopped in its tracks, the armies of darkness will march across the earth. It could happen to any one of us, if we don't meet the measures of a tyrannical police state.
    franscott-07097

    A suggestion to prevent night from falling again

    This has made me think of something that never occurred to me watching other documentaries of the holocaust. These tragic victims were disposed of without ceremony or dignity; each was an individual and when we think of the unthinkable events of this time the numbers of victims are too enormous to encompass, I mourn them all and yet as one person I cannot do enough to honour to six million. Could there be some way that we could have a worldwide movement to have individuals adopt one victim - if possible to know their birthday and date of death, to undertake to honour that one person in whatever way they might honour a friend or relative who had died. As one reviewer said this is about Jewish people but also intellectuals, homosexuals, gypsies - if six million people across the world were all honouring and remembering one of the victims, as time passes might we not do more to prevent night from falling again.

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    Histoire

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    Le saviez-vous

    Modifier
    • Anecdotes
      Oliver Keers' documentary research debut.
    • Citations

      Narrator for German Concentration Camps Factual Survey: Unless the world learns the lesson these pictures teach, night will fall... but by God's grace, we who live will learn.

    • Connexions
      Features Die Todesmühlen (1945)

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    FAQ

    • How long is Night Will Fall?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 19 septembre 2014 (Royaume-Uni)
    • Pays d’origine
      • Royaume-Uni
    • Langues
      • Anglais
      • Allemand
      • Russe
      • Hébreu
    • Aussi connu sous le nom de
      • Images de la libération des camps
    • Lieux de tournage
      • Berlin, Allemagne(Archive footage)
    • Sociétés de production
      • Angel TV
      • Final Cut for Real
      • RatPac Entertainment
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 15 minutes
    • Couleur
      • Color
    • Rapport de forme
      • 1.78 : 1

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