Ajouter une intrigue dans votre langueResearchers discover film footage from World War II that turns out to be a lost documentary shot by Alfred Hitchcock and Sidney Bernstein in 1945 about German concentration camps.Researchers discover film footage from World War II that turns out to be a lost documentary shot by Alfred Hitchcock and Sidney Bernstein in 1945 about German concentration camps.Researchers discover film footage from World War II that turns out to be a lost documentary shot by Alfred Hitchcock and Sidney Bernstein in 1945 about German concentration camps.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 8 victoires et 14 nominations au total
- Self - Royal Artillery
- (as Maj. Leonard Berney)
- Self - Commandant, Bergen-Belsen Concentration Camp
- (images d'archives)
- Self - Army Cameraman, 1981
- (images d'archives)
- (as Sgt. Mike Lewis)
- Self - British Army Photographer
- (archives sonores)
- (as William Lawrie)
- Self
- (archives sonores)
- Self - Imperial War Museums
- (as Dr. Toby Haggith)
- Self - British Army Gunner
- (images d'archives)
- Self - Soviet Cameraman, 1986
- (images d'archives)
- (as Alexander Voronstov)
Avis à la une
In high school, I saw a French documentary that showed me, for the first time, images I had never even imagined. Horror I could not believe. I remember my classmates getting up at the end of the film and walking out of the room seemingly unfazed. I couldn't move.
Night Will Fall should be seen in every classroom on earth at least once. You cannot be too young or too old to understand the immense nature of mass insanity and those who stand idly by.
I will never forget and, in fact, am galvanized in my belief that we are too quick to assume evil will not touch us.
An absolute must see film. You will want to discuss this in depth with children before you let them watch and after.
NEVER AGAIN.
The dichotomy of war is depicted here. In Bergen-Belsen we see life struggling to be what life is and just feet away from piles of death as the corps were strewn. How can these two depictions of life occur so physically close? Only in the worst of war can such atrocities be present, if diversely repugnant. See this film and only trust your moral center as everything must be judged by inherent good.
The old adage that we are doomed to repeat history unless we learn from it comes to heart. Right now we have ISIS, a modern day Nazi style faction. Can we sit idly by and let evil fester. This film makes it clear that the cost will only exponentially multiply if good men sit by and do nothing. See this, weep for those lost at the hands of evil in the past, and renew your resolve that we must stand for good at this later day time where evil once more rears a powerful head.
What this film does is set the discovery of the camps and the aftermath into context both large--the governments involved, and small--the military camera crews and even some camp survivors who are seen both now and in the vintage footage. A real feat to find these people so many years later.
Sure you may think you've seen this all before, both in fiction films and in various documentary ones. But this still packs a punch, perhaps even more so since you will think you already know all there is to know. I've spent a lot of my life studying WW2 and I was still blown away by this film. I'm also a Hitchcock fan, and his name is being used to "sell" this film and the restoration and completion of the original documentary.
A point made in this excellent film is that the intention was to make a documentary that was a warning that unless what happened in Germany is seen and understood that 'night will fall' again and these type of large scale inhumanity will re-occur. Of course you can argue that does in fact happen.
This film shows footage not used in the original documentary and is as much about those who made the film as it is about everything else. Interestingly it talks about Hitchcock's input to help make the film convincing. The horrors of reality being so unreal that they might seem created for effect. You can also see in some of the dead faces some dead faces that will appear in Hitchcock's own fiction films after this one.
This film also contrasts the film which was suppressed with the film that did get finished and released--that version being supervised by Billy Wilder. The makers of this film obviously preferring Hitchcock's version.
And fans of both great directors will see their hand in how they shaped material shot by others. The camp footage was shot by army camera men without a director being there.
The graphic concentration camp footage is very graphic but focuses on the horrible expressions on the faces of the dead that is what makes it overwhelming and gripping.
Very little music is used, the voice over work is first rate as is haunting sound effects work. Part of what Night Will Fall does, by being a behind the scenes making of film is help to show just how real and unstaged these horrors of war were. It is hard to watch this film and come away thinking somehow all this was made up just for the sake of the Jews. In fact its impossible to believe that after you see this film.
Once more let me say this is not the so called Hitchcock film, though portions of that are shown within this film. That you have to seek out elsewhere and see for what it is, it has different things to show and say. This is almost an extended preview and background that helps viewing that film.
And yet after a while I felt it was all beginning to be a little too much and I thought the film was probably going around in a circle and did not really have a lot more to say other than just showing detail over detail of the horror. Not that there is anything to say about the carnage that took place in those places, but somehow I felt this was probably a 40/50 minutes or so film stretched to 1 hour and 15 minutes. Yes the footage found is an incredible discovery and a terrifying testimony of a past that shouldn't be forgotten, but other than that, the film has very very little else to say. I also felt some of the use of the interviewees was a bit heavy-handed: cut to people staring into the void, or the use of pointless bit of dialogue just for the sake of seeing this people breaking down into tears half way through the phrase... There wasn't really any need for that. The original footage was heartbreaking enough without having to resort to people crying to make us the audience feel sad about it... or to dark ominous music. But that's just a question of taste. It's hard to review a documentary like this. Give it a small rating and you can be accused of being insensitive. But that's when you should really make a distinction between the subject matter and the material being shown and the actual craft of the documentary. The later is rather plodding, uneven, and as I said before a bit heavy-handed, but since the subject matter is so powerful, on balance 7 out 10 is perfectly justifiable.
Le saviez-vous
- AnecdotesOliver Keers' documentary research debut.
- Citations
Narrator for German Concentration Camps Factual Survey: Unless the world learns the lesson these pictures teach, night will fall... but by God's grace, we who live will learn.
- ConnexionsFeatures Die Todesmühlen (1945)
Meilleurs choix
- How long is Night Will Fall?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Images de la libération des camps
- Lieux de tournage
- Berlin, Allemagne(Archive footage)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 15 minutes
- Couleur
- Rapport de forme
- 1.78 : 1