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6,4/10
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Ajouter une intrigue dans votre langueAn animated anthology of five tales adapted from Edgar Allan Poe's stories.An animated anthology of five tales adapted from Edgar Allan Poe's stories.An animated anthology of five tales adapted from Edgar Allan Poe's stories.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 5 nominations au total
Christopher Lee
- Narrator (segment "The Fall of the House of Usher")
- (voix)
- (as Sir Christopher Lee)
Bela Lugosi
- Narrator (segment "The Tell-Tale Heart")
- (images d'archives)
- (voix)
Stephen Hughes
- Crow
- (voix)
- …
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Before I begin my review, I just have to make a statement. You wouldn't ask a vegetarian to review a steak house, or a film maker to tell you how to fix your car. So, when you see reviews from philistines complaining about the 'quality of the audio recording of Bela Lugosi', or complaining about the animation style, just picture the reviewer as a fully snow-suited Eskimo in a sauna, and ignore their complaints. Moving on...
I saw this when it was first released to streaming services, and wrote down my thoughts in an Edgar Allan Poe Facebook group. Now that it's on Netflix, I've revisited, and re-experienced a lot of the same feelings. Here are my thoughts:
1) There is a great atmosphere of dread, or "October, the season of death" as Ray Bradbury may call it, over the entire anthology. I love this. Very "sparse" feeling, if that makes sense.
2) I really like the original wraparound story. In fact, once the two main characters were positively identified, I found that the wraparound was probably the most creepy and thoughtful of all presentations in the film. However, I don't believe that the voice actor was well chosen to portray the character that he was supposed to be. They needed a more fitting voice for the foreboding style, instead of one that sounds like a generic television family dad. Also, the character's dialogue should've been more poetic. It was too plain for the character portrayed.
3) The Tell-Tale Heart segment is simply awesome. They take Bela Lugosi's original audio recording of his reading of the story (from the 1930s, I believe), complete with scratches and audio artifacts, layered over a modern musical score, and very noir-ish / Frank Miller-ish animation. It would've harmed the piece if they removed the scratches and audio artifacts from Lugosi's reading. I'm glad they didn't.
4) All stories in the film had narration and/or voice-overs, except for the final story, The Masque Of The Red Death. The only voice in the entire piece is Prince Prospero (Roger Corman) when he spots The Red Death. I believe it was a huge mistake to not narrate the story. It would've been much better to hear Poe's words while seeing the visual. Without the narration, it's almost more of a background piece than an actual story. Although the visual is still beautiful.
5) The fade-to-black, fade-to-zero decibel bumpers/dividers between stories and wraparound pieces created too much of a division between sections. They should've run together better. It was almost as if it was 5 separate episodes, instead of a continuous anthology, as was intended.
I would definitely recommend it for any fan of Poe. Or even as an introduction to Poe for anybody who hasn't yet become a fan of his.
I saw this when it was first released to streaming services, and wrote down my thoughts in an Edgar Allan Poe Facebook group. Now that it's on Netflix, I've revisited, and re-experienced a lot of the same feelings. Here are my thoughts:
1) There is a great atmosphere of dread, or "October, the season of death" as Ray Bradbury may call it, over the entire anthology. I love this. Very "sparse" feeling, if that makes sense.
2) I really like the original wraparound story. In fact, once the two main characters were positively identified, I found that the wraparound was probably the most creepy and thoughtful of all presentations in the film. However, I don't believe that the voice actor was well chosen to portray the character that he was supposed to be. They needed a more fitting voice for the foreboding style, instead of one that sounds like a generic television family dad. Also, the character's dialogue should've been more poetic. It was too plain for the character portrayed.
3) The Tell-Tale Heart segment is simply awesome. They take Bela Lugosi's original audio recording of his reading of the story (from the 1930s, I believe), complete with scratches and audio artifacts, layered over a modern musical score, and very noir-ish / Frank Miller-ish animation. It would've harmed the piece if they removed the scratches and audio artifacts from Lugosi's reading. I'm glad they didn't.
4) All stories in the film had narration and/or voice-overs, except for the final story, The Masque Of The Red Death. The only voice in the entire piece is Prince Prospero (Roger Corman) when he spots The Red Death. I believe it was a huge mistake to not narrate the story. It would've been much better to hear Poe's words while seeing the visual. Without the narration, it's almost more of a background piece than an actual story. Although the visual is still beautiful.
5) The fade-to-black, fade-to-zero decibel bumpers/dividers between stories and wraparound pieces created too much of a division between sections. They should've run together better. It was almost as if it was 5 separate episodes, instead of a continuous anthology, as was intended.
I would definitely recommend it for any fan of Poe. Or even as an introduction to Poe for anybody who hasn't yet become a fan of his.
In the time of excessive CGI, it's nice to see that there's still a place with distinct comic book, video game and ever classic painting style. This anthology is a delightfully eerie visual parade of short stories, each account spans for approximately ten minutes. While this eccentric niche unfortunately might not appeal to everyone, it's a great homage to the poet and frighteningly quirky enough for fans to thoroughly appreciate.
The tales are treated as separate stories, with different production value and narrator. For those who like graphic style of Corpse Bride, Coraline or even Sin City, they might find fascinating surprise here. There's even a nod to comic book signature, as well as my favorite "The Masque of the Red Death" which seem like a living portrait from centuries before.
They have one underlining theme of dread, with scare and gore one would expect from horror nowadays, although nothing too intrusive that it would repulse audience. Most have narrators and voice acting, these instances have such surreal feel about it. Many, especially gamers and animation enthusiasts would recognize the voice of Christopher Lee. However, the silence can just be equally effective to deliver the short burst of fright.
Its main obstacle is, ironically, its own unworldly styles. They can be so strange that one or a couple of them might alienate the audience. Among even fans of comic book or horror, not every tale would resonate on the same level. Still, they are relatively short, so one would most likely find something to adore here.
This collection is a myriad of uncanny tales affectionately crafted with unique visual. They are unmistakably bleak yet charming and designed to charm viewer with sheer oddity.
The tales are treated as separate stories, with different production value and narrator. For those who like graphic style of Corpse Bride, Coraline or even Sin City, they might find fascinating surprise here. There's even a nod to comic book signature, as well as my favorite "The Masque of the Red Death" which seem like a living portrait from centuries before.
They have one underlining theme of dread, with scare and gore one would expect from horror nowadays, although nothing too intrusive that it would repulse audience. Most have narrators and voice acting, these instances have such surreal feel about it. Many, especially gamers and animation enthusiasts would recognize the voice of Christopher Lee. However, the silence can just be equally effective to deliver the short burst of fright.
Its main obstacle is, ironically, its own unworldly styles. They can be so strange that one or a couple of them might alienate the audience. Among even fans of comic book or horror, not every tale would resonate on the same level. Still, they are relatively short, so one would most likely find something to adore here.
This collection is a myriad of uncanny tales affectionately crafted with unique visual. They are unmistakably bleak yet charming and designed to charm viewer with sheer oddity.
An interesting anthology of Edgar Poe short stories.
The best part is that they use different forms of animation for each story. They all add a special feeling to each story. The one from Tell tale Heart is pretty hard to watch, but it very artistic and is fine for such a short animation, it is also extra creepy because of it and it fits well with the old recording of Bela Lugosi.
I liked the comic books style animation of The Facts in the Case of M. Valdemar, it gave it a very vintage feeling.
All in all a great collection. Doesn't really feel like horror animation though. I think it is even suitable for children from a certain age to introduce them to literature.
The best part is that they use different forms of animation for each story. They all add a special feeling to each story. The one from Tell tale Heart is pretty hard to watch, but it very artistic and is fine for such a short animation, it is also extra creepy because of it and it fits well with the old recording of Bela Lugosi.
I liked the comic books style animation of The Facts in the Case of M. Valdemar, it gave it a very vintage feeling.
All in all a great collection. Doesn't really feel like horror animation though. I think it is even suitable for children from a certain age to introduce them to literature.
Extraordinary Tales (2013)
** 1/2 (out of 4)
This animated anthology film from director Raul Garcia is certainly a mixed bag but it's certainly worth watching if you're a horror fan or a fan of Poe's stories. Basically what we've got here are five different Poe stories being told but what makes this film special is that they're narrated by some rather famous people.
Christopher Lee does "The Fall of the House of Usher," "The Tell- Tale Heart" features Bela Lugosi, "The Facts in the Case of M. Valdemar" has Julian Sands, "Guillermo Del Toro does "The Pit and the Pendulum" while the final segment, "The Masque of the Red Death" is told silent.
As is the case with most anthology films, they're always a mixed bag because the story quality is just so different from one to the next. For the most part this film is entertaining just because of how creative it was and because of the fact that it has some very big names in the horror genre lending their voices. An an overall level I'd argue that "The Facts in the Case of M. Valdemar" is the best because it does feature the best animation and the overall tone is quite good.
The first film with Lee features the actor doing some great narration but I must admit that I didn't care too much for the CGI style. The Lugosi segment was an interesting one as it features an archival vocal performance with a bunch of static. To add to the feel of the audio this short was done in B&W and the effect is mildly amusing. Del Toro does a nice vocal performance and the final film also features some good animation.
EXTRAORDINARY TALES certainly has its flaws throughout and it's certainly uneven at times but if you're a fan of the actors or of Poe's work then it's worth watching.
** 1/2 (out of 4)
This animated anthology film from director Raul Garcia is certainly a mixed bag but it's certainly worth watching if you're a horror fan or a fan of Poe's stories. Basically what we've got here are five different Poe stories being told but what makes this film special is that they're narrated by some rather famous people.
Christopher Lee does "The Fall of the House of Usher," "The Tell- Tale Heart" features Bela Lugosi, "The Facts in the Case of M. Valdemar" has Julian Sands, "Guillermo Del Toro does "The Pit and the Pendulum" while the final segment, "The Masque of the Red Death" is told silent.
As is the case with most anthology films, they're always a mixed bag because the story quality is just so different from one to the next. For the most part this film is entertaining just because of how creative it was and because of the fact that it has some very big names in the horror genre lending their voices. An an overall level I'd argue that "The Facts in the Case of M. Valdemar" is the best because it does feature the best animation and the overall tone is quite good.
The first film with Lee features the actor doing some great narration but I must admit that I didn't care too much for the CGI style. The Lugosi segment was an interesting one as it features an archival vocal performance with a bunch of static. To add to the feel of the audio this short was done in B&W and the effect is mildly amusing. Del Toro does a nice vocal performance and the final film also features some good animation.
EXTRAORDINARY TALES certainly has its flaws throughout and it's certainly uneven at times but if you're a fan of the actors or of Poe's work then it's worth watching.
Not sure why the average ratings ... I found this quite beautiful.
Its only flaw is how short it is, however its gorgeous visuals, voice acting and symphonic music more than atone.
The final short did not need narrating because its clear what the message is. I loved how different they all were, intententinaly so, and believe it or not voice matters.
The first short was Gothic perfection! The second not my favorite, but it was good. The Third and Fourth had some suspense and horror in it and the final one had an excellent theme.
There is not much to say about an animated tribute to EAP work summed up in 117 minutes or so, but this came close enough to say plenty.
Final Grade -A
Its only flaw is how short it is, however its gorgeous visuals, voice acting and symphonic music more than atone.
The final short did not need narrating because its clear what the message is. I loved how different they all were, intententinaly so, and believe it or not voice matters.
The first short was Gothic perfection! The second not my favorite, but it was good. The Third and Fourth had some suspense and horror in it and the final one had an excellent theme.
There is not much to say about an animated tribute to EAP work summed up in 117 minutes or so, but this came close enough to say plenty.
Final Grade -A
Le saviez-vous
- AnecdotesThe stories featured are "The Fall of the House of Usher," narrated by Sir Christopher Lee; "The Tell-Tale Heart," narrated by Bela Lugosi; "The Facts in the Case of M. Valdemar," narrated by Julian Sands; "The Pit and the Pendulum," narrated by Guillermo del Toro; and "The Masque of the Red Death," which isn't narrated.
- Gaffes(around 1h 08 mins) A tombstone giving data for Edgar Allan Poe with birth and death dates is seen; also showing a quote from one of his most famous writings but is misquoted as 'QUOT THE RAVEN "NEVERMORE"'. All publications and references to The Raven have always used the proper verbiage of Quoth instead of quot.
- Citations
Death: They all succumb to my prowess. The poor, the weak; the rich, the powerful. Everybody bows before me. I offer you one last chance.
Crow: I don't want my work to be lost forever. My work is eternal. I want that eternity. I want to be sure my words will survive me, that they will be never lost in time.
Death: That, my friend, NEVERMORE!
- Crédits fousIn the opening credits of The Tell Tale Heart, it says: " Inspired by the art of Alberto Breccia". Alberto Breccia is a famous cartoonist, well known for his black-and-white style.
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- How long is Extraordinary Tales?Alimenté par Alexa
Détails
Box-office
- Budget
- 2 000 000 € (estimé)
- Durée1 heure 13 minutes
- Couleur
- Rapport de forme
- 1.85 : 1
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